The religious use and meaning of altars,
retables, tabernacles, canopies and other church furniture around the altar are the focus of this outstanding collection of 14 articles.
JC Flowers is also expected to give shareholders a sweeter deal when it
retables its bid.
(39.) For a reproduction of this
retable, along with a discussion of its stylistic elements and probable provenance, see Monique Blanc,
Retables: la collection du Musee des arts deoratifs (Paris: Reunion des musees nationaux, 1998), 60-61.
This relationship to Netherlandish wooden
retables provides several clues both to the meaning of the gates and their method of production.
Fortunately for us, Riemenschneider produced his great work before
retables stopped being commissioned, leaving sculptors with no way to earn their livelihoods.
Thirteenth-century
retables, as well as the stained glass windows of that time, show images and facts without concerning themselves with perspective and have an extraordinary power of communication, within the limits of their own space.
The churches of Sao Francisco de Assis and Nossa Senhora do Carmo, the carvings, altarpieces and
retables of Nossa Senhora do Pilar, Sao Francisco de Paula, Sao Miguel and Almas, Nossa Senhora do Rosario, and the works in the Museo da Inconfidencia are only a few of the magnificent monuments Aleijadinho bequeathed to his birthplace.
(54) But while maitres-autels and
retables in seventeenth-century Paris were justly impressive--for awe was one of their primary functions--they often eclipse the minor, less extravagant, but by no means undignified, altars located throughout many cathedrals and churches with which congregants also had familiarity in daily worship.
142, 144, 256-65; idem, 'Questions d'attribution stylistique:
retables inedits en Angleterre,' in S.
Retables present a rich dialogue between the primary and secondary scenes.
Lewine, eds., Essays in the History of Art Presented to Rudolf Wittkower (London: Phaidon, 1967), 40-55; Colin Eisler, "The Golden Christ of Cortona and the Man of Sorrows in Italy," The Art Bulletin 51.2 (June, 1969): 107-118, 233-246; Westfehling, Die Messe Gregors des Grossen, especially 16-54; Brigitte d'Hainaut-Zveny, "Les messes de saint Gregoire dans les
retables des Pays-Bas.