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Created page with '{{User sandbox}} <!-- EDIT BELOW THIS LINE --> =Into the Pandemonium= == Helpful links == * “We hated these unwritten limitations in the metal scene,” he continues. [https://www.kerrang.com/celtic-frost-interview-tom-gabriel-fischer-morbid-tales-to-mega-therion-into-the-pandemonium-h-r-giger-danse-macabre]. * [https://thequietus.com/quietus-reviews/reissue-of-the-week/reissue-of-the-week-celtic-frost-dance-macabre]. 23:12, 3 June 2024 (UTC) == Temporar...'
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Revision as of 18:34, 8 June 2024

Into the Pandemonium

  • “We hated these unwritten limitations in the metal scene,” he continues. [1].
  • [2]. 23:12, 3 June 2024 (UTC)

Temporary texts

Another facet of Celtic Frost's radical marriage between high and low culture showed up on the lyrical department.

The album also marked the end of their tenure with Noise Records. A costly legal battle with the label unsued, due to accusations by the band that Noise sabotaged the album's promotion. "Pulling the plug" on tour support, video support and other marketing costs.

Former Anthrax and Nuclear Assault bassist Dan Lilker confessed his enstrangement with track, and that it was a general feeling at the time. Although he concedes that "some of the stuff that Frost had been doing on To Mega Therion with female vocals and orchestration got people ready for some of the avant-garde stuff.[1]

189.82.170.187 (talk) 13:49, 5 June 2024 (UTC)

  1. ^ Christie 2004, page 21.