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Lagu rakyat

Daripada Wikipedia, ensiklopedia bebas.
(Dilencongkan daripada Lagu Kedaerahan)
Lagu daerah dan Lagu kedaerahan melencong ke sini.
Muzik tradisional dilencongkan ke sini.
Muzik rakyat dilencongkan ke sini.
Lagu rakyat
Béla Bartók merakam penyanyi rakyat biasa di Zobordarázs, Kerajaan Hungary, (kini Nitra, Slovakia) 1907
TradisiSenarai tradisi lagu rakyat
PemuzikSenarai pelagu rakyat
Alat muzikAlat lagu rakyat
Topik lain

Lagu rakyat ialah genre muzik yang merangkumi lagu rakyat tradisional dan genre kontemporari yang berkembang daripada yang pertama semasa abad ke-20 kebangkitan lagu rakyat. Sesetengah jenis lagu rakyat boleh dipanggil muzik dunia. Lagu rakyat tradisional telah ditakrifkan dalam beberapa cara: sebagai muzik yang dihantar secara lisan, muzik dengan komposer yang tidak diketahui, muzik yang dimainkan pada instrumen tradisional, muzik tentang identiti budaya atau kebangsaan, muzik yang berubah antara generasi (proses rakyat), muzik yang dikaitkan dengan rakyat. cerita rakyat, atau muzik yang dipersembahkan oleh adat dalam jangka masa yang panjang. Ia telah dibezakan dengan komersial dan gaya klasik.[1]


Rujukan

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  1. ^ Lagu rakyat - Pages [1] - Dunia pengetahuan ensiklopedia.

Bacaan lanjut

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(tidak termasuk dalam rujukan)

