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| studio = * Tarpan ([[San Rafael, California]])
| studio = * Tarpan ([[San Rafael, California]])
* [[Record Plant|The Plant]] (Los Angeles, California)
* [[Record Plant|The Plant]] (Los Angeles, California)
| genre = [[Pop music|Pop]]
| genre =
* [[Pop music|Pop]]
* [[Latin soul]]
* [[Contemporary R&B|R&B]]
| length = * 4:47 (album)
| length = * 4:47 (album)
* {{Duration|4:25}} (edit)
* {{Duration|4:25}} (edit)
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}}
}}


"'''I Don't Wanna Cry'''" is a song recorded by American singer [[Mariah Carey]] for her first album ''[[Mariah Carey (album)|Mariah Carey]]'' (1990). Written by Carey and producer [[Narada Michael Walden]], [[Columbia Records]] released it as the album's fourth single in March{{nbsp}}1991. A [[Latin soul]]–influenced pop [[sentimental ballad|ballad]], the [[torch song]] describes the end of romance. It features drums, guitars, digital synthesizers, and a classic [[song structure]] with highly delineated section roles. [[Modulation (music)|Modulation]]s occur between these segments that emphasize the singer's emotions. Varying from [[whispering]] to [[belting (music)|belting]], Carey's [[vocal range]] spans more than two [[octave]]s.
"'''I Don't Wanna Cry'''" is a song recorded by American singer-songwriter [[Mariah Carey]] for her self-titled debut studio album ''[[Mariah Carey (album)|Mariah Carey]]'' (1990). Written by Carey and producer [[Narada Michael Walden]], [[Columbia Records]] released it as the album's fourth single in March{{nbsp}}1991. A [[Latin soul]]-influenced [[Pop music|pop]] and [[Contemporary R&B|R&B]] [[sentimental ballad|ballad]], the [[torch song]] describes the end of romance. It features drums, guitars, digital synthesizers, and a prototypical [[song structure]] with highly delineated section roles. [[Modulation (music)|Modulation]]s occur between these segments that emphasize the singer's emotions. Varying from [[whispering]] to [[belting (music)|belting]], Carey's [[vocal range]] spans more than two [[octave]]s.


