Jump to content

Coosje van Bruggen

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Mikhail Ryazanov (talk | contribs) at 01:28, 10 November 2012 (→Sculptures: Censoring by request of the copyright holder... (actual images have been deleted from Commons)). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Coosje van Bruggen
Born(1942-06-06)June 6, 1942
Groningen, Netherlands
Died(2009-01-10)January 10, 2009
Los Angeles, California, United States
NationalityDutch-American
Known forSculpture

Coosje van Bruggen (June 6, 1942 – January 10, 2009) was a sculptor, art historian, and critic.[1] She collaborated extensively with her husband, Claes Oldenburg.

Biography

Born to a physician in Groningen, van Bruggen studied history of art at the University of Groningen. From 1967 to 1971, she worked at the Stedelijk Museum in Amsterdam. There she worked with environmental artists like Doug Wheeler, Larry Bell, and the members of the Dutch avant-garde.[1] Until 1976, van Bruggen taught at the Academy for Art and Industries in Enschede. In 1978, van Bruggen moved to New York, in 1993 she became a United States citizen.

Work

She collaborated extensively with her husband, sculptor Claes Oldenburg, since 1976. Her first work with Oldenburg came when she helped him install his 41-foot Trowel I on the grounds of the Kröller-Müller Museum in Otterlo.[2] They were married in 1977. Together Oldenburg and van Bruggen produced three decades of monumental sculpture that van Bruggen would call Large-Scale Projects,[3] with their first piece created as a team being Flashlight (1981), a huge outdoor sculpture at the University of Nevada, Las Vegas.[2] In Los Angeles, Collar and Bow - a 65-foot metal and fiberglass sculpture in the shape of a man's dress shirt collar and bow tie, designed for a spot outside Walt Disney Concert Hall - was stalled and eventually canceled because of technical problems and escalating costs.[4] In 1988, her work along with Oldenburg Spoonbridge and Cherry was commissioned by the Walker Art Center, and became a permanent fixture of the Minneapolis Sculpture Garden as well as an iconic image of the city of Minneapolis. Their final joint work, fabricated in Turin, Italy, was Tumbling Tacks (2009), designed for the Kistefos Sculpture Park in the countryside north of Oslo.[2]

At her instigation, too, the couple branched out into indoor installations and performance. In 1985 they collaborated on Il Corso del Coltello (“The Course of the Knife”) a performance piece in Venice, Italy, with the architect Frank Gehry, whom van Bruggen had met in 1982, when she was on the selection committee for documenta 7 in Kassel.[1]

Since the early 1980s van Bruggen worked as an independent critic and curator. She contributed articles to Artforum magazine from 1983 to 1988, and served as senior critic in the sculpture department at Yale University School of Art in 1996-97.<refname="LAT"/>

Van Bruggen was the author of scholarly books and essays on the work of major contemporary artists including Gerhard Richter (1985), John Baldessari (1990), Bruce Nauman (1991), and Hanne Darboven (1991). She also wrote a monograph on architect Frank O. Gehry's Guggenheim Museum in Bilbao, Spain.[2]

Van Bruggen and Oldenburg were based in New York for many years, but they also lived and worked for extensive periods in Los Angeles and, since 1992, at Château de la Borde in Beaumont-sur-Dême, in the Loire Valley of France.

Awards

Together with Oldenburg, Van Bruggen received numerous awards including the Distinction in Sculpture, Sculpture Center, New York (1994); Nathaniel S. Saltonstall Award, Institute of Contemporary Art, Boston (1996); Partners in Education Award, Solomon R. Guggenheim Museum, New York (2002); the Medal Award, School of the Museum of Fine Arts, Boston (2004) and honorary degrees from the California College of the Arts, San Francisco, California (1996); University of Teesside, Middlesbrough, England (1999); Nova Scotia College of Art and Design, Halifax, Nova Scotia (2005); and the College for Creative Studies in Detroit, Michigan (2005).

The Estate of Coosje van Bruggen is represented by The Pace Gallery, New York.

Death

She died at her residence in Los Angeles in 2009, aged 66, after a long battle with breast cancer at Cedars-Sinai Medical Center.[3]

Sculptures

  • Sculptures by Van Bruggen and Oldenburg
  • Inverted Collar and Tie, Frankfurt
    Inverted Collar and Tie, Frankfurt
  • The Flying Pins, Eindhoven
    The Flying Pins, Eindhoven
  • Saw, Sawing, Tokyo
    Saw, Sawing, Tokyo
  • Balancing Tools, Weil am Rhein
    Balancing Tools, Weil am Rhein
  • Cupid's Span, San Francisco
    Cupid's Span, San Francisco

References

  1. ^ a b c Kino, Carol. 13 January 2009. Coosje van Bruggen, Sculptor, Dies at 66, The New York Times.
  2. ^ a b c d Suzanne Muchnich (January 13, 2009), "Coosje van Bruggen dies at 66; art historian made sculptures with husband Claes Oldenburg". Los Angeles Times.
  3. ^ a b Richard Lacayo (January 13, 2009), Coosje van Bruggen: 1942-2009 Time).
  4. ^ Mike Boehm (March 1, 2008), 'Collar and Bow' -- and then a suit Los Angeles Times.
Wikimedia Commons has media related to Coosje van Bruggen.

Template:Persondata

Retrieved from "https://en.wikipedia.org/w/index.php?title=Coosje_van_Bruggen&oldid=522265061"