20 Años
20 Años (Spanish; veinte años) or 20 Anos (Portuguese: Vinte anos); (English: 20 Years) may refer to:
Music
Spanish-language albums
Portuguese-language albums
See also
20 Años (Luis Miguel album)
20 Años is the seventh studio album by Mexican singer Luis Miguel released on May 18, 1990. The album was produced by Juan Carlos Calderón, who had worked on the two previous albums by Luis Miguel, and was a massive success across Latin-America, Spain, and with Hispanic listeners in the United States. Almost all the tracks of the album were played on the radio, but the songs officially issued as singles are "Entrégate", "Tengo Todo Excepto a Tí", "Amante del Amor", "Hoy El Aire Huele a Tí" and "Será Que No Me Amas". It received a nomination for a Grammy Award for Best Latin Pop Album and for Pop Album of the Year at the Lo Nuestro Awards.
This album was the album that confirmed the success that Luis Miguel had reached with his last album Busca Una Mujer. The album broke the record in Mexico of most copies sold in one weekend (600,000 copies during the release weekend).
"Será Que No Me Amas" had an "official choreography" that remains popular in Mexico to date.
Track listing
20 Años (Gian Marco album)
20 Años is a 2012 original album by Peruvian singer Gian Marco. The disc won a Latin Grammy Award in the best singer songwriter category in 2012.
References
Haitian Vodou
Haitian Vodou (/ˈvoʊ.duː/, French: [vodu], also written as Vaudou;/ˈvoʊ.duː/ Vodun or Vodoun/ˈvoʊ.duːn/; and Voodoo /ˈvuː.duː/) is a syncreticreligion practiced chiefly in Haiti and the Haitian diaspora. Practitioners are called "vodouists" (French: vodouisants [voduisɑ̃]) or "servants of the spirits" (Haitian Creole: sèvitè).
Vodouists believe in a distant and unknowable Supreme Creator, Bondye (derived from the French term Bon Dieu, meaning "good God"). As Bondye does not intercede in human affairs, vodouists direct their worship toward spirits subservient to Bondye, called loa. Every loa is responsible for a particular aspect of life, with the dynamic and changing personalities of each loa reflecting the many possibilities inherent to the aspects of life over which they preside. In order to navigate daily life, vodouists cultivate personal relationships with the loa through the presentation of offerings, the creation of personal altars and devotional objects, and participation in elaborate ceremonies of music, dance, and spirit possession.
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