Godzilla (1998 film)

Godzilla
Theatrical Poster
Directed by	Roland Emmerich
Written by	Screenplay: Dean Devlin Roland Emmerich Story: Ted Elliott Terry Rossio Dean Devlin Roland Emmerich Based on the Character "Godzilla" Owned and Created by: Toho Co., Ltd.
Produced by	Dean Devlin
Starring	Matthew Broderick Jean Reno Maria Pitillo Hank Azaria Michael Lerner Kevin Dunn Harry Shearer Vicki Lewis Doug Savant
Cinematography	Ueli Steiger
Edited by	Peter Amundson David Siegel
Music by	David Arnold
Distributed by	TriStar Pictures
Release dates	May 19, 1998 (USA)
Running time	139 min.
Language	English
Budget	$130,000,000 USD (estimated)
Box office	$379,014,294 USD (Worldwide)

Godzilla is an American science fiction film directed by Roland Emmerich and starred Matthew Broderick, Jean Reno, Maria Pitillo, Hank Azaria, Michael Lerner and Kevin Dunn. It is the American movie remake of the popular Japanese Godzilla series.

Tagline:

• Size does matter.

Development

TriStar secured rights from Toho to produce an American Godzilla film in 1992. One of the key players in this arrangement was Henry G. Saperstein, who had brought several Godzilla films to America with his United Productions of America. TriStar originally hoped to have the film released in 1994. However, it was not until May 1993 that Terry Rossio and Ted Elliott were asked to write a screenplay. The script was completed in November, but TriStar had yet to select a director for the film.

In July 1994, well after the originally announced release date, TriStar tapped Jan de Bont to direct the film. de Bont confessed to liking the older Godzilla films, although he stated that many of the later ones with their monster free-for-alls were a bit silly. Although he intended to keep humor in the picture, de Bont also pledged to deliver stunning effects and preserve the indomitable spirit of the Japanese Godzilla. de Bont assembled a team and had Rossio and Elliott rework the script to make it more to his liking. The revised script was ready in December 1994.

After Industrial Light and Magic turned down working on the Godzilla project, in October 1994 it was announced that Stan Winston's Digital Domain would be doing the effects work for Godzilla, with a reported budget of around $50 million. The entire film was estimated to cost around $120 million. de Bont sent crews to construct a Japanese fishing village on the Oregon coast, filming Godzilla's attack on the Kuril Islands as the backbone for a teaser trailer. The sets were built, but filming did not occur. Sony, TriStar's parent company, panicked when they saw the massive price tag being affixed to de Bont's Godzilla project. In late December 1994, TriStar and Jan de Bont parted company after the director refused to accept the studio's new budget restrictions. Although the script was rewritten again, this time by Donald MacPherson in May 1995, the project was to all intents, dead. TriStar began to court Dean Devlin and Roland Emmerich, the team who had just reaped huge profits with Independence Day in [1996 in film|1996]]. By May 1997, Devlin and Emmerich officially had the job. They agreed to bring the movie in for about half of what de Bont wanted, $65 million.

Besides, Jan de Bont, James Cameron, Tim Burton, Joe Johnston, and Paul Verhoeven were chosen directors for this movie before Roland Emmerich and Dean Devlin came in and re-wrote the script, directing this movie instead.

When this modern remake was first conceived in the 1990s, Godzilla was to look like his traditional Japanese counterpart with his Atomic Breath. Godzilla was created by an ancient Alien race to protect the Earth from a giant shape-shifting Alien monster, the Gryphon (originally planned to be King Ghidorah). The two behemoths finally met in New York City, taking out most of Manhattan in the fight.

Tomoyuki Tanaka had produced all of the Japanese Godzilla movies was going to be the producer but he died only a month before this film began actual production.

Matthew Broderick's character's name is Dr. Niko Tatopoulos. Godzilla's designer and supervisor is Patrick Tatopoulos.

Plot

The film's opening credits play over a montage of French nuclear tests in the Pacific Ocean, observed by various species of lizard. All the footage of nuclear tests at the start of the film is American, not French. Most of the detonations shown are at Bikini and Eniwetak Atoll in the Marshall Islands, Pacific.

Meanwhile, a Japanese fishing ship was attacked by an unseen, giant monster; only one survived. Traumatized, he was questioned in a hospital by a mysterious Frenchman (Jean Reno) as to what he saw. His only reply was, "Gojira."

Another seaborne attack just by the Eastern Seaboard culminated in the eventual destruction of a fishing ship. The crew, however, survived, after witnessing their boat sinking, but it shot up from underneath and landed with a huge splash in the surface.

