Founded in 1826 by Julius Ferdinand Georg Schuberth (1804-1875) in Hamburg. Branch offices were opened in Leipzig (1832) and New York (1850). In the 1830s the imprint Schuberth & Niemeyer was used, until G.W. Niemeyer left to set up his own business in 1839. Julius left the Hamburg office in charge of his brother Friedrich (Fritz) - Friedrich Wilhelm August Schuberth (1818-1890) in 1854, devoting his energies to the activities of the Leipzig and New York branches. J. Schuberth acquired Felix Siegel of Leipzig in 1899.
The firm continued to operate under the control of his brother and widow until, long after Julius' death in 1875, it was sold to C.F.W. Siegel (1891). The New York branch was re-named Edward Schuberth & Co. sometime around 1875 and started issuing its own series of publications independently, with plate numbers preceded by "E. S. & Co.". Some publishing activity was continued after this date by Fritz Schuberth Jr. (Karl Hermann Schuberth 1860-1942?) in Hamburg (founded in 1888 according to Musikverlagswiki).
Plate |
Composer |
Work |
Year
|
0273 |
Spohr |
Sonate concertante, Op.113 |
1840
|
0360 |
Spohr |
Piano Trio No.3, Op.124 |
1840
|
0383-84 |
Spohr |
Sonate concertante, Op.115 |
1841
|
0411 |
Liszt |
Franz Schuberts geistliche Lieder, S.562 |
1841
|
0436 |
Spohr |
Sonate concertante, Op.115 |
1841
|
0531 |
Goldschmidt |
6 Etudes de Concert, Op.4 |
1842
|
0532 |
Spohr |
Symphony No.7, Op.121 (full score) |
1842
|
0533 |
Spohr |
Symphony No.7, Op.121 (orchestra parts) |
1843
|
0557 |
Saint-Lubin |
La Jota Aragonesa, Op.45 |
1843
|
0620 |
Krug |
Grosses Duo, Op.3 |
1843
|
0623 |
Bull |
Fantaisie et variations de bravoure sur un thème de Bellini, Op.3 |
1844
|
0634 |
Liszt |
Petite valse favorite, S.212 |
1843
|
0646 |
Schuberth |
String Quartet No.1, Op.22 (pts. by L.S.) |
1843
|
0647 |
Franck |
Piano Trio, Op.1 No.1 |
1843
|
0778 |
Kullak |
Symphonie de Piano, Op.27 |
1845
|
0823 |
Marxsen |
Den Manen Beethoven’s, Op.60 (piano duet arrangement) |
1845
|
0847 |
Vollweiler |
Trio concertant sur des thèmes italiens, Op.15 |
1846
|
0850 |
Hartmann |
Violin Sonata No.2, Op.39 |
1846
|
0851 |
Krug |
Piano Trio, Op.5 |
1846
|
0852 |
Franck |
Piano Trio, Op.2 |
1846
|
0973 |
Schuberth |
String Quartet No.2, Op.34 (pts. by L.S.) |
1847
|
1007 |
Täglichsbeck |
Piano Trio, Op.26 |
1847
|
1110 |
Mayer |
Capriccio No.3, Op.87 (ed.Klauser) |
1847
|
1189 |
Schuberth |
String Octet, Op.23 |
1848
|
1233 |
Liszt |
Einsam bin ich, nicht allein, S.453 |
1848
|
1367 |
Henselt |
Piano Trio, Op.24 (ed.Klauser) |
1850
|
1622 |
Hiller |
Piano Sonata No.1, Op.47 |
1852
|
1739 |
Mayer |
Valse de Concert, Op.6 |
1854
|
1786 |
Krug |
Fantasie über die Marseillaise, Op.60 |
1855
|
2001–03 |
Schumann |
3 Piano Sonatas for the Young, Op.118 |
1853–54
|
2005 |
Hauser |
Das Vöglein im Baume, Op.34 |
1854
|
2166 |
Kummer |
Ave Maria, Op.126 |
1855
|
2231 |
Wels |
La belle Bohémienne in G major, Op.32 |
1856
|
2244 |
Thalberg |
Grand nocturne, Op.35 No.1 |
1856
