Dead (disambiguation)

Dead refers to that which has experienced death.

Dead may also refer to:

Arts, entertainment, and media

Music

Artists

Albums

Songs

Television

Chemistry

See also

The Black Parade

The Black Parade is the third studio album by American rock band My Chemical Romance. Released on October 23, 2006 through Reprise Records, it was produced by Rob Cavallo, known for having produced multiple albums for Goo Goo Dolls and Green Day. It is a rock opera centering on a dying character with cancer known as "The Patient". The album tells the story of his apparent death, experiences in the afterlife, and subsequent reflections on his life.

Four singles were released from the album: "Welcome to the Black Parade", "Famous Last Words", "I Don't Love You", and "Teenagers".The Black Parade has received generally favorable reviews, and the band achieved its first Number 1 single in the UK with "Welcome to the Black Parade". The album debuted at number two on both the Billboard 200 and the UK Albums Chart and is also certified as platinum by the RIAA, as well as a Platinum certification in the UK and a Gold certification in Argentina by the CAPIF and in Chile by the IFPI Chile.The Black Parade was given the Platinum Europe Award by the International Federation of the Phonographic Industry for 1 million sales in Europe. The limited edition boxed set also earned My Chemical Romance a Grammy Award nomination. In the video game Guitar Hero II (Xbox 360 version), the song "Dead!" was added to the game's track list prior to the earlier PS2 version, and the three songs "Teenagers," "Famous Last Words" and "This Is How I Disappear" are available for download. The Black Parade has sold 1,610,000 copies in the US as of October 2010, and has sold 3,000,000 copies worldwide.

Phrase

In everyday speech, a phrase may be any group of words, often carrying a special idiomatic meaning; in this sense it is roughly synonymous with expression. In linguistic analysis, a phrase is a group of words (or possibly a single word) that functions as a constituent in the syntax of a sentence—a single unit within a grammatical hierarchy. A phrase appears within a clause, although it is also possible for a phrase to be a clause or to contain a clause within it.

Common and technical use

There is a difference between the common use of the term phrase and its technical use in linguistics. In common usage, a phrase is usually a group of words with some special idiomatic meaning or other significance, such as "all rights reserved", "economical with the truth", "kick the bucket", and the like. It may be a euphemism, a saying or proverb, a fixed expression, a figure of speech, etc.

In grammatical analysis, particularly in theories of syntax, a phrase is any group of words, or sometimes a single word, which plays a particular role within the grammatical structure of a sentence. It does not have to have any special meaning or significance, or even exist anywhere outside of the sentence being analyzed, but it must function there as a complete grammatical unit. For example, in the sentence Yesterday I saw an orange bird with a white neck, the words an orange bird with a white neck form what is called a noun phrase, or a determiner phrase in some theories, which functions as the object of the sentence.

Doolittle (album)

Doolittle is the second studio album from the American alternative rock band Pixies, released in April 1989 on 4AD. The album's offbeat and dark subject material, featuring references to surrealism, Biblical violence, torture and death, contrasts with the clean production sound achieved by the newly hired producer Gil Norton. Doolittle was the Pixies' first international release, with Elektra Records acting as the album's distributor in the United States and PolyGram in Canada.

Pixies released two singles from Doolittle, "Here Comes Your Man" and "Monkey Gone to Heaven", both of which were chart successes on the US chart for Modern Rock Tracks. The album itself reached number eight on the UK Albums Chart, an unexpected success for the band. In retrospect, album tracks such as "Debaser", "Wave of Mutilation", "Monkey Gone to Heaven", "Gouge Away", and "Hey" are highly acclaimed by critics, while the album, along with debut LP Surfer Rosa, is often seen as the band's strongest work.

Flood (They Might Be Giants album)

Flood is the third studio album by Brooklyn-based alternative rock duo They Might Be Giants, released in January 1990. Flood was the duo's first album on the major label Elektra Records. It generated three singles: "Birdhouse in Your Soul", "Istanbul (Not Constantinople)", and the domestic promotional track "Twisting". The album is generally considered to be the band's definitive release, as it is their best-selling and most recognizable album. Despite minimal stylistic and instrumental differences from previous releases, Flood is distinguished by contributions from seasoned producers Clive Langer and Alan Winstanley. John Linnell and John Flansburgh also took advantage of new equipment and recording techniques, including unconventional, home-recorded samples, which were programmed through Casio FZ-1 synthesizers. The album was recorded in New York City at Skyline Studios, which was better equipped than studios the band had worked in previously.

Promotion for Flood included television appearances, promotional videos, and an international tour. The album's mainstream promotion and success contributed to its status as the band's most well known album. Many fans, including young viewers of Tiny Toon Adventures, were first exposed to They Might Be Giants's music through Flood.

Dead (Young Fathers album)

Dead is the debut studio album by Scottish hip hop group Young Fathers. It was released on Anticon and Big Dada on 31 January 2014 (2014-01-31) . The album was the winner of the 2014 Mercury Prize. On 2 November, Dead entered the official top 100 UK album chart for the first time, four days after their Mercury success, debuting at 35.

Critical reception

Dead received critical acclaim from contemporary music critics. At Metacritic, which assigns a weighted average score out of 100 to reviews and ratings from mainstream critics, the album received a metascore of 83, based on 13 reviews, indicating "universal acclaim."