Sébastien Bouyges
Business director chez Makemyday by LONSDALE
Paris et périphérie
833 abonnés
+ de 500 relations
À propos
Après avoir commencé en fiction chez Capa Drama (sur des séries comme « Braquo » pour Canal+), Sébastien s’est spécialisé dans la production digitale en tant que responsable des productions et channel manager de chaines Youtube.
Puis, il intègre ensuite Super Flims qui rejoindra en 2018 MakeMyDay by Lonsdale, en tant que responsable de production pour superviser de nombreux projets, avec des clients tels que Dassault Systèmes, Bouygues Immobilier…
Articles de Sébastien
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L'inspiration chez Makemyday by Lonsdale
L'inspiration chez Makemyday by Lonsdale
Dans l’audiovisuel, l’inspiration vient beaucoup d’une imagerie forte. La sortie de notre nouveau showreel me donne…
5 commentaires
Activité
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Prime Video Presents / 25-September 2024 🎬
Prime Video Presents / 25-September 2024 🎬
Aimé par Sébastien Bouyges
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Un grand merci Camille Yvinec pour être venue chez Lonsdale Design et nous avoir raconté l’Odyssée et les coulisses du « Look of the Game » de Paris…
Un grand merci Camille Yvinec pour être venue chez Lonsdale Design et nous avoir raconté l’Odyssée et les coulisses du « Look of the Game » de Paris…
Aimé par Sébastien Bouyges
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Il y a maintenant 7 ans j’ai créé ma société pour produire du contenu bilingue pour les marques. Ça me passionne de découvrir à chaque fois un nouvel…
Il y a maintenant 7 ans j’ai créé ma société pour produire du contenu bilingue pour les marques. Ça me passionne de découvrir à chaque fois un nouvel…
Aimé par Sébastien Bouyges
Expérience
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MakeMyDay by Lonsdale
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Business Director
MakeMyDay by Lonsdale
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Producteur
MakeMyDay by Lonsdale
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Responsable des productions audiovisuelles
Super Flims
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Producteur
Anasazi Productions
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Directeur de production
FABLABCHANNEL
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Coordinateur chaîne YouTube
"Shaaker"
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Responsable des productions
Rendez-vous à Paris / CAPA Prod
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Producteur
Elbeca
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Assistant de production, Chargé de production
Capa Drama
Formation
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ISCPA
Production audiovisuelle
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Lycée Gustave Eiffel
Bac ES
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Langues
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anglais
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Plus d’activités de Sébastien
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Profil : Le cabinet Haas recherche un(e) stagiaire pour la période janvier-juillet 2025. Le/La candidat(e)recruté(e) doit être dynamique et…
Profil : Le cabinet Haas recherche un(e) stagiaire pour la période janvier-juillet 2025. Le/La candidat(e)recruté(e) doit être dynamique et…
Aimé par Sébastien Bouyges
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Prenez votre avenir en main ! 🚀 MakeMyDay by Lonsdale a eu le plaisir de réaliser pour Groupe IGENSIA Education son nouveau film de marque, à…
Prenez votre avenir en main ! 🚀 MakeMyDay by Lonsdale a eu le plaisir de réaliser pour Groupe IGENSIA Education son nouveau film de marque, à…
Aimé par Sébastien Bouyges
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#eurimages #coproduction Council of Europe (Eurimages) has announced the next batch of projects supported by its Pilot Programme for Series Co-Productions end of last week. Congratulations to all the winners! 🎉 The 9 projects from across Europe will share the pot of EUR 3,5 ml between them. That’s up from 7 projects and the pot of EUR 3 ml in the first call. ⭐️The program, which runs for 3 years, is supporting co-production series coming from the donor countries, most of which are lower capacity European countries for which the program (and the grant amount!) make a tangible difference. ⭐️ Interestingly, the TV series supported by the programme are more commercial and wider appeal in comparison to the long-running Eurimages feature film programme, that leans heavy into auteur cinema. This reflects the hugely important role Pilot Program for Series Co-Productions has in industry building in the lower capacity countries, but also the reality of niche auteur series struggling to attach commissioners in enough countries to satisfy the submission requirements. ⭐️ New donor countries have joined since the first call (Ireland and Lithuania). I’d be curious to see how CoE and the jury committee will manage the growing roster of donor countries. There are more countries contributing to the program than projects awarded and there are examples of countries having no projects supported in either call (notably, Greece). The next calls will get increasingly competitive. ⭐️ Interesting to see Ireland and Benelux being so well (possibly over-) represented in the selection. Well, soft money applications is a muscle that you develop with regular exercises. ⭐️ Returning series and animation series are also supported (I wonder if the same jury are evaluating both 🤔) ⭐️ In terms of genre (I am familiar with most series through my co-production work) it’s a nice selection ranging from period to futuristic crime drama and from intimate / psychological to political conspiracy and eco-thriller. Curious to hear your thoughts on: ❓Should each donor country get a project supported? ❓Should returning series be supported? ❓How would you manage “the balance of power” between higher budget projects from Western Europe and lower budget CEE ones? (in addition to budget differential the license fees that, say, Baltic series can raise to satisfy the minimum broadcaster deals requirement would not be enough to meet the confirmed financing threshold). https://lnkd.in/embYuuZX