|
2263 |
Wels |
Nocturne No.3, Op.31 |
1856
|
2418 |
Eller |
Fantaisie originale, Op.24 |
1859
|
2497 |
Draeseke |
Helges Treue, Op.1 |
1859
|
2499 |
Liszt |
Festmarsch zur Goethe-Jubiläumfeier, S.115 (for solo piano) |
1859
|
2681 |
Rubinstein |
Symphony No.3, Op.56 (full score) |
1862
|
2753 |
Döring |
3 Lyrische Stücke, Op.6 |
1862
|
2838 |
Rubinstein |
Symphony No.3, Op.56 (arr. piano 4-hands) |
1862
|
2841 |
Raff |
Symphony No.1, Op.96 (full score) |
1864
|
3616 |
Rubinstein |
Quintet for Piano and Winds, Op.55 (score and parts) |
1861
|
3647 |
Damrosch |
Concertpiece in the Character of a Serenade, Op.9 (vn/pno red.) |
1861
|
3755 |
Fradel |
Polka militaire, Op.23 |
1863
|
3885 |
Beethoven |
Septet, Op.20 |
1864
|
3939 |
Herrmann |
String Octet, Op.3 |
1864
|
4287 |
Raff |
Duo, Op.59 (2nd edition) |
1867
|
4787 |
Maylath |
Souvenir de Henselt, Op.60 |
1870
|
4901 |
Reubke |
Piano Sonata |
1871
|
5110 |
Draeseke |
Helges Treue, Op.1 (arr. piano by Liszt as S.686) |
1874
|
5184 |
Reinecke |
Variationen über eine Sarabande von J.S. Bach, Op.24 |
1873
|
6442 |
Rauchenecker |
Die letzten Tage von Thule |
1893
|
7294 |
Liszt |
Missa Solennis, S.9 (arr. Stradal, pf.) |
1901
|
7420 |
Bronsart |
Osterlied, Op.27 |
1903
|
7455 |
Rauchenecker |
6 Lieder (Im Gebirge) |
1904
|
7456 |
Rauchenecker |
6 Lieder (Wie die Welt so weit!) |
1904
|
7457 |
Rauchenecker |
6 Lieder (Isola Bella) |
1904
|
7458 |
Rauchenecker |
6 Lieder (Hans Sachs) |
1904
|
7459 |
Rauchenecker |
6 Lieder (Vorwärts!) |
1904
|
7460 |
Rauchenecker |
6 Lieder (Rühr' mich nicht an) |
1904
|
Plate |
Composer |
Work |
Year
|
2 |
Matzka |
Air Allemand |
1876
|
17 |
Boise |
3 Contralto Songs (no.3) |
1879
|
257 |
Brandeis |
Forget Me Not, Op.4 (simplified by Maylath) |
1879
|
E.S. & Co. 112 |
Fradel |
Le rêve |
1875
|
E.S. & Co. 113 |
Fradel |
A Butterfly Lived in a Garden Gay |
1875
|
E.S. & Co. 114 |
Maylath |
Saltarello, Op.76 |
1875
|
E.S. & Co. 117 |
Brandeis |
Caprice brillante, Op.40 |
1875
|
E.S. & Co. 142 |
Wagner |
Lohengrin, WWV 75 (Aria "Nun sie bedankt, mein lieber Schwan!", Kaufmann piano arr.) |
1876
|
E.S. & Co. 148 |
Scholtz |
Concert Polonaise, Op.6 |
1876
|
E.S. & Co. 149 |
Mason |
3 Characteristic Sketches, Op.35 |
1876
|
E.S. & Co. 178 |
Leschetizky |
2 Piano Pieces, Op.35 (no.2) |
1876
|
E.S. & Co. 197 |
Ritter |
Fantasia and Fugue for the Organ, Op.11 |
1877
|
E.S. & Co. 309 |
Kölling |
Valse gracieuse, Op.11 |
1879
|
E.S. & Co. 375 |
Bial |
Liebes Ring (piano waltzes from operetta) |
1879
|
E.S. & Co. 381 |
Bial |
Blondin March, Op.32 |
1879
|
E.S. & Co. 385 |
Bial |
Yarra Songs Waltzes (piano reduction) |
1879
|
E.S. & Co. 397 |
Johnston |
Eglantine, Op.36 |
1879
|
E.S. & Co. 440 |
Joseffy |
Polka Noble |
1879
|
E.S. & Co. 451 |
Smith |
Valse caprice, Op.5 |
1879
|
E.S. & Co. 462 |
Volkmann |
3 Lieder, Op.52 (no.3, trans.H.Tretbar) |
1880
|
E.S. & Co. 538 |
Bial |
Yarra Songs Waltzes (orch. parts) |
1880
|
E.S. & Co. 544 |
Bial |
Adelina Patti Polka |
1880
|
