basso

G.  F.  H ANDEL

The complete sonatas
for alto (treble) recorder and
basso continuo

Die gesamten Sonaten

für Altoblockflöte und
basso continuo

No. 2 in A minor

Engraving prepared by

C. S. H OFFL A N D
Basso Sonata No. 2 in A minor
G. F. Handel

    3      3     3 
I
     
 
Larghetto

   3       
      
  
4


  3      3      3      3 
   
     
9

         3       3       3 
        
13 3


    3      3            

17

     
3

    3      3  
       
    
21

   3     3 
          
 
26 3
3

         3      3    
     
       
29 3
3

                   

33

  
   3      3 
 
4

  3        
     
38

 
 3
              3   3     
   
42 3
3

            
   
  
46

  
3 (Adagio)

    
  
II
        
     
Allegro

       
         
3


   
5
     
          

      

              
   
7

             
              
 
   
10

           
        
13

    

    
15

      

              

17
       
 
5

           
       
20

     

      
22

             
    
          
24

       
      
        

26

                    

28
         

          

       
30

 
                              
32

           

 
34
          

   
             
    
36

 
6

           
III

       
     
Adagio

                
      
    
 
4

                 
    
 
8

           
      
     
11


  
            
      
14

IV

      
               
Allegro

                      
6

                        
      
9

        
                
 
13

              
    
       
18


      
7

            
            
21


       
            
25

                          
30

 
              
          
    
34


               

       
  
38

 
      
   
         

42

    
   
        
   
45


             
     
48

 