25 kV alternating current electrification is commonly used in railway electrification systems worldwide, especially for high-speed rail.
This electrification is ideal for railways that cover long distances or carry heavy traffic. After some experimentation before World War II in Hungary and in the Black Forest in Germany, it came into widespread use in the 1950s.
One of the reasons why it was not introduced earlier was the lack of suitable small and lightweight control and rectification equipment before the development of solid-state rectifiers and related technology. Another reason was the increased clearance distances required where it ran under bridges and in tunnels, which would have required major civil engineering in order to provide the increased clearance to live parts.
Railways using older, lower-capacity direct current systems have introduced or are introducing 25 kV AC instead of 3 kV DC/1.5 kV DC for their new high-speed lines.
The first successful operational and regular use of the 50 Hz system dates back to 1931, tests having run since 1922. It was developed by Kálmán Kandó in Hungary, who used 16 kV AC at 50 Hz, asynchronous traction, and an adjustable number of (motor) poles. The first electrified line for testing was Budapest–Dunakeszi–Alag. The first fully electrified line was Budapest–Győr–Hegyeshalom (part of the Budapest–Vienna line). Although Kandó's solution showed a way for the future, railway operators outside of Hungary showed a lack of interest in the design.
I really can't remember why
Why I loved you
I really can't remember when
When I gave a care
Everytime I think of you
You keep on fading
And everytime I hear your name
I feel nothing deep inside
I know that your callin
I know that your tryin to change my mind
Anyway that I sing it
It is still the same
Your a G out of key
And one note remains
In the key of C
I don't give an F about you
Anyway that I sing it
It is still the same
Your a G out of key
And one note remains
In the key of C
I don't give an F about you
I really can't remember why
Why I need it
I really can't remember how
How you layed me down
Now you seem to come around
Uninvited
But you don't seem to understand
Or even hear my words
I could sing acapela
Or do re mi fa
With an orcastra
You won't change my tune
Anyway that I sing it
It is still the same
Your a G out of key
And one note remains
In the key of C
I don't give an F about you
Anyway that I sing it
It is still the same
Your a G out of key
And one note remains
In the key of C
I don't give an F about you
Oh (oh) I know (know)
Let go (let go, let go)
Sitting in the key of C
Oh (oh) I know that your missin me
Let go (let go, let go)
(Sitting in the key of C)
I could sing acapela
Or do re mi fa
With an orcastra
You won't change my tune
Anyway that I sing it
It is still the same
Your a G out of key
And one note remains
In the key of C
I don't give an F about you
Anyway that I sing it
It is still the same
Your a G out of key
And one note remains
In the key of C
I don't give an F about you
And you keep on tryin to call me
And I see that you are lonely
In the key of C (key of C)
I don't give an F about you
After all the lies and games
Heres my note and my note remains
In the key of C