Mario Ruíz Armengol

Música
para piano

Piezas Infantiles
 I

-INDICE-

1.- Buenos Días …………………………………....… 1 8.- La Danza de las Negritas ..................... 8

2.- Nubecillas I ……………………….……....……… 2 9.- Cristy .................................................. 9

3.- Nubecillas II ………………….……………......... 3

10.- Sextas Alegres ................................. 10

4.- Claudia .................................................... 4

11.- Sextas Tristes ................................... 11

5.- Gina ………………………………….……....……… 5

12.- Joropo ............................................. 12

6.- Minueto ………………………………….....…….. 6

13.- El Espanto Espantado ..................... 13

7.- Mis Amigas las Negritas ........................ 7

 II

14.- Little Jazz ....................................... 14 21.- La Chinita de Hong Kong .............. 22

15.- More Jazz ....................................... 15 22.- Juegos de Antaño ......................... 23

16.- Emociones ..................................... 16 23.- En el Jardín ................................... 25

17.- Polichinela ..................................... 17 24.- Aquellos Días ................................ 27

18.- ¡Una, y Ya! ..................................... 18 25.- En Coatepec ................................. 29

19.- A mi Veracruz ................................ 19 26.- Rocío ............................................. 30

20.- Pequeño Estudio ............................ 21 27.- Viejo Vals ...................................... 31

 III

28.- Dos Corazones ................................... 33 34.- Sonatina I ........................................ 45

29.- Quazi Mazurca ................................... 35

35.- Sonatina II ..................................... 47

30.- Debussyana ....................................... 37

36.- Sonatina III ..................................... 49

31.- Rosas y Jazmines ............................... 40

37.- Crepuscular (a 4 manos) ................ 51

32.- Un Tierno Amor ................................. 41

38.- De Ti, de Mí (a 4 manos) ................ 55

33.-Canción sin Palabras ………………….…... 43

1
¡Buenos Días!



Mario Ruiz Armengol

  
Allº Moderato

            
         
  



6

       
     
       
   


     
11

         
     
     


  

   
16

             
            

rall.
  

Octubre 1984
 2
Nubecillas
I


a la profesora Trini.


Mario Ruiz Armengol

    
      
  
       
     


 
5

    
1.

        
  

       
  


 
   
9
2. Fin
         
       
  

simile
  



13

             
      
    


    
D.C. y Fin
 
17
1. 2.

          
              

 
Veracruz.
Agosto 1984
3
Nubecillas


II

Mario Ruiz Armengol

  
           

       
   
    



 
5 Fin
           
      
        



 
  
9

        
legato   
          



 2.
 
 
13


1. D.C y Fin
        
 
 
          

  
Veracruz
Agosto 1984
 4
Claudia


Mario Ruiz Armengol


         
  
        



5

    
  
 
          
  



9

     

  
     
       


 
13

        

                  



17

    

        
 

             


5
Gina


Mario Ruiz Armengol

              
      
   
   
  


5

             
     
       


        
9

               



      
13

 
  
    
   
rall.
 
  


17 a Tempo

             
          
  


21

             
   
       
 6
Minueto


Mario Ruiz Armengol

   

  

        
   
          


5

               
       
      


   
9

  

        
      
     


13 Fin
       
         

            
 


17

         

    
      
     


21 D.C.y Fin
  
 
          
  

          
7
Mis Amigas las Negritas


Mario Ruiz Armengol

   
Allegretto

      
       
 
   
             

     



                 
  
7

 
              
       




a
      
13

                    



                    
 

 
 


D.C. y
              

   
19

    
                     

rall. x 2ª vez

           



    2.
  
26

     

1.


       
               

rall. x 2ª vez
  
 
Octubre. 1984
 8
La Danza de las Negritas


 
Mario Ruiz Armengol

         
Allegretto

           
              
       
 


simile

 a Tempo.
   
5

                  

              
  


a
 
    
repetición


 
9

        
opcional

  
 
  
        
      


    
13

          
           
       



D.C. y
  

         
17


                
         
rall.
  
