The name Mingus may refer to:
Mingus is the tenth studio album by Canadian singer-songwriter Joni Mitchell, and a collaboration with jazz musician Charles Mingus. Recorded in the months before his death, it would be Mingus's final musical project; the album is wholly dedicated to him.
The album is quite experimental, featuring minimalist jazz, overplucked, buzzing acoustic guitars, and even wolves howling through "The Wolf That Lives In Lindsey". All of the lyrics are by Mitchell, while the music for four of the songs was composed by Mingus, three being new tunes, a fourth being his tribute to saxophonist Lester Young from his 1959 classic Mingus Ah Um, "Goodbye Pork Pie Hat", for which Mitchell wrote a set of lyrics.
As with the release preceding, Don Juan's Reckless Daughter, Mitchell hired personnel from jazz fusion group Weather Report, notably bassist Jaco Pastorius to play on the sessions. Mingus would also mark the first reunion of saxophonist Wayne Shorter and pianist Herbie Hancock in the studio since recording together on Shorter's seminal Native Dancer album, featuring Milton Nascimento, released in September 1974.
Mingus is an album by jazz bassist and composer Charles Mingus. The album was recorded in October and November 1960 in New York for Nat Hentoff's Candid label.
At this time Mingus was working regularly with a piano-less quartet featuring Eric Dolphy, Ted Curson and Dannie Richmond, as heard on the Charles Mingus Presents Charles Mingus album also recorded in November 1960. The Mingus album features one track, "Stormy Weather", recorded by the same quartet, plus two tracks recorded by a larger group featuring piano and additional horns.
The track "M.D.M." weaves together the themes from three compositions: Duke Ellington's "Main Stem", Thelonious Monk's "Straight, No Chaser" and Mingus's own "Fifty-First Street Blues". The track "Lock 'Em Up" was inspired by an apparently involuntary period of treatment Mingus underwent at New York's Bellevue psychiatric facility.
[ Merchant ]
If you intend to live again,
then open your eyes and don't pretend you're feeling there's nothing worth believing.
God, if you persist you'll die like this,
and wither in the midst of your first season,
cut down with no reason.
How can you be so near and not see everything?
If you intend to live again,
then take the outstreched hand of the one that needs you.
It's been so long, we've missed you.
Why do you intend to speed your end?
Lie in the dark and let your limbs grow weaker, sinking low then deeper.
How can you be so near and not see everything?
Feel what might be. See what I see.
Again and again and again and again say you don't.
You say you don't, but you will.
How can you be so near and not see?