  • Bayard, Samuel P. (1950). "Prolegomena to a Study of the Principal Melodic Families of British-American Folk Song". The Journal of American Folklore. 63 (247): 1–44. doi:10.2307/537347. JSTOR 537347. Reprinted in McAllester, David Park (ed.) (1971) Readings in ethnomusicology New York: Johnson Reprint. Templat:Oclc
  • Bearman, C. J. (2000). "Who Were the Folk? The Demography of Cecil Sharp's Somerset Folk Singers". The Historical Journal. 43 (3): 751–75. doi:10.1017/s0018246x99001338. JSTOR 3020977. S2CID 162191258.
  • Bevil, Jack Marshall (1984). Centonization and Concordance in the American Southern Uplands Folksong Melody: A Study of the Musical Generative and Transmittive Processes of an Oral Tradition. PhD Thesis, North Texas University, Ann Arbor: University Microfilms International. Templat:Oclc
  • Bevil, J. Marshall (1986). "Scale in Southern Appalachian Folksong: A Reexamination". College Music Symposium. 26: 77–91. JSTOR 40373824.
  • Bevil, Jack Marshall (1987). "A Paradigm of Folktune Preservation and Change Within the Oral Tradition of a Southern Appalachian Community, 1916–1986." Unpublished. Read at the 1987 National Convention of the American Musicological Society, New Orleans.
  • Bronson, Bertrand Harris. The Ballad As Song (Berkeley: University of California Press, 1969).
  • Bronson, Bertrand Harris. The Singing Tradition of Child's Popular Ballads (Princeton: Princeton University Press, 1976).
  • Bronson, Bertrand Harris. The Traditional Tunes of the Child Ballads, with Their Texts, According to the Extant Records of Great Britain and North America, 4 volumes (Princeton and Berkeley: Princeton University and University of California Presses, 1959, ff.).
  • Cartwright, Garth (2005). Princes Amongst Men: Journeys with Gypsy Musicians. London: Serpent's Tail. ISBN 978-1-85242-877-8
  • Carson, Ciaran (1997). Last Night's Fun: In and Out of Time with Irish Music. North Point Press. ISBN 978-0-86547-515-1
  • Cole, Ross. The Folk: Music, Modernism, and the Political Imagination. Berkeley: University of California Press, 2021. 275. ISBN 978-0520383746.
  • Cooley, Timothy J. Making Music in the Polish Tatras: Tourists, Ethnographers, and Mountain Musicians. Indiana University Press, 2005 (Hardcover with CD). ISBN 978-0-253-34489-2
  • Cowdery, James R. (1990). The Melodic Tradition of Ireland. Kent, OH: Kent State University Press. ISBN 978-0-87338-407-0
  • Czekanowska, Anna. Polish Folk Music: Slavonic Heritage – Polish Tradition – Contemporary Trends. Cambridge Studies in Ethnomusicology, Reissue 2006 (Paperback). ISBN 978-0-521-02797-7
  • Farsani, Mohsen (2003) Lamentations chez les nomades bakhtiari d'Iran. Paris: Université Sorbonne Nouvelle.
  • Harker, David (1985). Fakesong: The Manufacture of British 'Folksong', 1700 to the Present Day. Milton Keynes [Buckinghamshire]; Philadelphia: Open University Press. ISBN 978-0-335-15066-3
  • Jackson, George Pullen (1933). White Spirituals in the Southern Uplands: The Story of the Fasola Folk, Their Songs, Singings, and "Buckwheat Notes". Chapel Hill: University of North Carolina Press. Templat:LCCN Templat:Oclc Reprinted by Kessinger Publishing (2008) ISBN 978-1-4366-9044-7
  • Matthews, Scott (6 Ogos 2008). "John Cohen in Eastern Kentucky: Documentary Expression and the Image of Roscoe Halcomb During the Folk Revival". Southern Spaces. 2008. doi:10.18737/M74W3W.
  • Karpeles, Maud. An Introduction to English Folk Song. 1973. Oxford. Oxford University Press.
  • Nelson, David Taylor (2012) "Béla Bartók: The Father of Ethnomusicology", Musical Offerings: jil. 3: no. 2, artikel 2. Béla Bartók: The Father of Ethnomusicology
  • Pegg, Carole (2001). "Folk Music". The New Grove Dictionary of Music and Musicians, disunting oleh Stanley Sadie dan John Tyrrell. London: Macmillan.
  • Poladian, Sirvart (1951). "Melodic Contour in Traditional Music". Journal of the International Folk Music Council. 3: 30–35. doi:10.2307/835769. JSTOR 835769.
  • Poladian, Sirvart (1942). "The Problem of Melodic Variation in Folk Song". The Journal of American Folklore. 55 (218): 204–11. doi:10.2307/535862. JSTOR 535862.
  • Rooksby, Rikky, Dr Vic Gammon et al. The Folk Handbook. (2007). Backbeat
  • Sorce Keller, Marcello (2014) "What Can Be Old and What Can Be New in 'Folk Music'", in Thomas Nussbaumer (Ed.), Das Neue in der Volksmusik in der Alpen. Innsbruck: Universitätsverlag Wagner, 2014.
  • Sorce Keller, Marcello (1984). "The Problem of Classification in Folksong Research: A Short History". Folklore. 95 (1): 100–04. doi:10.1080/0015587x.1984.9716300. JSTOR 1259763
  • Sharp, Cecil. Folk Song: Some Conclusions. 1907. Charles River Books
  • Sharp, Cecil English Folk Songs from the Southern Appalachians. Collected by Cecil J. Sharp. Ed. Maud Karpeles. 1932. London. Oxford University Press.
  • Warren-Findley, Jannelle (1980). "Journal of a Field Representative : Charles Seeger and Margaret Valiant". Ethnomusicology. 24 (2): 169–210. doi:10.2307/851111. JSTOR 851111.
  • van der Merwe, Peter (1989). Origins of the Popular Style: The Antecedents of Twentieth-Century Popular Music. Oxford: Clarendon Press. ISBN 978-0-19-316121-4.

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