Dr. Niko "Nick" Tatapolous (Matthew Broderick), an NRC scientist, who happened to be in the Chernobyl Exclusion Zone (Ukraine) researching the effects of radiation on wildlife, was interrupted by the arrival of an agent of the U.S. State Department. He was sent to Panama, escorted by the military, to observe the wreckage of the recovered Japanese fishing ship (which had three gigantic claw marks on one side) and a set of massive dinosaur-like footprints in the grassy soil. The Frenchman was also there, observing the scene and introduces himself as an insurance agent. Aboard a military aircraft, Tatapolous identifies skin samples he recovered as belonging to an animal "unknown to science".

Gojira then heads to New York City, dragging three trawlers under the sea on the way, then creating havoc in the Fulton Fish Market, before rampaging through the city. Manhattan is evacuated and the military attempt to kill the monster, first luring it out with a huge pile of fish. It takes the bait, but then shrugs off small arms fire, and evades and destroys three pursuing AH-64 Apache attack helicopters. It escapes, but not before Nick realizes that the monster reproduces asexually, and is collecting food not only for itself, but also for its offspring. Nick is determined to find its nest.

However, when a videotape from Panama is stolen by Nick's ex-girlfriend, Audrey Timmonds (Maria Pitillo), a would-be TV journalist for news channel "WIDF." Audrey originally intended to broadcast the tape herself, but her boss broadcasted it instead and mispronounced "Gojira" as "Godzilla." The military is outraged by the broadcasting of the classified tape and Nick is thrown off the team. Nick is then kidnapped by the Frenchman who introduces himself as Philippe Roaché, an agent of the DGSE, the French Secret Service. He and his team have been keeping close watch on events, and are now ready to help clear up the mess they feel responsible for, but cannot acknowledge.

The military lured it out again, into the waters of the Hudson River with three U.S. Navy nuclear submarines. Godzilla is torpedoed and seems to be dead. Meanwhile Nick and a French team, led by Roaché, surreptitiously followed by Audrey and cameraman Victor "Animal" Palotti (Hank Azaria), track Godzilla through the subway tunnels to the Madison Square Garden, finding hundreds of eggs. They start to lay explosives, but the eggs start to hatch. The Baby Godzillas begin to look for food, and since the team smell like fish, they become inevitable targets. After failing to contain the infants and losing several members of the team, the remaining four of them take refuge in a TV broadcast booth. Knowing that the Baby Godzillas will eventually force humanity into extinction if they escape, Nick, Audrey, and Animal alert the authorities, who order an immediate strike by a trio of F/A-18 Hornets. When the F/A-18s attack Madison Square Garden, the pilot states "Selecting LGB", but the weapon display indicates an AGM-84C Harpoon anti-ship missile. The missile shown on-screen is also consistent with a Harpoon, rather than a laser-guided bomb.The four escape just before the building is destroyed, only for an extremely enraged Godzilla (who managed to survive the assault in the river) to emerge from the wreckage. The four make a getaway in a taxicab, and lure it to the Brooklyn Bridge where it becomes entangled in the steel suspension cables, and is an easy target for the fighters. After it was hit by several missiles, it screamed in pain and fell helplessly to the ground, its heart beating slowly until it breathed its last.

As Nick, Audrey and Animal reconciled, Roaché claimed the videotape and vowed to return it after "certain information" has been removed, and disappeared to the night.

All seems well until we see in smoking ruins of the Garden, a single egg has survived and hatches.

Music

The film's soundtrack featured songs by such artists as Puff Daddy and Jimmy Page ("Come with Me"), Jamiroquai ("Deeper Underground"), Rage Against the Machine ("No Shelter"), Foo Fighters ("A320"), Ben Folds Five ("Air"), and Green Day ("Brain Stew (Remix)" ). The David Bowie song "Heroes", covered by The Wallflowers, can be clearly heard in the background during a restaurant scene early in the movie. L'Arc-en-Ciel composed the theme song entitled "Shinsoku Lose Control" for the official Japanese release of the movie. David Arnold's orchestral score provided the music for the rest of the movie, and roughly four minutes of it is included on the album. A score-only release was cancelled due to the film's box office performance, and Arnold's complete score remained unreleased until 2007, when La-La Land Records released a limited edition (3,000 units) of the complete score on two discs.

Sequels and spin-offs

Main article: Godzilla: The Series

The film spawned an animated series which continued the storyline of the movie. In this series, Nick Tatapolous accidentally discovers the egg that survived the destruction of the nest. The creature hatches and imprints on Nick as its parent. Subsequently, Nick and his associates form a research team, investigating strange occurrences and defending human kind from numerous other monsters. Fans received the series to be better than the movie.

Lower than expected domestic box office sales led to the canceling of the planned sequel. Roland Emmerich would go on to direct The Patriot.

Early in the film Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack, one of the main characters is giving a lecture to several Japanese military personnel and briefly mentions a monster attack on New York City, referring to the events in the 1998 film. Two of the soldiers say that American scientists believe Godzilla is the one who attacked New York, but the Japanese scientists have some doubts about that.

