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The Phantom Carriage
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KTL
KTL is the duo musical collaboration of Peter Rehberg and Stephen O'Malley, initially formed to score and perform in Gisèle Vienne's theatre piece "Kindertotenlieder" in 2006. KTL is a living piece of music, where long, flexible and free evolution is important to the character of the sound, and allowing all potential possibility to remain open in the performances. ... more
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White1 (2018 remastered edition)
by SUNN O)))
supported by 20 fans who also own “The Phantom Carriage”
«Soudain l'homme se réveille au milieu de la nuit il est saisi par le malaise et écoute malgré lui le silencieux vacarme de l'angoisse le bruit qui ne fait pas de bruit le silence qui hurle à la mort dans le grand coquillage de la nuit (...)» (Jacques Prévert, Soudain le bruit)
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supported by 17 fans who also own “The Phantom Carriage”
This is a nice little find. I love when Attila soars with Sunn O))). Could easily be 10 mins longer.
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Solstitium Fulminate
by SUNN O)))
supported by 16 fans who also own “The Phantom Carriage”
"Recorded during SUNN O)))s European tour 2005, culminating at Roskilde Festival, Denmark" : laissez-moi vous dire qu'il n'y a pas que cette tournée qui arrive à son point culminant mais aussi Sunn O))) d'un point de vue général car Solstitium Fulminate, qui sert d'appendice à Black One, est un monument qui conjugue noirceur vampirique avec une certaine forme d'absolu. Le ton musical plonge très vite dans les graves pour nous faire entrer dans le royaume de la mort. Attila Csihar est un Charon.
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The Pennsylvania improvising trio expand upon the possibilities of drone, electroacoustics, and free jazz.
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featured on Bandcamp Radio Nov 12, 2024
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The Crozet Tunnel
by Weirs and Magic Tuber Stringband
Two North Carolina projects collaborate on a unique approach to music-making that combines folk, field recording, and one very dark tunnel.
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White2 (2018 remastered edition)
by SUNN O)))
supported by 15 fans who also own “The Phantom Carriage”
I remember first hearing Decay2, years ago, sitting at a desktop with headphones. The song began, all those screeches, like a chorus of hellish bats. It led into Attila’s throaty, rasping vocal. Then the more resonant intoning started. These dual sounds completely HYPNOTIZED me. The earlier “Decay” is a brilliant inversion of the same ingredients. “HellO)))ween” is a riff monster. “BassAliens” is just that, spacey sounds exploring the low end of the spectrum. White2 is one of their classics.
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