Vital or Vitals may refer to:
Vital is the sixth studio album by American alternative rock band Anberlin which was released on October 16, 2012. In interviews, vocalist Stephen Christian has stated the album has a youthful, energetic energy and features new influences for the band. Upon release, the album was met with favorable reviews from critics and fans alike. The album was re-released in 2013 as Devotion, adding the deluxe tracks from various retailers, new remixes, and a full live album.
Vital garnered generally positive reception from music critics. The review aggregator website Metacritic gives a weighted average rating to an album based upon the selected independent mainstream reviews it utilizes, and the album has a Metascore of a 77 out of 100 based on five reviews.
At Alternative Press, Evan Lucy stating that "Vital [is] the most well-rounded Anberlin album to date." Matt Collar of AllMusic saying that "Ultimately, while Vital is Anberlin's most challenging album to date, as the title implies, it is perhaps the band's most rewarding album." At AbsolutePunk, Jack Appleby writing that "Calling Vital a career-defining record isn't a stretch in the least", which it "is the best record in Anberlin’s 10 year career, bar none." SowingSeason of Sputnikmusic remarking that "Even if it isn’t the best album they’ve ever made, Vital is perhaps the smartest", that contains some "otherworldly vocals." At Melodic, Johan Wippsson commenting that "the band has kept the energy that characterizes their sound and overall it’s an album that shows that the band is in the right direction."
Vital is the first live album by English progressive rock band Van der Graaf Generator. It was recorded 16 January 1978 at the Marquee Club in London and was released in July, one month after the band's 1978 break-up. The album (on vinyl and, later, on CD) was credited under the abbreviated name Van der Graaf, like the previous year's The Quiet Zone/The Pleasure Dome, and featured the same line-up plus newcomer cellist Charles Dickie, who had officially joined the band in August 1977, and original saxophonist and flautist David Jackson, who re-joined the band for this recording.
The album is noted for its sometimes radical reworking of the older material. Although Van der Graaf Generator were seldom less than intense on stage, the 1977 and 1978 tours were remarkable for their ferocity. The absence of Hugh Banton, whose organ work was a hallmark of the group's sound before his departure in 1976, as well as frontman Peter Hammill's increased duties as a rhythm guitarist, account for much of this.
Hit! is a 1973 action film directed by Sidney J. Furie and starring Billy Dee Williams and Richard Pryor. It is about a federal agent trying to destroy a drug zone after his daughter dies from a heroin overdose.
An alternate title for the film was Goodbye Marseilles.
Many of the people, both cast and crew, involved in this film had previously worked on Lady Sings the Blues (1972).
The role of Nick Allen was originally written for Steve McQueen.
Hit is a verb meaning to strike someone or something.
Hit or HIT may also refer to:
Hitā (Sanskrit: हिता) means 'causeway' or 'dike'. In the Upanishads this word is used to mean 'subtle connections' or 'canals of subtle energies', or particular 'nerves' or 'veins'. The journey to the heart is said to be through seventy-two thousand subtle channels called Hitā; they are the beneficent active veins (filled with different types of serums).
Proud Balaki skilled in expounding, eloquent, went to Ajatsatru, the King of Benares, to impart superior wisdom to him which he knew only as the conditioned Brahman; he knew about the physical and physiological categories and therefore, the king soon realized that Balaki did not know about Brahman. Balaki was not aware of the fact that whatever he knew was the result of ignorance, that the results of ignorance, being finite things, are separated from him. Ajatsatru then tells Balaki Gargya that reality is to be found in the deep-sleep-consciousness. Pippalada, the sage of the Prashna Upanishad, holds that sleep is caused by the senses being absorbed in that highest 'sensorium' the mind, which is why in deep sleep man is not able to hear, not to see, nor to smell because the mind is then merged into an ocean of light.