A big-city police detective, Joe Mantegna, who always ignored and downplayed his Jewish heritage, finds himself forced to examine his values after being pulled off what he considers an important case, at the request of influential Jewish citizens, to investigate the death of an old Jewish storekeeper, who might have been the victim of anti-Semitic violence. This film isn't without its flaws, but writer/director David Mamet deserves a great deal of credit for having the courage to present a number of provocative questions about what it means to be a Jew in an often hostile society. The film can also be applauded for not offering any simple answers. Usually in Hollywood movies, characters are rewarded for returning to their roots. In "Homicide," the reverse is true as Mantegna soon finds his life spiraling out of his control. The drama is always compelling, if somewhat heavy-handed and implausible at times. More importantly, the Mametisms which increasing mar his work, i.e., scripts where every character speaks in exactly the same voice, and big roles for non-talented wives, are kept in check here. This is my favorite Mamet film.
