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Obelisk

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For the obelisk punctuation mark, see dagger (typography).
The Luxor obelisk in the Place de la Concorde in Paris

An obelisk is a tall, thin, four-sided, tapering monument which ends in a pyramidal top. Ancient obelisks were made of a single piece of stone (a monolith). The term stela (plural: stelae) is generally used for other monumental standing inscribed sculpted stones not of classic obelisk form.

Ancient obelisks

Egyptian obelisks

"Cleopatra's Needle" on the banks of the River Thames in London

In 1911, Encyclopædia Britannica wrote, "The earliest temple obelisk still in position is that of Senwosri I. of the XIIth Dynasty at Heliopolis (68 ft. high)" (ref. [1]).

Obelisks were a prominent part of the architecture of the ancient Egyptians, who placed them in pairs at the entrance of temples. Twenty-seven ancient Egyptian obelisks are known to have survived, plus one incomplete obelisk found partly hewn from its quarry at Aswan.

The obelisk symbolized the sun god Ra and during the brief religious reformation of Akhenaten was said to be a petrified ray of the aten, the sundisk. It was also thought that the god existed within the structure.

It is hypothesized by New York University Egyptologist Patricia Blackwell Gary and Astronomy senior editor Richard Talcott ("Stargazing in Ancient Egypt," Astronomy, June 2006, pp. 62-67) that the shapes of the ancient Egyptian pyramid and obelisk were derived from natural phenomena associated with the sun (the sun-god Re being the Egyptians' greatest deity). The pyramid and obelisk would have been inspired by previously overlooked astronomical phenomena connected with sunrise and sunset: the zodiacal light and Sun pillars, respectively.

The Romans were infatuated with obelisks, to the extent that there are now more than twice as many obelisks standing in Rome as remain in Egypt, although they all fell after the Roman period and were re-erected in different locations.

Not all the Egyptian obelisks re-erected in the Roman Empire were set up at Rome. Herod the Great imitated his Roman patrons and set up a red granite Egyptian obelisk in the hippodrome (racetrack) of his grand new city Caesarea in northern Judea. It was discovered by archaeologists and has been re-erected at its former site.

In Constantinople, the Eastern Emperor Theodosius shipped an obelisk in 390 CE and had it set up in his hippodrome, on a specially-built base, where it has weathered Crusaders and Seljuks and stands in the Hippodrome square in modern Istanbul.

Rome is the obelisk capital of the world. The most prominent is the 25.5 m obelisk at Saint Peter's Square in Rome. The obelisk had stood since A.D. 37 on its site on the wall of the Circus of Nero, flanking St Peter's Basilica:

"The elder Pliny in his Natural History refers to the obelisk's transportation from Egypt to Rome by order of the Emperor Gaius (Caligula) as an outstanding event. The barge that carried it had a huge mast of fir wood which four men's arms could not encircle. One hundred and twenty bushels of lentils were needed for ballast. Having fulfilled its purpose, the gigantic vessel was no longer wanted. Therefore, filled with stones and cement, it was sunk to form the foundations of the foremost quay of the new harbour at Ostia." (James Lees-Milne, Saint Peter's (1967).

Re-erecting the obelisk had daunted even Michelangelo, but Sixtus V was determined on erecting it directly in front of St Peter's, of which the nave was yet to be built, and had a full-sized wooden mock-up erected within months of his election. An uproar of suggested projects ensued, but Domenico Fontana, the assistant of Giacomo Della Porta in the Basilica's construction, presented the Pope with a little model crane of wood and a heavy little obelisk of lead, which Sixtus himself was able to raise by turning a little winch with his finger. Fontana had the project. The obelisk, half-buried in the debris of the ages, was first excavated as it stood; then it took from April 30 to May 17 1586 to move it on rollers to the Piazza: it required nearly 1000 men, 140 carthorses, 47 cranes. The re-erection, scheduled for September 14, the Feast of the Exaltation of the Cross, stunned an enormous crowd of silent onlookers. It was a famous feat of engineering, which made the reputation of Fontana, who detailed it in a book magnificently illustrated with engravings, Della Trasportatione dell’Obelisco Vaticano et delle Fabriche di Nostro Signore Papa Sisto V (1590), which itself set a new standard in communicating technical information and influenced subsequent architectural publications by its meticulous precision [2]. Before being re-erected the obelisk was cautiously exorcised. It is said that Fontana had teams of relay horses to make his getaway if the enterprise failed. When Carlo Maderno came to build the nave, he had to put the slightest kink in its axis, to line it precisely with the obelisk.

