TV Article Weezer Go Back to the Future Five years ago, one of the best bands of the modern rock era fell down the rabbit hole. Now they've returned to the studio to make an album that just might be the greatest new old thing they've ever done. By Kyle Anderson Published on July 17, 2014 04:00AM EDT Photo: BRIAN GALLINO for EW [DESKTOP_WEB_APP_EMBARGO {07182014} {126786} {7-17-2014} { âDoes anybody have perfect pitch?â Thereâs all kinds of technology available at Rivers Cuomoâs fingertips in the inner sanctum of Los Angelesâ Village recording studio, but what the Weezer frontman really needs right now is a natural musical gift. Both bassist Scott Shriner and guitarist Brian Bell shrug in Cuomoâs general direction. Drummer Pat Wilson busies himself trying to decode a chart heâs drawn for a song still dubbed âAnonymousââpart of an ambitious three-part suite that will hopefully close out their upcoming ninth album, Everything Will Be Alright in the End. Eventually the track, which climaxes with Cuomo plaintively crooning, âI donât even know your name,â will become crunchy and triumphant. But at the moment, itâs got a ways to go. } { âDoes anybody have perfect pitch?â Thereâs all kinds of technology available at Rivers Cuomoâs fingertips in the inner sanctum of Los Angelesâ Village recording studio, but what the Weezer frontman really needs right now is a natural musical gift. Both bassist Scott Shriner and guitarist Brian Bell shrug in Cuomoâs general direction. Drummer Pat Wilson busies himself trying to decode a chart heâs drawn for a song still dubbed âAnonymousââpart of an ambitious three-part suite that will hopefully close out their upcoming ninth album, Everything Will Be Alright in the End. Eventually the track, which climaxes with Cuomo plaintively crooning, âI donât even know your name,â will become crunchy and triumphant. But at the moment, itâs got a ways to go. Though the 2005 hit âBeverly Hillsâ is the groupâs highest-charting song and garnered them their only Grammy nomination, Weezer live in the perpetual shadow of their note-perfect 1994 debut, a.k.a. the Blue Album, and its endlessly fan-fetishized 1996 follow-up, Pinkerton. âI heard âTired of Sexâ in a store the other day,â Wilson recalls of Pinkertonâs raw-throated opener. âAnd I thought it was going to melt the speaker. Like, âHoly sâ, that song sounds awesome.ââ Today, though, thereâs a heaviness in the room: not just the frustration of getting this new song out of their heads and onto the hard drive, but the pressure that has built up around the construction of the entire album. When itâs finally finished, Everything (set for release Sept. 30) will be the culmination of four years of work and self-analysis for Weezerâand, possibly, a resurrection. After a decade-plus run of MTV-galvanizing hits that began with 1994âs âUndone (The Sweater Song)â and âBuddy Holly,â the alt-rock godheads, now all in their mid-40s, skidded into an undeniable rough patch. Their past two albums, 2009âs Raditude and 2010âs Hurley, were critical and commercial disappointments. (It didnât help that for the first time Cuomo had brought in pop songwriters for hireâthe kind who typically worked with stars like Taylor Swift and Katy Perry.) Everything is an attempt to hit the reset button on all that and get back to what Weezer have always loved: good old-fashioned guitar rock. There isnât much that screams ârock starâ about the Cuomo home. The rustic wooden fence surrounding the property, the trampoline in the front yard, the Mercedes in the drivewayâthese could all easily be the trappings of any well-off Santa Monica family. Inside, the airy home reveals little more than a maze of plastic toys and Sears-staged portraits. The only space that hints at Cuomoâs day job is the well-appointed home studio on the far side of the backyard. Though itâs significantly nicer than the one he once famously sang about, with its Dungeons & Dragons paraphernalia and Kiss posters, Cuomo is still in the garage. While his 7-year-old daughter hovers nearby (âShe wants to be in the magazine,â Cuomo says. âWhen sheâs out on the road, sheâll come out and play a song on keyboard, so sheâs earned a spot in Entertainment Weekly), he lays out the long series of transitions that led the group to where they are today. Following the release of Hurley, Weezer found themselves strangely untethered. âWe didnât have a record label, we didnât have a producer or a publicist,â Cuomo recalls. âContracts had expired, and we were totally free agents.