El28 Studio

Muy buena explicación.

Continuing with our month of Milo, we're excited to share this fantastic creation from the talented YourSimo! The Milo's iconic status inspired this dedicated fan to build a fully functioning Lego Milo rig as a tribute to its excellence, and we couldn't think of a better time to share it!. Who else wants to try out this lego Milo? 🤩 #Milo #Milo30 #Milorig #Lego #LegoMilo #MotionControl

La magia del chroma verde

Muy interesante.

The Wages of Fear, directed by Julien Leclercq, features stunning visual effects by benuts VFX Studio. For a detailed VFX breakdown, vfxexpress.com

Empezamos el lunes con efectos especiales.

Mientras en España seguimos esperando la llegada de las Apple Vision Pro, en el resto del mundo la producción y postproducción de contenido audiovisual inmersivo con las Apple Vision Pro sigue evolucionando. Esta vez Apple hace referencia a una nueva cámara, todavía en desarrollo, llamada Blackmagic URSA Cine Immersive. Blackmagic está desarrollando un workflow completo con DaVinci Resolve para producir y postproducir contenido audiovisual inmersivo de estilo cinematográfico para Apple Vision Pro. De esta forma, Blackmagic URSA Cine Immersive y DaVinci Resolve nos proporcionarán una herramienta completa para poder rodar, montar, postproducir y exportar piezas en formato Apple Immersive Video. El nuevo modelo Blackmagic URSA Cine Immersive cuenta con un sistema de lentes fijas y personalizadas con un sensor que cuenta con una resolución de 8160 x 7200 por ojo con sincronización del nivel de píxeles. Tiene un amplio rango dinámico de 16 stops y rueda a 90 fps estereoscópico en un archivo inmersivo Blackmagic RAW. Es muy emocionante ver cómo en el resto del mundo va evolucionando el futuro del entretenimiento. No obstante, España ha quedado fuera de nuevo en el reparto de las Vision Pro de Apple, algo que no ha sucedido a Francia, Reino Unido y Alemania en suelo europeo, que podrán realizar sus reservas el 28 de junio, junto con los canadienses y australianos. Menos tiempo tendrán que esperar en China continental, Hong Kong, Japón y Singapur, cuyos encargos comenzarán a admitirse desde el próximo 13 de junio. Al final de cola, por favor. #applevisionpro #inmersivevideo #blackmagic #davinciresolve #postproduction

"I feel so lucky to have friends at Panavision who believe in me and my art, and have been supporting me for many years in telling stories of Muslims, South Asians and other marginalized communities. I became a filmmaker to tell these stories, and often it’s an uphill battle--knowing folks at Panavision want to see me behind the camera making these films is truly invaluable. And the beautiful lenses certainly don’t hurt!" #Cinematographer Nausheen Dadabhoy on the set of SHAMS, directed by Radha Mehta and Saif Jaan. 📷 credit: Kristoffer Carrillo.

Es genial.

Explore the Korfball Finals, an event showcasing the rich history and gender equality of this unique sport. Six teams competed in three critical matches: the first for 3rd and 4th place in the premier league, the second for promotion to the premier league, and the final for 1st and 2nd place. To deliver a professional broadcast, MRMC Broadcast Engineer Nic Mason utilised the AFC-180+ Robotic Head, Black Magic Ursa camera with a Fuji 24x lens, a comprehensive broadcast panel, and an MHC system. Several camera presets were set up, covering different angles and tight shots for penalties. Non-technical operators, all Korfball enthusiasts, easily recalled presets to follow the action, maintaining shot continuity. As they gained confidence, they used the joystick to capture dynamic shots of the winners. The camera feed was ingested into Vmix and live-streamed on YouTube with graphics and commentary, allowing fans worldwide to enjoy a broadcast-level production of this small but exciting sport. Read the full case study here: https://lnkd.in/eV3kkRvs #Broadcast #Korfball # AFC180 #Solutions #LiveStreaming #Finals