Expo may refer to:

  • Expo (exhibition), short for "exposition", and also known as World's Fair
  • A trade fair, an exhibition where companies in an industry showcase and demonstrate their latest products
  • Computer expo, a trade fair focused on computers and electronics

See also [link]


https://wn.com/Expo

Expo (album)

Expo is the second album from the Robert Schneider solo project Marbles and is the follow-up to the 1997 release Pyramid Landing (And Other Favorites). Whereas Pyramid Landing was a showcase of experimental pop songs, Expo focuses more sharply on electronic pop music, similar to that of Gary Numan, one of Schneider's influences on the Expo. Other influences include Electric Light Orchestra, Brian Eno, Phoenix and The Cars. The liner notes for the album state a dedication to "Marci and Max". The album was released in 2005.

Track listing

All tracks written by Robert Schneider.

  • "Circuit" – 2:32
  • "Out of Zone" – 3:46
  • "When You Open" – 3:52
  • "Magic" – 1:50
  • "Jewel of India" – 2:53
  • "Hello Sun" – 2:12
  • "Expo" – 0:59
  • "Cruel Sound" – 1:28
  • "Blossoms" – 1:39
  • "Move On" – 4:14
  • Bonus material

    On the CD release, there are six bonus mp3s that can be accessed by a computer. They include:

  • "Robert's Commentary (Part 1)" – 3:57
  • "Stars on the Sea" – 3:57
  • "Boats on the Water" – 2:08
  • "Robert's Commentary (Part 2)" – 4:05
  • Expo (Stockhausen)

    Expo, for three performers with shortwave receivers and a sound projectionist, is a composition by Karlheinz Stockhausen, written in 1969–70. It is Number 31 in the catalogue of the composer's works.

    Conception

    Expo is the penultimate in a series of works dating from the late 1960s which Stockhausen designated as "process" compositions. These works in effect separate the "form" from the "content" by presenting the performers with a series of transformation signs which are to be applied to material that may vary considerably from one performance to the next. In Expo and three companion works (Kurzwellen for six performers, Spiral for a soloist, and Pole for two), this material is to be drawn spontaneously during the performance from short-wave radio broadcasts (Kohl 1981, 192–93). The processes, indicated primarily by plus, minus, and equal signs, constitute the composition and, despite the unpredictability of the materials, these processes can be heard from one performance to another as being "the same" (Kohl 2010, 137).

    Podcasts:

    PLAYLIST TIME:

    Gazebo

    by: Gazebo

    I lived my life on a razor blade
    Never found escape in my empty shade
    Till came one day when the c.i.a
    Said we need you bad down in leningrad
    I took my life of a legal alien
    A "bolivian dancer" that's what i was
    And I knew I found my aim
    Just telephone mama
    Just living on a poison pill
    Just telephone mama
    A robot dressed to kill
    Telephone mama
    That's all I kept in mind
    Just telephone mama
    The rest is left behind
    I met freulein in a french caf?
    Just a cigarette and "les jeux sont faits"
    Till came one night when she was in sight
    Through the bathroom door saw her seek for more
    I took my colt and I pointed at her eyes
    A sentimental cancer that's what it was
    And I knew I lost my prize
    Just telephone mama
    Just living on a poison pill
    Just telephone mama
    A robot dressed to kill
    Telephone mama
    That's all I kept in mind
    Just telephone mama
    The rest is left behind
    She looked at me god she was so sweet
    She knelt to my feet said she had to cheat
    Cause she lived her life on the sharpest knife
    And the k.g.b never let her breathe
    I took her hand we decided to go far
    The naivest "dancer" that's what I was
    And two men approached the car
    Just telephone mama
    Just living on a poison pill
    Just telephone mama
    A robot dressed to kill
    Telephone mama
    That's all I kept in mind
    Just telephone mama




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