â The only other gap this long in the bandâs career was the five years that separated Pinkerton from the Green Albumâand that was primarily because Cuomo had a minor breakdown. (âI got very sad,â he told EW in 2001. âI became very unsure of my instincts.â) The past decade has been much smoother, with Cuomo focusing on family and meditation while the rest of the band experimented with side projects before re-forming like Voltron a few years back for a steady stream of festival appearances, mini-tours, and even a successful Weezer-helmed cruise. But the pause was still deliberate. âI knew I wanted to make a great album, and I knew it would take a long time,â Cuomo says. âI sequestered myself in my studio and just let it come in layers. I told everyone, âThis is going to take some time, but itâs going to be worth it.â Itâs difficult. As creative people, we love to make something and share it with the world, and do it again and again and again. We had been working like that for several years leading up to 2010, but I just felt this great calling to do something big and thoughtful, and for whatever reason, I canât do that in a few months.â So Cuomo went to work. In the studio heâs meticulous, but the writing process is an edit-free zone. (âI must have listened to over 200 songs for this record and rated them,â guitarist Bell says. Of those, something like 20 actually got tracked, and a dozen or so will appear on the final version of Everything Will Be Alright in the End.) âIâm hearing three big themes,â Cuomo explains. âOne is my relationship to other people, and how I want to have super-deep relationships and risk and share and how scary that can be, and how sometimes itâs just not appropriate to tell everybody everything and how painful that is for me. Then thereâs relationships with women. Thatâs always a hot topic for me. And I was originally thinking of the third theme as father figures, but with a spin. The song âEulogy for a Rock Bandâ is about our place relative to the great rock bands that came before us as they are retiring and moving on into oblivion. Weâre kind of in that spot now. Thereâs definitely a song about my relationship with my father, but thereâs the new spin, because now Iâm a father too.â The bandâs relationship with their audience has been an intense one, swinging between wild adoration (see: the thousands who have piled onto ocean liners for the two recent Weezer cruises) and brutal disdain (in 2010 a Seattle man started a campaign to raise $10 million to get the band to break up because âI am tired of my friends being disappointed year after yearâ; it went viral, but failed to reach its goal). Though Cuomo clearly follows his own path and considers Weezer a pantheon rock band, he is also aware that the only way to continue doing what he loves doing is to please the people. On the demo of âBack to the Shack,â the sole full song from Everything currently out there thanks to a fan-made cruise recording, Cuomo sings, âSorry, guys, I didnât realize that I needed you so much/ I thought Iâd get a new audience/I forgot that disco sucks.â He sounds burdened, and itâs easy to believe that the reverence toward their earlier work can feel like a creative millstone for the band. But Cuomo, ever the Zen master, takes a different approach: âI find it super-inspiring,â he says. âItâs just as if it was somebody elseâs record.â Back at the studio, âAnonymousâ still isnât jelling. The frustration is mounting even as Cuomo directs traffic in the control room. Heâs a student of music, but at this particular moment, his training is failing him. Nobody can seem to figure out how to put it together. Finally, Cuomo declares, âLetâs just run through it.â The track begins with a cinematic piano intro, then gives way to a monstrously dense guitar crunch. It speeds up, moves sideways, climbs and falls. The quartet, playing along to their own demo, lose their place, and Cuomo is barely able to get a handful of lines into the microphone before the song crashes and burns. Wilson, the class clown, tries to keep it light while producer Ric Ocasek hangs back, taking notes. Miraculously, each take improvesâShriner finds the key changes, and Wilson starts nailing the fills. In the span of 45 minutes, Weezer take a total disaster and spin it into a shape-shifting, prog-kissed slice of radio gold. For this moment, at least, the real magic of rock alchemy hangs in the air. âItâs so fun and exciting!