Another obelisk stands in front of the church of Trinità dei Monti, at the head of the Spanish Steps. There is a further famous obelisk in Rome, sculpted as carried on the back of an elephant. Rome lost one of its obelisks, which had decorated the temple of Isis, where it was uncovered in the 16th century. The Medici claimed it for the Villa Medici, but in 1790 they managed to move it to the Boboli Gardens attached to the Palazzo Pitti in Florence, and left a replica in its stead.

Several more of the original Egyptian obelisks have been shipped and re-erected all over the world. The best-known examples outside Rome are the pair of so-called 21 m Cleopatra's Needles in London and New York City and the 23 m obelisk at the Place de la Concorde in Paris.

There are 26 known ancient Egyptian obelisks in the following current locations:

Tip of Hatshepsut's fallen obelisk, Karnak
The Obelisk of Tuthmosis III, Istanbul, Turkey

The Romans also commissioned obelisks in an Egyptian style, and there are five known ancient Roman obelisks located in Rome.

Assyria

One obelisk form is known from the early Assyrian civilization, represented by the Black Obelisk of King Shalmaneser III from the 9th century BC, now in the British Museum.

Axumite obelisks

King Ezana's Stele in Axum.

A number of obelisks were carved in the ancient Axumite Kingdom of Ethiopia. The most notable example – the 24 m high Obelisk of Axum carved around the 4th century – was looted by the Italians after the Second Italo-Abyssinian War and taken to Rome in 1937 where it stood in the Piazza di Porta Capena. In 2003 the Italian government agreed to return it, and as of 2005 it is in transit to Axum.

Other ancient obelisks

Modern obelisks

The Washington Monument in Washington, D.C., USA
The Wellington Monument in Phoenix Park, Dublin

Starting in the Renaissance, the obelisk has become a staple of monumental architecture, especially funerary; and many thousands of modern obelisks can be found the world over, almost any American cemetery offering several examples. Among all these, the following are worthy of particular mention:

Miscellaneous

  • The name of the comic book figure Obélix (from the Asterix strips) is derived from the word obelisk, but originates more directly from use of the word as an alternative for the typographical punctuation symbol 'dagger', in the same way that the name of Asterix is derived from asterisk.
  • In the manga Yu-Gi-Oh! and the anime Yu-Gi-Oh! Duel Monsters, The God of Obelisk is one of the Three Divine Beasts, also known as the God Cards.
  • The obelisk stone (rock) crosses of Kerala form another category of obelisks which perhaps were inspired by the Egyptian originals. For one thing the Syrian Christians or St.Thomas Christians of Malabar on the west coast of India had close contacts with the Egyptian and Assyrian worlds,the original habitat of obelisks. The "Ray of the Sun" and Horus concepts are to be found in the idea of Christ and in the orientation of the churches East-West.The use of the cylinder and socket method is found extensively used in both structures.

Another famous obelisk comes from the 7th Led Zeppelin album titled Presence which was released on March 31, 1976. Presence was recorded at Musicland Studios in Munich Germany and was produced by Jimmy Page.

The cover and inside sleeve of this album feature various images of people interacting with the same unknown item. Inside the album sleeve, the item is referred to simply as "The Object".

It was created by Hipgnosis (the design company) to represent Led Zeppelin's "force and presence." It was not intended as a reference to the Monolith of 2001 though the resemblance has been noted by many; including Page himself.

See also

Reference

  • Public Domain This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press. {{cite encyclopedia}}: Missing or empty |title= (help)
  • Patricia Blackwell Gary and Richard Talcott, "Stargazing in Ancient Egypt," Astronomy, June 2006, pp. 62-67.
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