    
      

Octubre 1984
9
Cristy


Mario Ruiz Armengol

   
               

        
      


     
5


    
  

              
   
 
  
    
 

   
 



9

            
 
         

        
        



 
13
       
   
     
     
        
            
  
 
 



M.I.

     
 
17

    
        
 
       
  
      
 10
Sextas Alegres



Mario Ruiz Armengol
Allegretto


      
      

     
mf
           
         


   
5

          
     
    
               
 


 2. a
     
 1. 
9



     
       
      

   
   
      



      
  
      
13

   
  
            
  


D.S. repite y
   

  

17

      
     
      



f

    
       
    
   

11
Sextas Tristes


      
Mario Ruiz Armengol
Andante

      

     



             

p

 
    


         
        
    
5

          

               
   
  
   


                   
9

            
       




    
    


        
13
     
  
      

          
p

      
     



      
17

    
       
     
    
     

rall.
        

  
 12
El Joropo


    
Mario Ruiz Armengol
Allegretto

      
              
f-p 
      
        
               


  
5

         
          
        

       
     
   


     
9

    
               
 
        
        



13

                    
   
                




  

17

           
 

   
   
 

      

   
   
   




 
D.S.



21

             
     

 
 
   

 
         
        

Jungapeo, Mich.
Mayo 31-1982
13
El Espanto Espantado


   
Mario Ruiz Armengol


Lento misterioso

          

   
  

    
 
 

 


 


    

                       


      
            
                   
6


  
              3   
3
 

         


   

           
    
11

         
                         

cresc.
  f
  
f
   
p cresc.


   
 
            
16

           

            
   
    
f f
     


       

         

 
21

 
  
       
 
      
   
        
  

f pp
                   



 

D.S. y 
a
      
 
  
25

  
     
3
                 
p f

 
ff

                    
 

3 
 14


Little Jazz

   
Mario Ruiz Armengol
Tempo de blues  
        
  
      
3
     
       
   
     
  
  


 
4
 
     
        

          
              




                         

7

    

    



    

10  
   

  
    
   


                     
   


    
13

        
    
  
   
    
        
   




  

16

              
      
  




        

 

15
¡More Jazz!


    
Mario Ruiz Armengol
Tempo di blues

                       
   

       
   
   
    


a
 
  
4

              
   

 
     
p rítmico
     
 


                
7

         

    
       
f

        


 
10
D.C. y
              
    
            
     
 
      
 
16
Emociones


Mario Ruiz Armengol

                   



  
           



     
5

  
            
 
  
      

        
poco rall.


    


      
9

   

                              



    
        
   
13

   
   
            
        
rall.
       


17 a Tempo

                 

 

             


             

     
 
21

        
  

   
 
       
           

17
Polichinela



Mario Ruiz Armengol


Allegretto

        
   
  
              
   



 
5    
                 

      

    
  
 



       
 
9

  
      
      
       
 
    
     
    



14
       
             
        

           


19
 
a Tempo
 
           
 

 
    
            
poco rall.



 
  

24
  
    
        
           

    

     
rall.
   
    
  
 18


¡Una, y Ya!

                     
Mario Ruiz Armengol
Allº Moderato

   

                     
 


        
5

          
  
         
    

          



            
 
9

        
    
                        
   



 
 
    
13

            
    
                  
    


 

    
17

                
  
      
 
         



                
20 D.S. repite y 3.
1. 2.

   
  

     Coatepec,Ver.

  
Agosto 1984
19
A mi Veracruz




Mario Ruiz Armengol



   

         
    


  
 

    
 


4 a

 
      
   
       


      

  
   


 
7
 
1.

       
         
           



  


  
   

10
2.

             

 
    
    
    
 



13

    
      
 
  
    

       
 


 

16

        
1.

       
   
 
 

          
  
 20


A mi Veracruz

 2. 
D.S.
repite y
   

19

   
 
             
       
    
 
   
  
  

    



   
   
  
23

    

        


 
         
    


   
a
 

 
x4
        
26


          
           
        


      
D.S. y
     
29

     
    
   
          

       
  
21
Pequeño Estudio


Mario Ruiz Armengol
Presto
    
                        
         
              




  


4

        
                     
   
 
                
      


                           
7

    
     
       
              
  


 
10

                           
   
  
    

      
   



   M.I. M.D.
13

                       

 
         
   
    



 


16 M.I.

 
   
 M.D.
 

