Sari la conținut

Muzică experimentală

De la Wikipedia, enciclopedia liberă
Muzică experimentală
Origini stilisticeMusique concrete
Origini culturalecca. 1945, S.U.A.
Alte subiecte
No Wave, noise, noise rock, musique concrete, sound art
Modifică text Consultați documentația formatului
Luigi Russolo, Intonarumori, 1920

Sintagma muzică experimentală desemnează o ramură a muzicii, evidențiată mai întâi în a doua jumătate a anilor 1950, cu precădere în Statele Unite ale Americii și Europa de Vest (mai cu seamă, în Marea Britanie – trăsături se regăsesc). În continuare, atenția unora dintre muzicieni se va îndrepta către diversificarea aspectelor formale ale scriiturii (ritm, metrică, timbralitate, forma muzicală), dând naștere rock-ului progresiv sau art rock-ului; alții vor prefera forme simetrice, o orchestrație consecventă și se vor îndepărta de experiment.

Muzicieni reprezentativi

[modificare | modificare sursă]

Bibliografie

[modificare | modificare sursă]
  • Ankeny, Jason. [n.d.] "The Residents: Biography". Allmusic.com.
  • Anon. [n.d.]a. "Explore Music ... Explore by ... /Avant-Garde//Experimental: Genre". Allmusic.com.
  • Anon. [n.d.]b. "Explore Music ... Explore by ... /Pop/Rock/Punk/New Wave/No Wave". Allmusic.com.
  • Bateman, Shahbeila. [n.d.]. "Biography of Yoko Ono" Arhivat în , la Wayback Machine.. Website of Hugh McCarney, Communication Department, Western Connecticut University. (Accessed 15 February 2009)
  • Beal, Amy C. 2006. New Music, New Allies: American Experimental Music in West Germany from the Zero Hour to Reunification. Berkeley: University of California Press. ISBN 0-520-24755-8
  • Blake, Michael. 1999. "The Emergence of a South African Experimental Aesthetic". In Proceedings of the 25th Annual Congress of the Musicological Society of Southern Africa, edited by Izak J. Grové. Pretoria: Musicological Society of Southern Africa.
  • Boulez, Pierre. 1986. "Experiment, Ostriches, and Music", in his Orientations: Collected Writings, translated by Martin Cooper, 430–31. Cambridge: Harvard University Press. ISBN 0-674-64375-5 Originally published as "Expérience, autriches et musique". Nouvelle Revue Française, no. 36 (December 1955): 1, 174–76.
  • Burt, Warren. 1991. "Australian Experimental Music 1963–1990". Leonardo Music Journal 1, no. 1:5–10.
  • Cage, John. 1961. Silence: Lectures and Writings. Middletown, Connecticut: Wesleyan University Press. Unaltered reprints: Weslyan University press, 1966 (pbk), 1967 (cloth), 1973 (pbk ["First Wesleyan paperback edition"], 1975 (unknown binding); Cambridge, Mass: MIT Press, 1966, 1967, 1969, 1970, 1971; London: Calder & Boyars, 1968, 1971, 1973 ISBN 0-7145-0526-9 (cloth) ISBN 0-7145-1043-2 (pbk). London: Marion Boyars, 1986, 1999 ISBN 0-7145-1043-2 (pbk); [n.p.]: Reprint Services Corporation, 1988 (cloth) ISBN 99911-780-1-5 [In particular the essays "Experimental Music", pp. 7–12, and "Experimental Music: Doctrine", pp. 13–17.]
  • Cope, David. 1997. Techniques of the Contemporary Composer. New York, New York: Schirmer Books. ISBN 0-02-864737-8.
  • Crumsho, Michael. 2008. "Dusted Reviews: Neptune—Gong Lake". Dusted Magazine 2008 (February 19).
  • Grant, Morag Josephine. 2003. "Experimental Music Semiotics". International Review of the Aesthetics and Sociology of Music 34, no. 2 (December): 173–91.
  • Hasse, Gretchen. 2007. "Heavy Metal Is Just That for the Heavy-Lifting Jason Sanford of Neptune". Gearwire.com (5 December).
  • Hiller, Lejaren, and L. M. Isaacson. 1959. Experimental Music: Composition with an Electronic Computer. New York: McGraw-Hill Book Company.
  • Jaffe, Lee David. 1983. "The Last Days of the Avant Garde; or How to Tell Your Glass from Your Eno". Drexel Library Quarterly 19, no. 1 (Winter): 105–22.
  • Lubet, Alex. 1999. "Indeterminate Origins: A Cultural theory of American Experimental Music". In Perspectives on American music since 1950, edited by , James R. Heintze. New York, NY: General Music Publishing Co. ISBN 0-8153-2144-9* Masters, Marc. 2007. No Wave Arhivat în , la Wayback Machine.. London: Black Dog Publishing. ISBN 978-1-906155-02-5
  • Mauceri, Frank X. 1997. "From Experimental Music to Musical Experiment". Perspectives of New Music 35, no. 1 (Winter): 187-204.
  • Metzger, Heinz-Klaus. 1959. "Abortive Concepts in the Theory and Criticism of Music", translated by Leo Black. Die Reihe 5: "Reports, Analysis" (English edition): 21–29)
  • Meyer, Leonard B. 1994. Music, the Arts, and Ideas: Patterns and Predictions in Twentieth-Century Culture. Second edition. Chicago: University of Chicago Press. ISBN 0-226-52143-5
  • Nicholls, David. 1990. American Experimental Music, 1890–1940. New York, NY: Cambridge University Press. ISBN 0-521-34578-2