â Cuomo declares with a wild grin. The excitement continues into the next day. After a few runs through âAinât Got Nobody,â the driving, hook-filled anthem that may become the album opener, Wilson settles in to lay down the final drum track for the thumping, shifting âBack to Ithaca.â Cuomo conducts from a booth behind the glass with a baseball mitt on one hand, deeply focused on Wilsonâs performance. âIn some ways, Iâm a terrible leader,â Cuomo had said earlier in the day. âI donât like telling people what to do. But as a musician, I feel like itâs my responsibility, and I also want to make the final call on these creative decisions.â Again, they struggle, but just as with âAnonymous,â the final product feels effortless. Whether Everything Will Be Alright in the End is a hit, it seems like the process of making it has been its own kind of reward for the guys, who know how much it took to get here. âWe have so much fun,â Shriner says. âThe other night, we were YouTubing Neil Sedaka and the Captain & Tennille. We were listening to âMuskrat Love,â and the solo made me laugh so hard, I almost threw up in the bus.â Cuomo agrees: âIt does seem like in the last few years things have gotten more harmonious,â he says. âWeâre spending more time together and enjoying each otherâs company more. We went for a walk together on the last tour!â Every day, Cuomo exits sharply at 5:30 p.m. so that he can have dinner with his family. But often, the rest of the band linger. Bell tinkers with a guitar while Wilson and Shriner debate the relative merits of Bachman-Turner Overdrive. The conversation shifts to Wilsonâs fondness for the songs on Cartoon Networkâs Regular Show and Shrinerâs love for a doom band he recently discovered called Drug Honkey. They play the takes from âAnonymousâ over and over again, getting lost in their own creation. Itâs four years on from Hurley, but light-years away from that albumâs modern pop experimentation. âThe great thing about being in Weezer,â Shriner says, âis you can love things that are uncool.â By reembracing their rootsâas outcasts, as metalheads, as dyed-in-the-wool rock nerdsâthey appear to be on the cusp of reclaiming something theyâve lost. And why not? Even if they fall on their faces, everything will be alright in the end. WEEZER MOMENTSTracing nearly a quarter century of ups (platinum records! VMAs!) and downs (a brutal 2009 bus crash) in the life of the band 1992FEB. 14, 1992: Rivers Cuomo launches Weezer with guitarist Jason Cropper, drummer Pat Wilson, and bassist Matt Sharp. 1993JUNE 25, 1993: Weezer sign a deal with DGC Records.SUMMER 1993: Brian Bell joins Weezer, replacing Cropper on guitar. 1994MAY 10, 1994: Weezerâs self-titled debut, now known as the Blue Album, is released.FALL 1994: The Spike Jonze-directed âBuddy Hollyâ video debuts.DEC. 25, 1994: Cuomo begins demos for the rock opera Songs From the Black Hole. The concept is later abandoned. 1995SEPT. 7, 1995: âBuddy Hollyâ wins four MTV Video Music Awards. 1996SEPT. 24, 1996: Weezerâs second album, Pinkerton, is released. 1998JAN.âFEB. 1998: Sessions for a third album are abandoned. Matt Sharp departs to focus on his side project, the Rentals, full-time. 2000JUNE 16, 2000: The band returns to the road with new bassist Mikey Welsh. 2001MAY 15, 2001: Weezerâs Green Album is released. âHash Pipeâ and âIsland in the Sunâ both become hits.AUG. 19, 2001: Scott Shriner replaces Welsh, who leaves the band due to a drug-related nervous breakdown. 2002MAY 14, 2002: Weezerâs fourth album, Maladroit, is released. The singles âDope Noseâ and âKeep Fishin,ââ with its Muppets-guesting video, become hits. 2005MAY 10, 2005: Weezer release their fifth album, Make Believe; the single âBeverly Hillsâ becomes their biggest success yet. 2007DEC. 18, 2007: Cuomo releases Alone: The Home Recordings of Rivers Cuomo, the first of three collections of demos. 2008MAY 23, 2008: Weezer premiere the âPork and Beansâ video, a winking play on several Internet memes.JUNE 3, 2008: Weezer release their sixth album and third self-titled album, soon dubbed the Red Album. 2009NOV. 3, 2009: Seventh album Raditude features songs co-penned by Dr. Luke and Jermaine Dupri.DEC. 6, 2009: The tour bus carrying Cuomo and his family crashes, forcing the cancellation of the remainder of the bandâs tour. Cuomo returns to the stage six weeks later. 2010SEPT. 10, 2010: Weezer release their eighth album, Hurley. 2012JAN. 19, 2012: The band launches the first Weezer Cruise, also featuring Dinosaur Jr., Ozma, and Sebadoh. }]