Critics viewed "I Don't Wanna Cry" as a standout track from ''Mariah Carey'' and complimented the dynamic between Carey's vocals and Walden's production. The song received high airplay across American [[adult contemporary]], [[urban contemporary]], and [[contemporary hit radio]] stations. It became Carey's fourth consecutive number one on the US [[Billboard Hot 100|''Billboard'' Hot 100 Singles]] chart, making her the second act to have their first four entries reach number one. The [[Recording Industry Association of America]] certified it [[RIAA certification|Gold]]. Internationally, "I Don't Wanna Cry" reached the top ten on sales and airplay charts in Canada and the top twenty in New Zealand.
Critics viewed "I Don't Wanna Cry" as a standout track from ''Mariah Carey'' and complimented the dynamic between Carey's vocals and Walden's production. The song received high airplay across American [[adult contemporary]], [[urban contemporary]], and [[contemporary hit radio]] stations. It became Carey's fourth consecutive number one on the US [[Billboard Hot 100|''Billboard'' Hot 100 Singles]] chart, making her the second act to have their first four entries reach number one. The [[Recording Industry Association of America]] certified it [[RIAA certification|Gold]]. Internationally, "I Don't Wanna Cry" reached the top ten on sales and airplay charts in Canada and the top twenty in New Zealand.
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==Composition and lyrics==
==Composition and lyrics==
{{listen|filename=I Don't Wanna Cry 1.ogg|title="I Don't Wanna Cry"|description=A pop [[sentimental ballad|ballad]], "I Don't Wanna Cry" features Carey's singing complemented by drums, guitars, and synthesizers.}}
{{listen|filename=I Don't Wanna Cry 1.ogg|title="I Don't Wanna Cry"|description=A [[Pop music|pop]] and [[Contemporary R&B|R&B]] [[sentimental ballad|ballad]], "I Don't Wanna Cry" features Carey's singing complemented by drums, guitars, and synthesizers.}}
"I Don't Wanna Cry" is a [[torch song]]<ref name="Pastorek">{{harvnb|Pastorek|2008|p=31}}</ref> in the form of a [[Latin soul]]-influenced<ref name="Kot">{{cite news|date=November 18, 1993|title=Yes, She Can Sing|last=Kot|first=Greg|url=https://www.chicagotribune.com/news/ct-xpm-1993-11-18-9311180027-story.html|url-access=registration|newspaper=[[Chicago Tribune]]|url-status=live|archive-url=https://archive.today/20230218035954/https://www.chicagotribune.com/news/ct-xpm-1993-11-18-9311180027-story.html|archive-date=February 18, 2023}}</ref> pop [[sentimental ballad|ballad]].<ref name="Flick">{{cite magazine|title=Single Reviews|magazine=[[Billboard (magazine)|Billboard]]|date=March 30, 1991|page=123|id={{ProQuest|1505994955}}}}</ref> Like many recordings, it references the act of crying.<ref>{{cite journal|last=Cooper|first=B. Lee|date=2004|title=The Sky Is Crying: Tales Told in Tearful Tunes|journal=Popular Music and Society|volume=27|issue=1|page=111|doi=10.1080/0300776042000166648|s2cid=219728288 }}</ref> The lyrics are simple and concern the demise of a romance: "Though I've given you my heart and soul / I must find a way of letting go / 'Cause baby, I don't wanna cry."<ref name="Breihan"/><ref name="Anderson"/> According to David T. Farr of the ''[[Sturgis Journal]]'', they introduce an element of vulnerability to Carey's image.<ref>{{cite news|last=Farr|first=David T.|date=June 18, 2015|title=The Farr Side: A Quarter-Century of Mariah Carey|url=https://www.sturgisjournal.com/story/entertainment/columns/2015/06/18/the-farr-side-quarter-century/34150319007/|newspaper=[[Sturgis Journal]]|url-status=live|archive-url=https://web.archive.org/web/20230301193046/https://www.sturgisjournal.com/story/entertainment/columns/2015/06/18/the-farr-side-quarter-century/34150319007/|archive-date=March 1, 2023}}</ref> Scholar [[Dorothy Marcic]] views them as an example of the progression of women's societal role as they showcase a sense of inner strength rather than victimhood like songs from previous decades.<ref>{{harvnb|Marcic|2002|pp=193–194}}</ref>
"I Don't Wanna Cry" is a [[torch song]]<ref name="Pastorek">{{harvnb|Pastorek|2008|p=31}}</ref> in the form of a [[Latin soul]]-influenced<ref name="Kot">{{cite news|date=November 18, 1993|title=Yes, She Can Sing|last=Kot|first=Greg|url=https://www.chicagotribune.com/news/ct-xpm-1993-11-18-9311180027-story.html|url-access=registration|newspaper=[[Chicago Tribune]]|url-status=live|archive-url=https://archive.today/20230218035954/https://www.chicagotribune.com/news/ct-xpm-1993-11-18-9311180027-story.html|archive-date=February 18, 2023}}</ref> [[Pop music|pop]]<ref name="Flick"/> and [[Contemporary R&B|R&B]]<ref name="Tan">{{cite web|url=https://theboombox.com/rnb-breakup-songs-valentines-day/|title=10. "I Don't Wanna Cry" by Mariah Carey - Brokenhearted: 20 R&B Songs That Will Get You Through a Heartbreak|publisher=[[Townsquare Media|The Boombox]]|last=Tan|first=Emily|date=February 13, 2018|accessdate=May 17, 2022}}</ref> [[breakup song]]<ref>{{cite news |date=August 13, 1990 |title=Looks, Voice Took Carey to the Top |url=https://www.newspapers.com/clip/100796582/the-province/|newspaper=[[The Province]] |page=42 |via=[[Newspapers.com]]}}</ref> in the form of a [[sentimental ballad|ballad]].<ref name="Flick">{{cite magazine|title=Single Reviews|magazine=[[Billboard (magazine)|Billboard]]|date=March 30, 1991|page=123|id={{ProQuest|1505994955}}}}</ref> Like many recordings, it references the act of crying.<ref>{{cite journal|last=Cooper|first=B. Lee|date=2004|title=The Sky Is Crying: Tales Told in Tearful Tunes|journal=Popular Music and Society|volume=27|issue=1|page=111|doi=10.1080/0300776042000166648|s2cid=219728288 }}</ref> The lyrics are simple and concern the demise of a romance: "Though I've given you my heart and soul / I must find a way of letting go / 'Cause baby, I don't wanna cry."<ref name="Breihan"/><ref name="Anderson"/> According to David T. Farr of the ''[[Sturgis Journal]]'', they introduce an element of vulnerability to Carey's image.<ref>{{cite news|last=Farr|first=David T.|date=June 18, 2015|title=The Farr Side: A Quarter-Century of Mariah Carey|url=https://www.sturgisjournal.com/story/entertainment/columns/2015/06/18/the-farr-side-quarter-century/34150319007/|newspaper=[[Sturgis Journal]]|url-status=live|archive-url=https://web.archive.org/web/20230301193046/https://www.sturgisjournal.com/story/entertainment/columns/2015/06/18/the-farr-side-quarter-century/34150319007/|archive-date=March 1, 2023}}</ref> Scholar [[Dorothy Marcic]] views them as an example of the progression of women's societal role as they showcase a sense of inner strength rather than victimhood like songs from previous decades.<ref>{{harvnb|Marcic|2002|pp=193–194}}</ref>