  • Nicholls, David. 1998. "Avant-garde and Experimental Music". In Cambridge History of American Music. Cambridge and New York: Cambridge University Press. ISBN 0-521-45429-8
  • Nyman, Michael. 1974. Experimental Music: Cage and Beyond. London: Studio Vista, ISBN 0-289-70182-1, New York: Schirmer Books, ISBN 0-02-871200-5. Second edition, Cambridge & New York: Cambridge University Press, 1999. ISBN 0-521-65297-9
  • Palombini, Carlos. 1993a. "Machine Songs V: Pierre Schaeffer: From Research into Noises to Experimental Music". Computer Music Journal, 17, No. 3 (Autumn): 14–19.
  • Palombini, Carlos. 1993b. "Pierre Schaeffer, 1953: Towards an Experimental Music" Arhivat în , la Wayback Machine.. Music and Letters 74, no. 4 (November): 542–57.
  • Parkin, Chris. 2008. "Micachu: Interview" Arhivat în , la Wayback Machine.. Time Out London (February 26).
  • Piekut, Benjamin. 2008. "Testing, Testing …: New York Experimentalism 1964". Ph.D. diss. New York: Columbia University.
  • Rebner, Wolfgang Edward. 1997. "Amerikanische Experimentalmusik". In Im Zenit der Moderne: Geschichte und Dokumentation in vier Bänden—Die Internationalen Ferienkurse für Neue Musik Darmstadt, 1946-1966. Rombach Wissenschaften: Reihe Musicae 2, 4 vols., edited by Gianmario Borio and Hermann Danuser, 3:178–89. Freiburg im Breisgau: Rombach.
  • Schaeffer, Pierre. 1957. "Vers une musique experimentale". La revue musicale no. 236 (Vers une musique experimentale), edited by Pierre Schaeffer, 18–23. Paris: Richard-Masse.
  • Vignal, Marc (ed.). 2003. "Expérimentale (musique)". In Dictionnaire de la Musique, Paris: Larousse. (ISBN 2-03-511354-7)
  • Ballantine, Christopher. 1977. "Towards an Aesthetic of Experimental Music". The Musical Quarterly 63, no. 2 (April): 224–46.
  • Benitez, Joaquim M. 1978. "Avant-Garde or Experimental? Classifying Contemporary Music". International Review of the Aesthetics and Sociology of Music 9, no. 1 (June): 53–77.
  • Broyles, Michael. 2004. Mavericks and Other Traditions in American Music. New Haven: Yale University Press.
  • Cameron, Catherine. 1996. Dialectics in the Arts: The Rise of Experimentalism in American Music. Westport, Conn.: Praeger.
  • Ensemble Modern. 1995. "Was ist experimentelles Musiktheater? Mitglieder des 'Ensemble Modern' befragen Hans Zender". Positionen: Beiträge zur Neuen Musik 22 (February): 17–20.
  • Bailey, Derek. 1980. "Musical Improvisation: Its Nature and Practice in Music". Englewood Cliffs, N.J.: Prentice-Hall; Ashbourne: Moorland. ISBN 0-13-607044-2. Second edition, London: British Library National Sound Archive, 1992. ISBN 0-7123-0506-8
  • Experimental Musical Instruments. 1985–1999. A periodical (no longer published) devoted to experimental music and instruments.
  • Gligo, Nikša. 1989. "Die musikalische Avantgarde als ahistorische Utopie: Die gescheiterten Implikationen der experimentellen Musik". Acta Musicologica 61, no. 2 (May-Aug): 217–37.
  • Henius, Carla. 1977. "Musikalisches Experimentiertheater. Kommentare aus der Praxis". Melos/Neue Zeitschrift für Musik 3, no. 6:489–92.
  • Henius, Carla. 1994. "Experimentelles Musiktheater seit 1946". Bayerische Akademie der Schönen Künste: Jahrbuch 8:131-54.
  • Holmes, Thomas B. 2008. Electronic and Experimental Music: Pioneers in Technology and Composition. Third edition. London and New York: Routledge. ISBN 978-0-415-95781-6 (hbk.) ISBN 978-0-415-95782-3 (pbk.)
  • Lucier, Alvin. 2002. "An einem hellen Tag: Avantgarde und Experiment", trans. Gisela Gronemeyer. MusikTexte: Zeitschrift für Neue Musik, no. 92 (February), pp. 13–14.
  • Piekut, Benjamin. 2011. Experimentalism Otherwise: The New York Avant-Garde and its Limits. Berkeley: University of California Press. ISBN 978-0-520-26851-7.
  • Saunders, James. 2009. The Ashgate Research Companion to Experimental Music. Aldershot, Hants, and Burlington, VT: Ashgate. ISBN 978-0-7546-6282-2
  • Schnebel, Dieter. 2001. "Experimentelles Musiktheater". In Das Musiktheater: Exempel der Kunst, edited by Otto Kolleritsch, 14–24. Vienna: Universal Edition. ISBN 3-7024-0263-2
  • Shultis, Christopher. 1998. Silencing the Sounded Self: John Cage and the American Experimental Tradition. Boston: Northeastern University Press. ISBN 1-55553-377-9
  • Smith Brindle, Reginald. 1987. The New Music: The Avant-Garde Since 1945, second edition. Oxford and New York: Oxford University Press. ISBN 0-19-315471-4 (cloth) ISBN 0-19-315468-4 (pbk.)
  • Sutherland, Roger, 1994. New Perspectives in Music. London: Sun Tavern Fields. ISBN 0-9517012-6-6

Legături externe

[modificare | modificare sursă]
Adus de la https://ro.wikipedia.org/w/index.php?title=Muzică_experimentală&oldid=16585445