Mau, now known as Maunath Bhanjan, is an industrial town in Uttar Pradesh, India, located nearly 120 km from Varanasi on the banks of Tamsa (Choti Saryu). It is a major centre of the textile weavers. It is divided into 4 tehsils, 9 blocks, 596 gram panchayats and 1644 villages. The Tamasa river flows through the city. In the 1960s it was the biggest supplier of a plant called plash. This town is the headquarters of the Mau district.
Many myths are popular regarding the history of Mau district. The word 'Mau' means 'padaav' or 'chhavani' in Turkish language i.e. barrack. The city was used as barracks by many rulers since long ago. Shershah Suri, Akbar, Aurangzeb are the prominent rulers who used the city in such a way. There is a mosque, built by Aurangzaib's sister Jahan Aara Beghum, the shahi mosque attached with a number of barracks (can be seen still now) in mohalla keyari tola.
It is also believed by the People of Mau that centuries before lived a man (a natt), a dancer named 'Muhoo Natt Bhajjan', who was cruel in nature. He always use to tease people the entire area therefore, a Holy man (Malik tahir baba, who was the chief of the area) asked him to leave that area, for the sake of his people, to which he replied negatively. Then the malik tahir baba challenged him to wrestle and win. If he wins, Malik tahir baba will leave the area else he himself will. After the wrestle the Malik tahir baba won. He asked the natt to leave the place at once. He agreed and kept his condition to leave. He asked the Malik tahir baba to keep the name of his area on his (Natt's) name. Malik tahir baba agreed and gave the name of his area 'Muhoo Natt Bhajjan'. This named was further modified to 'Maunath Bhanjan'.
Mau may refer to:
Mauá (IPA: [ma'wa]) is a municipality in the state of São Paulo, in Brazil. Is part of the metropolitan region of São Paulo. The population as of 2006 is 413,943 inhabitants (11th largest city in population number of the state), the density is 6,645.4/km² and the area is 62.6 km². The density is in fact bigger, since one third of the city is occupied by industries and 10% is countryside or forest. Its name comes from the Tupi language and means the one that is high. As it's a municipality, it can also be translated as high city. However, back when the city was a small village, its name was Pilar, then the name was changed in 1934 into Mauá as a homage to Visconde de Mauá, entrepreneur which built the railway Santos-Jundiaí that passes through the city.
Mauá has the 23rd largest GDP of São Paulo state.
Is the birthplace of Brazilian tableware industry.
Although there are various types of economic activity in the city (Logistics, Metallurgy, Chemical and Electrical Materials, and Petrochemical), Maua is still remembered as the "Capital of China and Pottery", because this activity was very important for the development of the municipality. There are two industrial centers (Capuava and Sertãozinho) and a large petrochemical complex plant where the refinery of Petrobras is located, the RECAP. These poles transformed Mauá into one of the largest industrial parks in the country. Major road interventions are being implemented (the Mário Covas Beltway and the prolongation of the Avenue Jacu-Pêssego/Nova Trabalhadores), which, due to the improved access to the city should influence the growth of industrial activity, who nowadays suffers with the bottleneck of the road network and its chronic lack of maintenance.
Non ho bisogno più di niente
Adesso che
Mi illumini dÂ’amore immenso fuori e dentro
Credimi se puoi
Credimi se vuoi
Credimi e vedrai non finirà mai
Ho desideri scritti in alto che volano
Ogni pensiero è indipendente dal mio corpo
Credimi se puoi
credimi perché
farei del male solo e ancora a me
Qui grandi spazi e poi noi
Cieli aperti che ormai
Non si chiudono più
C’è bisogno di vivere da qui
Vivimi senza paura
Che sia una vita o che sia unÂ’ora
Non lasciare libero o disperso
Questo mio spazio adesso aperto ti prego
Vivimi senza vergogna
Anche se hai tutto il mondo contro
Lascia lÂ’apparenza e prendi il senso
E Ascolta quello che ho qui dentro
Così diventi un grande quadro che dentro me
Ricopre una parete bianca un poÂ’ anche stanca
Credimi se puoi
Credimi perché
Farei del male solo e ancora a me
Qui tra le cose che ho
Ho qualcosa di più
Che non ho avuto mai
Hai bisogno di vivermi di più
Vivimi senza paura
Che sia una vita o che sia unÂ’ora
Non lasciare libero o disperso
Questo mio spazio adesso aperto, ti prego
Vivimi senza vergogna
Anche se hai tutto il mondo contro
Lascia lÂ’apparenza e prendi il senso
E ascolta quello che ho qui dentro
Hai aperto in me
La fantasia
Le attese i giorni di unÂ’illimitata gioia
Hai preso me
Sei la regia
Mi inquadri e poi mi sposti in base alla tua idea
Vivimi senza paura
Anche se hai tutto il mondo contro
Lascia lÂ’apparenza e prendi il senso