A devastating and heart-rending take on grizzly bear activists Timothy Treadwell and Amie Huguenard, who were killed in October of 2003 while living among grizzly bears in Alaska.A devastating and heart-rending take on grizzly bear activists Timothy Treadwell and Amie Huguenard, who were killed in October of 2003 while living among grizzly bears in Alaska.A devastating and heart-rending take on grizzly bear activists Timothy Treadwell and Amie Huguenard, who were killed in October of 2003 while living among grizzly bears in Alaska.
- Awards
- 22 wins & 17 nominations
- Self
- (archive footage)
- Self
- (archive footage)
- Self
- (voice)
- …
- Self
- (archive footage)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaDuring a BBC interview about the film, Werner Herzog was shot with an air rifle. The interview continued indoors. At the end, Herzog was encouraged to check his wound. Despite having "a bruise the size of a snooker ball, with a hole in it," Herzog declared "It was not a significant bullet. I am not afraid."
- GoofsAs Herzog urges Jewel Palovak never to listen to Timothy's last tape, he says it will always be "the white elephant in your room". This is a conflation of two different expressions.
- Quotes
Werner Herzog: And what haunts me, is that in all the faces of all the bears that Treadwell ever filmed, I discover no kinship, no understanding, no mercy. I see only the overwhelming indifference of nature. To me, there is no such thing as a secret world of the bears. And this blank stare speaks only of a half-bored interest in food. But for Timothy Treadwell, this bear was a friend, a savior.
- Alternate versionsThe DVD from Lions Gate Home Entertainment opens with a disclaimer stating that the film has been changed from its theatrical version. The sole change is in the first ten minutes where Herzog explains that Treadwell had become a semi-celebrity. In the theatrical version a clip is shown of Treadwell on CBS' "Late Show with David Letterman." Treadwell comes out and explains what he has been doing and Letterman quips, "We're not going to open a newspaper one day and read about you being eaten by a bear are we?" In the DVD version this exchange is omitted and replaced with a NBC news segment of Treadwell being interviewed. When the interviewer asks if he would ever want a gun to protect himself, Treadwell states that he "would never, ever kill a bear even in the defense of my own life."
- ConnectionsEdited into Diminishing Returns: Crank (2017)
- SoundtracksCoyotes
by McDill (as Bob McDill)
Performed by Don Edwards
Courtesy of Universal-Polygram Int. Publ., Inc.
On behalf of itself and Ranger Bob Music (ASCAP), Warner Bros. Records, Inc. by arrangement with Warner Strategic Marketing
At first, what's so amazing about Treadwell is how camp he is. He has a squeaky little voice, a peculiar obsession with his wispy hair and he's always cooing, "I love you" to his animal 'friends'. It seems remarkable that such a person would survive so long in the wilderness. But fortunately for Treadwell, he's both tough and completely insane. Therefore he has the blind confidence of the deluded he never really thinks about what he's doing.
Treadwell's lack of real insight is summed up in his life's purpose he wants to protect the bears. But the forces that he's protecting the bears from are amorphous (poachers and the Park Service). They're never really there. And it's telling that when some strangers finally do turn up, Treadwell can only hide in the bushes and film from afar as the men throw rocks at the bears he doesn't do much protecting.
But as Treadwell admits, it's more about the bears protecting him. Which, I guess, is ridiculous (and it is), but it's also true. As the film shows us, Treadwell was in all kinds of trouble before he went bear crazy. He lost his scholarship, became a drunk and got involved with criminal elements. Had he kept steering that course, he probably would have wound up getting killed. And although it's darkly comic that his new obsession finally did bring about his death, it did at least provide him with a momentary release.
The film that Treadwell shot is both amusing and sad. It's amusing because Treadwell is such a strange figure, declaring himself a 'kind warrior' and touching bear faeces with an almost orgasmic excitement. But it's sad because Treadwell is so out of touch with reality. For example, he gives all the bears cute little names like 'Mr Chocolate' and 'Rowdy' he even calls a particularly nasty bear 'The Grinch'. All the time he's trying to humanise them. He desperately wants to be their friend. And although at times Treadwell seems to understand that they're killers, it never truly sinks in that they could kill him. "I will not die at their claws and paws," he says.
Another illuminating moment is when one of his fox friends steals his cap. He seems deeply upset; he seems personally affronted. He just doesn't quite grasp the fact that these are wild animals, that they aren't really his pals. But despite this, Treadwell does capture some wonderful moments on film. There's a fantastic bit where he's in his tent playing with the paws of a fox that come poking through from outside. It's here that you can understand why Treadwell has isolated himself from people. It's innocent moments like this that keep him hanging on to the few marbles he has left rattling about in his brain.
But although Treadwell doesn't really understand nature, Herzog does. In his unmistakable German accent he says he sees no kinship in the bear's eyes: "I only see the overwhelming indifference of nature". Everything between Treadwell and the bears is one sided. The love is only his. To them he's just meat. Or as a helicopter pilot says, maybe the bears just thought he was mentally retarded.
And although the film is a wonderful insight into a crazy mind, and although it's poignant and sad, it's also very funny. And it's some of the peripheral characters who provide the biggest laughs. One moment that sticks in my mind is when Herzog is talking to Treadwell's crazy ex-girlfriend. It could and should have been a moving moment, as Herzog is listening to the tape recording of Treadwell's death, but Treadwell's ex is just so bonkers that I couldn't help but guffaw when she broke into some of the weirdest tears I've ever seen at first it seems like she's laughing. And then you have Herzog, in his gravest tones, telling her that she must never listen to the tape. And she replies, "I know, Werner." No wonder the scene has been parodied.
And then you have the coroner. He really seems to love the fact that he's in front of the camera and decides to ham it up for everyone. And this actually leads me to my one criticism of the film. There are a few sections that are just too staged the scene with the watch and the bit in the morgue stand out the most. Herzog is obviously trying to give the film more drama, to break away from the restrictions of a documentary, but the people in the film are over the top enough as it is without them acting it up for the camera. The story really doesn't need any spicing up.
But despite that one criticism, Grizzly Man is a wonderful film. It tells the story of a ridiculous man who probably did more harm that good, but at the same time the story is strangely positive. It offers hope to damaged people. It shows that by finding a purpose in life, you can overcome your problems and find some degree of happiness. I guess the trick is to focus your energies on something less dangerous than man-eating bears.
- Ricky_Roma__
- Aug 19, 2006
- Permalink
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Bi Kịch Hoang Dã
- Filming locations
- Katmai National Park, Alaska, USA(archive footage)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $3,178,403
- Opening weekend US & Canada
- $269,131
- Aug 14, 2005
- Gross worldwide
- $4,064,694
- Runtime1 hour 43 minutes
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1