Garma Festival

Garma Festival

August
Although the Garma Festival is a relatively new event, it celebrates one of the oldest living cultures on earth, the Yolngu of Australia's Northern Territory. The cultural life of this Aboriginal people, whose history stretches back over 40,000 years, is the focus of this festival, which takes place over four days in August. In the spirit of garma, a Yolngu word that describes a "two-way learning process," indigenous Australians gather with non-indigenous Australians and international visitors for cultural exchange.
The festival was introduced in 1998 by the Yothu Yindi Foundation, an organization committed to preserving Yolngu culture. Each year people from all over the globe come to Arnhem Land, located in the Northern Territory, for a hands-on experience with the Yolngu.
The centerpiece event of the festival is the daily bunggul ceremony, an afternoon gathering that features dances and music performed in traditional dress. Educational activities include classes on how to play the yidaki (didgeridoo); fields trips into the bush to collect native plants and foods; and an overview of spear-making. Every year the festival includes an academic forum that investigates issues facing the Yolngu and other indigenous peoples.
CONTACTS:
Garma Festival
G.P.O. Box 2727
Darwin, Northern Territory 0801 Australia
www.garma.telstra.com
Holidays, Festivals, and Celebrations of the World Dictionary, Fourth Edition. © 2010 by Omnigraphics, Inc.
References in periodicals archive ?
Hansen, who came to his conclusions by conducting a three-stage reverse engineering process, has previously presented his investigation into Indigenous spending in the NT at the annual Garma festival.
Speaking at the Indigenous Garma festival in the Northern Territory, Hawke said he had met Adam Giles, the territory's chief minister, to discuss the idea and had got a favourable response.
Joe Neparmga Gumbula and her chapter describes the ways in which repatriation and the possibility of holding things for future generations inspired kinds of practical relation and conversation not just between Gumbula's Gupaguyngu clan and non-Indigenous outsiders, but between different Yolngu clans as well--conversations which led to forms of performance and participation by Gumbula's clan in the 2004 Garma Festival. Here individual initiative and opportunity come together with some technological and institutional interests to revive a particular performance tradition, and do so in the context of an intra-Indigenous cultural festival.
a comparative study of the Garma Festival in northern Australia and the
Mandawuy Yunupingu, one of the founders of the Garma Festival of
Garma Festival and make it a space where cultural dialogue and learning
Garma Festival includes activities designed to engage a range of