With an introduction, verse, pre-chorus, chorus, post-chorus, [[bridge (music)|bridge]], and outro, "I Don't Wanna Cry" features a prototypical [[song structure]]. It is organized in [[compound AABA form]].<ref>{{cite journal|last=de Clercq|first=Trevor|date=2017|title=Embracing Ambiguity in the Analysis of Form in Pop/Rock Music, 1982–1991|journal=[[Music Theory Online]]|volume=23|issue=3|at=sec. 2.2|url=https://mtosmt.org/issues/mto.17.23.3/mto.17.23.3.de_clercq.html|url-status=live|archive-url=https://web.archive.org/web/20230125091416/https://mtosmt.org/issues/mto.17.23.3/mto.17.23.3.de_clercq.html|archive-date=January 25, 2023}}</ref> Set in [[common time]], the music is played "tenderly" at a [[tempo]] of 66{{nbsp}}[[Beat (music)|beats]] per minute according to [[sheet music]] published by [[Hal Leonard]].<ref>{{harvnb|Carey|2007|p=79}}</ref> It is written in the [[Key (music)|key]] of {{nobr|[[F-sharp minor]]}} until the first chorus when [[Modulation (music)|modulation]] to the [[relative key]] of {{nobr|[[A major]]}} occurs. The key reverts to {{nobr|F-sharp minor}} for the next verse. Upon the [[climax (narrative)|climax]] at the final chorus, a [[key change]] to {{nobr|[[B-flat major]]}} takes place. The song [[Conclusion (music)|concludes]] in the relative key of {{nobr|[[G minor]]}}. This alternation constructs [[Prosody (linguistics)|prosody]]; lyrics about breaking up ("Only emptiness inside us") are in minor key while those about moving on ("I must find a way of letting go") are in major key.<ref>{{harvnb|Josefs|1996|pp=167–168}}</ref>
With an introduction, verse, pre-chorus, chorus, post-chorus, [[bridge (music)|bridge]], and outro, "I Don't Wanna Cry" features a prototypical [[song structure]]. It is organized in [[compound AABA form]].<ref>{{cite journal|last=de Clercq|first=Trevor|date=2017|title=Embracing Ambiguity in the Analysis of Form in Pop/Rock Music, 1982–1991|journal=[[Music Theory Online]]|volume=23|issue=3|at=sec. 2.2|url=https://mtosmt.org/issues/mto.17.23.3/mto.17.23.3.de_clercq.html|url-status=live|archive-url=https://web.archive.org/web/20230125091416/https://mtosmt.org/issues/mto.17.23.3/mto.17.23.3.de_clercq.html|archive-date=January 25, 2023}}</ref> Set in [[common time]], the music is played "tenderly" at a [[tempo]] of 66{{nbsp}}[[Beat (music)|beats]] per minute according to [[sheet music]] published by [[Hal Leonard]].<ref>{{harvnb|Carey|2007|p=79}}</ref> It is written in the [[Key (music)|key]] of {{nobr|[[F-sharp minor]]}} until the first chorus when [[Modulation (music)|modulation]] to the [[relative key]] of {{nobr|[[A major]]}} occurs. The key reverts to {{nobr|F-sharp minor}} for the next verse. Upon the [[climax (narrative)|climax]] at the final chorus, a [[key change]] to {{nobr|[[B-flat major]]}} takes place. The song [[Conclusion (music)|concludes]] in the relative key of {{nobr|[[G minor]]}}. This alternation constructs [[Prosody (linguistics)|prosody]]; lyrics about breaking up ("Only emptiness inside us") are in minor key while those about moving on ("I must find a way of letting go") are in major key.<ref>{{harvnb|Josefs|1996|pp=167–168}}</ref>

