Filmmaking

Filmmaking (or in an academic context, film production) is the process of making a film. Filmmaking involves a number of discrete stages including an initial story, idea, or commission, through scriptwriting, casting, shooting, sound recording and reproduction, editing, and screening the finished product before an audience that may result in a film release and exhibition. Filmmaking takes place in many places around the world in a range of economic, social, and political contexts, and using a variety of technologies and cinematic techniques. Typically, it involves a large number of people, and can take from a few months to several years to complete.

Stages of production

Film production consists of five major stages:

Filmmaker (magazine)

Filmmaker is a quarterly publication magazine covering issues relating to independent film. The magazine was founded in 1992 by Karol Martesko-Fenster, Scott Macaulay and Holly Willis. The magazine is now published by IFP (Independent Feature Project), which acts in the independent film community.

With a readership of more than 60,000, the magazine includes interviews, case studies, financing and distribution information, festival reports, technical and production updates, legal pointers, and filmmakers on filmmaking in their own words. Editor-in-Chief Scott Macaulay's experience as a working independent producer informs those who cover the behind-the-scene aspects of the creative, technical and business realities facing specialized film.

The magazine used to be available outside the US in London but has not been on sale in the UK since early 2009.

Annual features

Filmmaker (disambiguation)

Filmmaker refers to a person involved in filmmaking.

Filmmaker may also refer to:

See also

Filmmaker (film)

Filmmaker, or "Filmmaker: a diary by george lucas", is a 32 minute documentary made in 1968 by George Lucas about the making of Francis Ford Coppola's The Rain People.

Production

Coppola was working on The Rain People as a small, intimate film about real-life people, and Lucas decided to make a small, intimate cinema-verite documentary about the making of Coppola's film. Lucas pitched the idea of a documentary to Coppola, who gave Lucas the go-ahead, with the film paid for from Rain People's still photography budget.

The budget of the documentary was $12,000. Lucas filmed and recorded sound for the documentary himself, using an otherwise unutilised 16mm production camera and a Nagra tape recorder. Mona Skager, an associate on Rain People, often saw Lucas on the floor, shooting up through glass-topped tables. "It was basically because the camera was too heavy", she recalled. Ron Colby, producer on The Rain People, described Lucas's work habits: "George was around in a very quiet way. You'd look around and suddenly there'd be George in a corner with his camera. He'd just kind of drift around. But he shot the camera, did his own sound. He was very much a one-man band". Lucas would spend nearly every day shooting the documentary, while working on the script for THX 1138 at night.