Alternating attention in continuous stereoscopic depth
S Poulakos, G Roethlin, A Schwaninger… - Proceedings of the …, 2014 - dl.acm.org
S Poulakos, G Roethlin, A Schwaninger, A Smolic, M Gross
Proceedings of the ACM Symposium on Applied Perception, 2014•dl.acm.orgThe decoupling of eye vergence and accommodation (V/A) has been found to negatively
impact depth interpretation, visual comfort and fatigue. In this paper, we explore a
hypothesis that placement of visual cues within a scene can assist a viewer in the process of
maintaining the V/A decoupling. This effect is demonstrated through the use of a continuous
depth plane that connects spatially distinct scene elements. Our experimental design
enables us to make the following three contributions:(1) We show that a continuous depth …
impact depth interpretation, visual comfort and fatigue. In this paper, we explore a
hypothesis that placement of visual cues within a scene can assist a viewer in the process of
maintaining the V/A decoupling. This effect is demonstrated through the use of a continuous
depth plane that connects spatially distinct scene elements. Our experimental design
enables us to make the following three contributions:(1) We show that a continuous depth …
The decoupling of eye vergence and accommodation (V/A) has been found to negatively impact depth interpretation, visual comfort and fatigue. In this paper, we explore a hypothesis that placement of visual cues within a scene can assist a viewer in the process of maintaining the V/A decoupling. This effect is demonstrated through the use of a continuous depth plane that connects spatially distinct scene elements. Our experimental design enables us to make the following three contributions: (1) We show that a continuous depth element can improve the time it takes to transition visual attention in depth. (2) We observe that the subjective assessment of fatigue emerges before we detect a quantitative decline in performance. (3) We aim to motivate that stereoscopic 3D content creators may learn scene composition, framing and montage from visual psychophysics.

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