Diego y Paco Del Gastor Falsetas
Diego y Paco Del Gastor Falsetas
Diego y Paco Del Gastor Falsetas
Collection # 1
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Play Bulerias 01
rd
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Bulerias Falseta 4 (Source: Diego del Gastor, Agustin Rios) Key: A Phrygian Play Bulerias 04
Mode
Heres a falseta of Diegos with a picado finale of Agustin Rios. Note the use of octaves
in the 1st and 3rd measures. Also note the phrasing of the quadruplet picado sequences, and the
ascending 3rds.
Play Bulerias 04
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Here is a short falseta of Diegos with some interesting syncopation and a typical use of
the thumb.
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Agustin told me that this is one of Sabicas falsetas, although Ive never discovered it on
any of his recordings. Nevertheless, it does have Sabicas compositional genius. You could also
think of the falseta in Bm; however, I usually perform this falseta out of an A Major chording
compas, as in the accompanying recording.
Play Bulerias 13
Heres another falseta in the relative minor to A major. Ive heard a lot of guitarists
perform this falseta, and am not absolutely certain of its geneology.
Play Bulerias 14
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Play Bulerrias 15
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Heres a rather extended Bulerias falseta from Diegos Suite in B Minor; its
construction is interesting; note the syncopation/polyrhythm (5 + 5 + 2) in the chord sequence.
One point: I play this a little differently on the tape from the way it is written. After I recorded it,
I went back and realized that the arpeggios were different from the way I learned it from Diego.
The difference is slight; on the tape I alternate basses, where as Diego arpeggiated them.
Play Bulerias 26
Play Bulerias 27
This falseta and the next are similar, in the old style. You used to hear these performed
quite often, but Im not sure whose they are. Perhaps Melchor de Marchena, or Morao, but
maybe earlier. I doubt they are Diegoss, since they have a different style, or aire from his.
Play Bulerias 28
This falseta is a variation of the preceding one, and probably from the same source.
Bulerias Falseta 29: (Source: Diego Del Gastor) Key: A Phrygian Mode
Play Bulerias 29
Heres yet another famous falseta of Diegos; he uses variations of this in various places,
for effect.