 22
La Chinita de Hong Kong


 Mario Ruiz Armengol


                                
  
        
     



a Tempo
                
6

 
         

      
rall.
   
    



  a Tempo   
 
11

                              


 

   

poco rall.
   
     
  


  

   

16

               

Fin.
   

       
   


 
  
21

   

      
            
  
       

     




  D.S. al Fin

          
25

      
   

        poco


rall.

    

23
Juegos de Antaño


   
Mario Ruiz Armengol

 
Lento
   
    

 
p dulce

      
   


   
5

 
        
 

     
  
  
poco rall.





 q = 138 
      
         
9

       
    
    
    
           
p tierno

       


 
a
 
 
 
13

 
       
           
     



               
      

      
 


  
   
 
17

                    
    
 
        

 
      



                          

21


           
     

 24
Juegos de Antaño


 
 
25

             

1.

       
  
  
  
      

     



  
D.S.
29
repite y
        
2.


     

molto rall.
        
  


32

         
    





 
    
          

25
En el Jardín


a la niña Claudia Corona
Mario Ruiz Armengol


                      

    
    



    
5

      
   
M.I.

       
 
     M.I.

 


a Tempo
 
9

 
M.I. M.I.
    
  
pochis rall.
      




13

   
                    

    
    


17
                   M.I.  
   
M.I.
    

   
    


a
Poco meno quasi rubato

21

        
M.I.
          
       
       
        

 26


En el Jardìn


26

       
           

       
       


      
30

 
         

           
 
 


Tempo 1
34
      M.I. 

M.I.
             
      
      



D.C. y meno

38

               

tiernamente

rall.
         
 


 
42

       
 
rall.
                

27
Aquellos Días


Mario Ruiz Armengol


               
    
   






5

      
         
    
         


  
9

               

    
     




  
  
13

            
    
    
 

               
    



   

17

                

 
            
 28


Aquellos Días

a Tempo.

21

         poco
        
   
rall.


   
   


      
26

             


    
    


 



 
30

            
  
        

   


a Tempo.
    
34
ten.
           
   


    
 
  
rall.



 


 
38

            


rall.

     
   
  

Veracruz
Diciembre 1984
29
En Coatepec


  
Mario Ruiz Armengol

                    
     
 


    


       
4

        
   
             

  


          
7

       
     
  
           
     


       
   

10

     
 
                  


 

    
           
13

       
 
               
     


 2.   
 

16
1.

        
        
   
       
           
  

 
30
Rocío
 
Mario Ruiz Armengol

   
Samba-Bossa-Lento
  
 
     
             
 
                    
      


   

  
 a
5
  
           

          
     
   
      
 
             
   


  

 

9
 
          
  

         
 
       
              


            

 
13


  
   
               
            
  
                    



    
 

                      
  
17

     

      
                  


   


D.C.
 repite y 

21

                 
   
 
   
              


     
     
 x4
    
25

  
      
        



       
dim. poco a poco

     
    

31
Viejo Vals



Mario Ruiz Armengol

  
             
          
    
    
  


    

    
  




     

6

           
     
 
          
      
     




     
  
11

   
      
        
    
      
   
  
rall.
    




                  
a Tempo

16

      
    

       
     
   




    
21

                    
 
        

      


a
     
26

          
     
    
   
    

 32
Viejo Vals



poco animato


 
31

       
              

 
     
   
    
 
  


                   
36

       
      
      
  


             
41

               
   
        

   


   

  D.C.y
                              

46


1. 2.


 
      
rall.

     
   


            
52

 
 
  
   
          
 
      
   
   


 


M.D.

58


M.I.

        

    
 

M.I.
   
 
   
M.D.


33
Dos Corazones


                        
Mario Ruiz Armengol
Lento

  

             

mf

 

 


                    
4

   


            
          


   
         

      
7

   
         
 
       
    
  


  
       
   
10

        

       
  
 

  



        
13

         
 

   

             

34
Dos Corazones

a Tempo
      
16

       
          

 
poco rall.