E.S. & Co. 558 |
Ritter |
Dirge for Two Veterans, Op.13 |
1880
|
E.S. & Co. 602 |
Liszt |
Hungarian Rhapsody No.2, S.244/2 (simplified by Bendel) |
1880
|
E.S. & Co. 604 |
Heller |
30 Progressive Studies, Op.46 (Nicholl edition) |
1880
|
E.S. & Co. 626 |
Bial |
Baby Polka |
1880
|
E.S. & Co. 649 |
Bial |
Herald March |
1880
|
E.S. & Co. 663 |
Johnston |
Thanksgiving Ode, Op.37 |
1880
|
E.S. & Co. 696 |
Bial |
Geistinger Polka (piano) |
1881
|
E.S. & Co. 697 |
Bial |
Metropolitan March |
1881
|
E.S. & Co. 703–705 |
Johnston |
Compositions for Organ, Op.32 (nos.6 to 8) |
1881
|
E.S. & Co. 709 |
Neuendorff |
Der Rattenfänger von Hameln (selections arr. piano solo) |
1881
|
E.S. & Co. 717 |
Johnston |
Gavotte, Op.40 |
1881
|
E.S. & Co. 843 |
Damrosch |
Arion March (arr. piano solo) |
1882
|
E.S. & Co. 844 |
Damrosch |
Independent N.Y. Schützen March (arr. piano solo) |
1882
|
E.S. & Co. 1011 |
Bial |
Marie Polka |
1881
|
E.S. & Co. 1084 |
Neuendorff |
Der Rattenfänger von Hameln (vocal score) |
1881
|
E.S. & Co. 1089 |
Bial |
Helen Polka |
1881
|
E.S. & Co. 1125 |
Bayer |
Thalia, Polka-Mazurka |
1882
|
E.S. & Co. 1146 |
Blanck |
Serenade, Op.4 |
1882
|
E.S. & Co. 1149 |
Ritter |
Psalm IV, Op.17 (v.s.) |
1882
|
E.S. & Co. 1200 |
Mason |
Dance Caprice, Op.36 |
1882
|
E.S. & Co. 1205 |
Mason |
Toccata, Op.37 |
1882
|
E.S. & Co. 1213-14 |
Mason |
Serenata for Cello and Piano, Op.39 (piano solo trans., original) |
1882
|
E.S. & Co. 1221 |
Mason |
Scherzo, Op.41 |
1882
|
E.S. & Co. 1224 |
Mason |
Romance-Idyl, Op.42 |
1882
|
E.S. & Co. 1229 |
Jonas |
Serenata alla Mauresque, Op.40 |
1882
|
E.S. & Co. 1243-48 |
Ritter |
6 Songs, Op.15 |
1882
|
E.S. & Co. 1255 |
Blanck |
Chant du Soir, Op.7 |
1883
|
E.S. & Co. 1292-93 |
Rheinberger |
3 Pieces, Op.5 (Mason edition) |
1883
|
E.S. & Co. 1302 |
Raff |
Valse-impromptu à la tyrolienne, WoO.28 (Mason edition) |
1883
|
E.S. & Co. 1330 |
Becker |
Lass, Nachtigall, dein Singen sein, Op.15 (Tretbar translation, sop./alt. vers.) |
1884
|
E.S. & Co. 1348 |
Johnston |
Compositions for Organ, Op.32 (no.9, Processional) |
1884
|
E.S. & Co. 1366 |
Maylath |
Insouciance, Op.345 |
1884
|
E.S. & Co. 1378 |
Fradel |
Polketta No.2 |
1885
|
E.S. & Co. 1397 |
Godard |
3 Fragments poétiques, Op.13 (no.3 only. Klauser edition) |
1884
|
E.S. & Co. 1404 |
Kleffel |
Allegretto grazioso (ed. Klauser) |
1884
|
E.S. & Co. 1447 |
Moszkowski |
Albumblatt, Op.2 (Mason ed.) |
1885
|
E.S. & Co. 1456–57 |
Dulcken |
2 Juvenile Songs (nos.2,1) |
1885
|
E.S. & Co. 1583 |
Meyer-Helmund |
Maiden's Song |
1886
|
E.S. & Co. 2491 |
Schnecker |
The Star of Bethlehem (version in E major) |
1892
|
E.S. & Co. 2544 |
Harris |
A Madrigal (version in E major) |
1893
|
E.S. & Co. 3426 |
Herbert |
Cello Concerto No.2, Op.30 (full score) |
1898
|
E.S. & Co. 3427 |
Herbert |
Cello Concerto No.2, Op.30 (cell/piano reduction) |
1898
|
E.S. & Co. 4148 |
Frysinger |
Benediction Nuptiale |
1910
|
E.S. & Co. 4997 |
Tchaikovsky |
Piano Concerto No. 1 in B♭ minor |
1923
|