TV Article The Submission, by Amy Waldman: EW review By Leah Greenblatt Leah Greenblatt Leah Greenblatt is the former critic at large for movies, books, music, and theater at Entertainment Weekly. She left EW in 2023. EW's editorial guidelines Published on August 24, 2011 04:00AM EDT A memorial intended to honor the dead reveals much more about the living in Amy Waldman’s masterful debut novel The Submission — a scathing, dazzlingly crafted indictment of the messes people make when they mistake ideology for morality and bigotry for patriotism. It’s two years after the events of 9/11, and a (fictional) high-profile committee has convened in Manhattan to select a monument that will transform the still-raw wound at Ground Zero into a safe haven of healing and remembrance. The winner, chosen from a pool of anonymously submitted blueprints, is a beauty: a walled garden whose spare geometry poetically echoes the fallen towers. And its designer? A brilliant young architect, Virginia-born and Yale-educated, named Mohammad Khan. Or as one dismayed committee member exclaims behind the doors of Gracie Mansion, ”It’s a goddamn Muslim!” Within hours, a tabloid reporter has sniffed out the story, and so begins the ugly political do-si-do of a national scandal, one pushed along as much by personal agendas as by genuine outrage. Among the players: the hapless, overmatched committee head; two grieving widows, one wealthy and white, the other poor and Bangladeshi; and the black-sheep brother of a fallen firefighter. And at its center, of course, ”Mo” Khan himself: Wary and increasingly weary, he refuses all easy outs, even as he is tried and convicted in the kangaroo court of public opinion. Waldman, an ex-New York Times bureau chief, unspools her story with the truth-bound grit of a seasoned journalist and the elegance of a born novelist. The Submission can be a painful read, but it’s never less than a gripping one. A-