          
     


  
     
            

19


  
 
       
       


  
22

          
  
  
  
 
poco rall.

                   


 
      
 
Poco meno

25

            

        
rall.
  
   
Mèxico D.F.
X.E.W.1984
35
Quazi Mazurca


a Claudia Corona y Fam.

 
Mario Ruiz Armengol

             

       
        
 

          
 
    




   
6

         

            


 
      

    
    
M.I.

 
  




    
11

 
                   
     
    
      


   

16

  
                    
 
       
poco rall.

  
  
 


 a Tempo

 2.
a Tempo
 

     
           

21

         

1.

   
  
       
 
 

     
   


                 
26

      

   
 
  
   







        
 36
Quazi Mazurca


      

33

            
 
  

       
 
          
   
M.I.



   
38
    
                         

    
       



a

43

              

 
           
  
             
  
  
   



49

              
      
       
     
           
 
  
 
  
   


      
          
54


       
   
 
 
            
    
   


D.S. y    
        
               
59

 
 
rall.
      
rall.
      
       


 
37
Debussyana


Mario Ruiz Armengol


Lento

                
p
                          

 



4

               
                       



7

              
                      



10 a Tempo

                
   
poco rall.

                       


       


13

                      

                  

                     
rall. rall. molto

   
           


Poco piú mosso
 
17 M.I.

           
  
 
        rall.

   
       
 38


Debussyana


Allegro
 ten.
  
1
ten. ten.
  
    
    


   

    

  


  
7

   
 
     
       
    

       
 


ten.
          rit.
12

        

       

     
   
  

       
 



17

             
    
  
    
      
    


 
22


  
    
          

poco rall.


        
     


               
   
27

            

 
 
         
        
 
39



Debussyana

         
           

     
32

    
       


   
     
poco rall.

 


 


36 Tempo 1

                     
     
pp
                        


           


Allegro
     
39 M.I.

 

M.D.
       
           

             
     


    
42

      

        

M.I. M.D.
   

      
  
 


    
   
     
    
   
46


 
 
   
 
  
rit.




40
Rosas y Jazmines
(canción de cuna) Mario Ruiz Armengol
Calmo

        
       
      

                 
  



  
6

                  
  
     
 
       




   

11

               
  
        
 
    


           
 
16

             
   
    
    
    

 
 


  2.
     


21
1.

                        
                 
        

41
Un Tierno Amor


 
Mario Ruiz Armengol

                  

           

  





  
4

  
       
       
    

   
 
      

  



7

                           
     

          

     






 
10

                          

           
       
  


a
            
13

      
       
   

                   
  

42
Un Tierno Amor

  

16

                 
                     

      
           


          
19

       
             
             

    
 


D.C. y
         
22

       
     
             
rall.
 
       
 



25
      
    
 
   
 
      


            
   


 
  
     
28

    
     
 

          

Abril 1987
X.E.W.
43
Canción sin Palabras


a Claudia y sus manos
Mario Ruiz Armengol
Lento
 
 
 
 
    
       
p dolce

                    
   


   
 
    
 
 
5

     
  
    
  
 
    
    


              
9

   

 
 

                      
       


 
13

                   
      
rall.

         
     


 
a Tempo

17

       
   
 

  
               
        
 44


Canción sin Palabras

           

21


         
  
  
    

     
  


 
  
25

   
         
  

     

   

     



  
  
29

  
 

    

     
 
 

    
24 Diciembre 1989
X.E.W.
45


Sonatina
I Mario Ruiz Armengol


All° comodo

                  
   
   
mf

       


  
5

                 
 
          
    


    
9

     
          
  
     
          


13
               
         

                 
 


           
       
17

            
        
   

     




    
                
21

    
  
   
          

 

46
Sonatina I
  
          
 

25

         
               
    
 



     
             
29

  

        
 
     






                      
   
33

    
           

 


    
          
37

     
       


            


  
D.C. poco meno
41
          
   
      
    
   

          
   


   

                  
46

        
  
          
             
  
  Mèxico D.F.
X.E.W.
Mayo 1985
47


Sonatina
II Mario Ruiz Armengol

      
Andante, lento

               
    
 
p


     
      
 


  
            
5

           

       
 
poco rall.