In Godzilla: Final Wars, the American Godzilla makes an appearance using the name "Zilla". It attacks Sydney, Australia and then briefly fights the Toho Godzilla, only to be killed by it. Ryuhei Kitamura, the director of Godzilla: Final Wars, who is fluent in English, chose this name because he thought the American film "Took the God out of Godzilla."

Marketing campaign

The marketing campaign for Godzilla was multi-pronged in its execution:

• Crushed cars were dotted around London as a part of a guerrilla advertising campaign.
• In the month or so before its release, ads on street corners made references to Godzilla's size in comparison to whatever medium of advertising the advertisement was on.
  • Examples: "His foot is bigger than this bus.", "His eye is bigger than this billboard.", etc.
• Prior to the release of the film, Godzilla was never shown in its entirety, only in bits and pieces. This was intended to add a bit of mystery to the creature's design, thereby prompting audiences to pay for a ticket because the only way to see Godzilla as a whole was in theaters. A similar marketing scheme was used in the 2005 remake of War of the Worlds and Cloverfield. Roland Emmerich and Dean Devlin insisted that extensive measures had been taken to keep the new look of Godzilla secret, prior to release. When images leaked out onto the internet, the Sony Pictures insisted it was part of a massive disinformation campaign designed to keep people guessing about what Godzilla looked like. Ultimately, however, the circulated drawings proved to be authentic.
• Taco Bell had tie-ins such as cups and toys that promoted the film. The Taco Bell chihuahua was also at the height of its popularity in Taco Bell's television commercials. During the summer of 1998, several commercials pairing Godzilla with the Taco Bell mascot were produced and aired, including several with the chihuahua trying to catch Godzilla in a tiny box, whistling and calling, "Here, lizard, lizard, lizard." When Godzilla appears, the chihuahua says, "Uh-oh. I think I need a bigger box." (referring to the classic line from Jaws, "I think we're gonna need a bigger boat")
• The film's first teaser trailer began appearing in theaters a full year before the movie was released. The trailer featured a shot of Godzilla's foot coming through the roof of a museum and crushing a T. rex skeleton as a tour guide gives a lecture saying that the T. rex was one of the largest predators the world has ever seen. The lizard species that Godzilla mutated from can be seen in a display case.
• Recently, the American Godzilla appeared in two Doritos commercials, in which he consumed a whole semi trailer full of Doritos. In the other commercial, it eats a spicy variant of Doritos and jumps in the Hudson river.

Box office and critical reaction

File:Baby godzilla hatching.jpg

Godzilla's only surviving offspring, which appears briefly at the end of this film; and would later star in Godzilla: The Series.

Godzilla was initially projected to take in $90,000,000 in domestic sales during its opening weekend, to surpass the record set the year before by The Lost World: Jurassic Park. Actual opening weekend sales were a respectable $54,000,000, but clearly did not track with studio profit forecasts. Godzilla would "break even" in the U.S. market, taking in $136,314,294 at the domestic box office. Overseas sales would ultimately make the movie profitable, bringing the Worldwide total to $379,014,294.

Fans of the original film and franchise considered the film to be so apocryphal that Toho Studios officially named this film's title monster "Zilla" to differentiate it from the original Godzilla.

The mayor of New York City is named Ebert, and his top adviser is named Gene, a reference to the famous film critiquing duo from TV's Siskel & Ebert. It was an attempt at expressing displeasure at the negative reviews Siskel and Ebert had given the producers' previous films. Although Roger Ebert was flattered at the parody, he gave Godzilla a bad review anyway. Gene Siskel, however, found the parody "petty", also giving the film a negative review.

Cameos and allusions to other films

• Barney the Dinosaur from the TV series Barney & Friends can be seen in a TV set.

• An action figure toy of an alien from Independence Day (also directed by Roland Emmerich) is visible on top of a computer in the broadcast booth at Madison Square Garden.

• The Japanese freighter attacked and destroyed by Godzilla in the opening of the film is named Kobayashi Maru, in homage to Star Trek II: The Wrath of Khan. Coincidentally, Kobayashi is also the name of the pilot in Godzilla Raids Again who gives his life trying to destroy Godzilla by crashing his plane into the ice, causing an avalanche.

• The giant octopus from It Came from Beneath the Sea is seen in a TV set.

• The insurance company Jean Reno claims to work for is named Lao Che, which is the same name as the villian at the beginning of Indiana Jones and the Temple of Doom.

External links

• Godzilla 1998 Database
• Barry's Temple of Godzilla
• Toho Kingdom
• Godzilla Stomp
• The Godzilla Shrine
• Godzilla at IMDb
• Godzilla at Rotten Tomatoes
• Godzilla at Box Office Mojo
• The 1998 Taco Bell commercial used to promote the film.
• A recent Doritos commercial featuring the creature
• Godzilla vs. The Gryphon (the original Godzilla script)
• Godzilla 2
• Godzilla 2 in Sony's Plans?
• Godzilla Teaser Trailer