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Titel:Actor & avatar
Titelzusatz:a scientific and artistic catalog
Mitwirkende:Mersch, Dieter [HerausgeberIn]   i
 Rey, Anton [HerausgeberIn]   i
 Grunwald, Thomas [HerausgeberIn]   i
 Sternagel, Jörg [HerausgeberIn]   i
 Kegel, Lorena [HerausgeberIn]   i
 Loertscher, Miriam [HerausgeberIn]   i
 Beeler, Thabo [MitwirkendeR]   i
 Ben Khelifa, Nadja [MitwirkendeR]   i
 Bradley, Derek [MitwirkendeR]   i
 Brugger, Peter [MitwirkendeR]   i
 Dorfman, Elena [MitwirkendeR]   i
Verf.angabe:Dieter Mersch, Anton Rey, Thomas Grunwald, Jörg Sternagel, Lorena Kegel, Miriam Laura Loertscher (eds.)
Verlagsort:Bielefeld
Verlag:transcript Verlag
Jahr:2023
Umfang:1 Online-Ressource (312 Seiten)
Gesamttitel/Reihe:SubTexte ; 27
Schrift/Sprache:In English
Ang. zum Inhalt:Frontmatter
 Contents
 Introduction
 I. Avatars
 The Avatar
 Prosthethics. Replacement and Exchange
 Avatarhood and Selfhood
 The Self and Its Avatars in Neuropsychiatry
 The Secret Behind the Actor-and-Avatar Fmri-Study
 Avatar’s Faces in EEG
 “Doppeltgänger”. Body Doubles, or the Shadow and His Ego
 The Avatar’s Body in Game Spaces
 The AIS Have It? Hacking into the AI Avatar Dream
 II. Actors
 The Mask
 Creating My Digital Self
 The Birth of a Digital Actor
 Humanizing Virtual People
 Double Trouble. Digital Avatars on Stage
 In Conversation with Neil Newbon
 Facing Characters. A Volumetric Intelligence Framework
 A New Geometry of the Eye. The Curious Case of Brad Pitt
 On Ali Moini’s Avatar Hacking
 “Tears of Truth”
 III. Dolls, Puppets & Uncanny Tracks
 Get into The Uncanny Valley
 The Mechanical Bride and the Ambivalent Pleasures of the Uncanny
 The Mechanical Bride. Realdolls as Companions and Accessible Objects
 Promethean Shame? Pandora Reframes: Elena Dorfman’s Origin of the New World
 The Artist’s Statement
 Encounters of the Uncanny Kind at the Origin of the New World
 Face Fracking
 Sophia’s Smile. The Challenges of a Humanoid Citizen
 I Married a Puppet
 IV. Digital Encounters
 Mask, Face, Countenance
 A Brief Avatar-Network Theory
 Puppets, Pets or Deputies. On the Relationship between Actors and Avatars
 Engaging Consciousness. Time and Duration in Holly Bynoe’s Compounds
 Emotional Ambivalences. Loving and Hating a Tamagotchi
 Consciousness Performed
 Artificial Intelligence. Traditional Expectations and a New Category of Machines
 The Eyes Have It. The Problem of the Avatar Gaze
 What is Koinōnia under Technological Conditions?
 Appendix
 Pictures of the Research Project
 Authors
 Subtexte
ISBN:978-3-8394-6761-9
Abstract:What kind of relationship do we have with artificial beings (avatars, puppets, robots, etc.)? What does it mean to mirror ourselves in them, to perform them or to play trial identity games with them? This volume addresses these questions from artistic and scholarly angles. Contributions on the making of »technical others« and philosophical reflections on artificial alterity are flanked by neuroscientific studies on different ways of perceiving living persons and artificial counterparts. The contributors have achieved a successful artistic-scientific collaboration with extensive visual material.
DOI:doi:10.1515/9783839467619
URL:kostenfrei: Resolving-System: https://doi.org/10.1515/9783839467619?locatt=mode:legacy
 kostenfrei: Verlag: https://www.degruyter.com/isbn/9783839467619
 Cover: https://www.degruyter.com/document/cover/isbn/9783839467619/original
 DOI: https://doi.org/10.1515/9783839467619
Schlagwörter:(s)Künstlicher Mensch   i / (s)Avatar <Informatik>   i / (s)Künste   i / (s)Wissenschaft   i
Datenträger:Online-Ressource
Dokumenttyp:Aufsatzsammlung
Sprache:eng
Bibliogr. Hinweis:Erscheint auch als : Druckausgabe: Actor & Avatar. - 1. Auflage. - Bielefeld : transcript, 2023. - 240 Seiten
RVK-Notation:AP 13680   i
 MS 7965   i
Sach-SW:PHILOSOPHY / General
K10plus-PPN:185828399X
 
 
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