     
  


      
a Tempo
  
              
9


       
    
  


    
    
          
13

 

  
               



a
 
     

17

     


   
                   
      
 
 48


Sonatina II

      
20

                 

  
       
 
   
 


         
 
23

 

      

                           

 


                  
26

                  


   
  
   
         


D.C. y
             
               

29

       

     
   
  
 
rall.


       
  
 
49
Sonatina


III Mario Ruiz Armengol

        
Rondó
        
                

               
      


 
5
 
           
              
     


                              
9

  
          
            


                             
12

     
   
              


15
     
              
         

   
   


     
18

        
     

             
   
 50


Sonatina III

                        
21

     
     
                


  
24

       
      
              
   


  
27

                             
     
      

  


 

                            
30


    
          
    


           
33

  
   
 

           
     


 
                          
36

       
                
  


  

39

        
   
   
    
 
rall.

 Mèxico D.F.
Mayo 1985

51
para piano a 4 manos
Crepuscular
pianista II


Mario Ruiz Armengol

                       
1

   
     

        
p

 
poco rall.

      



9 a Tempo a
   
  
             
 
      
f




 


14

                      
     

 
f
   

      

 




        
20

   
  
     

 
f p cresc. poco rall. rit. e dim.


     
 

 




                         
25

  

      
 
   
 
mf

mf dulce
  
     
           
    

 52


Crepuscular

para piano a 4 manos
pianista I

       
Mario Ruiz Armengol
    
    

 
1

   
mf poco rall.
    
   
     

 


a Tempo
    
           a   
9


    
       
p
      




                      
14

 

                    
mf

   




  
            
    
20

       
 
mf p cresc. poco rall. rit. e dim.
   
 

      

  


 
                       
26

    

      
p f

               
     
 

53
Crepuscular
p. II

                       
31 Solo

                  

  
poco rall.
 

      
 



     
a Tempo
            
37

      
       
     

   
f

        
  
   


 


     

  
42

      
  
 
               f    

       
        


     
 
    

48

           
                     
 
     
 
      
poco rall.


     
 

 
D.C. y
 
54

                      
    

        
rit. mf dulce

        




                
59 poco meno




      
 
    
      


54


Crepuscular

        
p. I
31
     
a Tempo
 
     
         
p poco rall.

        
 


                   
40
         
        

  
f
             
p

         
   




    
             
46

    

             


   


 

                        
D.C. y

53

  
poco rall. rit. p dulce

                         

  





        
   poco meno
     
       
58



    
             
     
   
 
Agosto 1986
X.E.W.
55
De Tí, de Mí


para piano a 4 manos pianista II


Mario Ruiz Armengol
1 Tranquilo

       
 
  
 
     
   p 
  
 
   
p
 
     


7

            
     
            
      
   
     


  
13

              
           
                     
f

    


 
a
19

                      

       
       
   
 



 
24

           
                
          
f

   
 
    


29

                 

          
   
       
     
     

 56
De Tí, de Mí


 
para piano a 4 manos pianista I

   
Mario Ruiz Armengol

 
Tranquilo

sempre
               
1


     
f
                



 
     
                      
11



p legato

     
                      




17
            a          
               
          
                 


  
      
               
         
24

          

           
f


       
    
        
        


                     
       
30

   
3 3 3 3 3

                  
       
   
3 3 3 3 3

57
De tí, de Mí
p. II

   
34

                  

 
f
   
      


 


37

              

  

 
p

 
  


    


D.C. y 

40

            
    
    

rall. molto
  
 
     




poco meno
44 
                        
   
rall.

    
 
  
    
Veracruz
Febrero 1987
 58


De tí, de Mí


p. I

                
   
34

 
          
3 3 3

     
p

   
 


3 3 3

  
37
      
    
              
 
    
f
               
 


f

      
41
           D.C.

y
            
       
rall. molto
            
      




poco meno
          
44

   
    
rall.
           
       
Veracruz
Febrero 1987