Past Film & Video
(33 titles)
|
Budget
| Opening Weekend
| Gross
(US & Canada)
| Gross (Worldwide)
|
Atlas (2024)
Fx Supervisor (Scanline VFX)
Fx Supervisor (Scanline VFX)
See fewer
|
|
|
|
|
|
$83MM
|
|
|
|
|
$90MM
|
|
|
|
|
CNY 800MM
|
$931K
|
$1.7MM
|
$373MM
|
The Flash (2023)
Effects Supervisor (Scanline VFX),
Fx Supervisor (Scanline VFX)
Effects Supervisor (Scanline VFX),
Fx Supervisor (Scanline VFX)
See fewer
|
$200MM
|
$55MM
|
$108MM
|
$271MM
|
|
$195MM
|
$67MM
|
$168MM
|
$393MM
|
|
$90MM
|
$23MM
|
$94MM
|
$208MM
|
The Adam Project (2022)
Effects Lead (Scanline VFX),
Lead Digital Artist (Scanline VFX)
Effects Lead (Scanline VFX),
Lead Digital Artist (Scanline VFX)
See fewer
|
$116MM
|
|
|
|
|
$38MM
|
|
|
|
Mulan (2020)
Effects Technical Director (Sony Pictures Imageworks)
Effects Technical Director (Sony Pictures Imageworks)
See fewer
|
$200MM
|
|
|
$70MM
|
|
$65MM
|
$10MM
|
$42MM
|
$148MM
|
|
$160MM
|
$93MM
|
$391MM
|
$1.13B
|
|
$160MM
|
$153MM
|
$427MM
|
$1.13B
|
|
$90MM
|
$35MM
|
$190MM
|
$394MM
|
Smallfoot (2018)
Effects Animation Artist (Sony Pictures Imageworks)
Effects Animation Artist (Sony Pictures Imageworks)
See fewer
|
$80MM
|
$23MM
|
$83MM
|
$218MM
|
The Meg (2018)
Digital Artist (Sony Pictures Imageworks)
Digital Artist (Sony Pictures Imageworks)
See fewer
|
$130MM
|
$45MM
|
$146MM
|
$529MM
|
|
$50MM
|
$25MM
|
$86MM
|
$218MM
|
|
$60MM
|
$13MM
|
$45MM
|
$197MM
|
|
$73MM
|
$38MM
|
$108MM
|
$352MM
|
|
$140MM
|
$14MM
|
$31MM
|
$151MM
|
|
$100MM
|
$11MM
|
$25MM
|
$94MM
|
Max (2015)
Fx Td (Double Negative)
Fx Td (Double Negative)
See fewer
|
$20MM
|
$12MM
|
$43MM
|
$44MM
|
|
$155MM
|
$27MM
|
$90MM
|
$441MM
|
|
$160MM
|
$93MM
|
$201MM
|
$525MM
|
|
$100MM
|
$11MM
|
$23MM
|
$103MM
|
|
$130MM
|
$158MM
|
$425MM
|
$865MM
|
Rush (2013)
Fx Td (Double Negative)
Fx Td (Double Negative)
See fewer
|
$38MM
|
$187K
|
$27MM
|
$97MM
|
|
$160MM
|
$97MM
|
$239MM
|
$789MM
|
|
$125MM
|
$26MM
|
$59MM
|
$198MM
|
|
$170MM
|
$56MM
|
$155MM
|
$397MM
|
|
$250MM
|
$30MM
|
$73MM
|
$284MM
|
|
€25MM
|
|
|
$27MM
|
|
|
|
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