Revision as of 13:28, 4 January 2024

This article is about the song by Mariah Carey. For other uses, see I Don't Want to Cry.

"I Don't Wanna Cry"
A woman in a wheat field facing the sky with eyes shut
US cassette cover
Single by Mariah Carey
from the album Mariah Carey
B-side"You Need Me"
ReleasedMarch 1991
Studio
Genre
Length
  • 4:47 (album)
  • 4:25 (edit)
LabelColumbia
Songwriter(s)
Producer(s)Narada Michael Walden
Mariah Carey singles chronology
"Someday"
(1990) 		"I Don't Wanna Cry"
(1991) 		"There's Got to Be a Way"
(1991)
Music video
"I Don't Wanna Cry" on YouTube

"I Don't Wanna Cry" is a song recorded by American singer-songwriter Mariah Carey for her self-titled debut studio album Mariah Carey (1990). Written by Carey and producer Narada Michael Walden, Columbia Records released it as the album's fourth single in March 1991. A Latin soul-influenced pop and R&B ballad, the torch song describes the end of romance. It features drums, guitars, digital synthesizers, and a prototypical song structure with highly delineated section roles. Modulations occur between these segments that emphasize the singer's emotions. Varying from whispering to belting, Carey's vocal range spans more than two octaves.

Critics viewed "I Don't Wanna Cry" as a standout track from Mariah Carey and complimented the dynamic between Carey's vocals and Walden's production. The song received high airplay across American adult contemporary, urban contemporary, and contemporary hit radio stations. It became Carey's fourth consecutive number one on the US Billboard Hot 100 Singles chart, making her the second act to have their first four entries reach number one. The Recording Industry Association of America certified it Gold. Internationally, "I Don't Wanna Cry" reached the top ten on sales and airplay charts in Canada and the top twenty in New Zealand.

Larry Jordan directed the accompanying music video, which shows Carey and a male model brooding over their tainted relationship. His director's cut version includes scenes that Columbia thought projected a sexualized image of Carey. She performed "I Don't Wanna Cry" during the 1993 Music Box Tour, the 1996 Daydream World Tour, and the 2015 concert residency #1 to Infinity. Carey's former husband and head of Columbia at the time of the song's production, Tommy Mottola, considers her lack of creative control during the process a factor in the demise of their relationship.

Background

Then-backup singer Mariah Carey accompanied Brenda K. Starr to a record industry party in late 1988.[1] Tommy Mottola, president of CBS Records Group, obtained Carey's demo tape at the gala and was immediately impressed by her voice.[2] He signed Carey within a month to establish her as Columbia Records's answer to Whitney Houston of Arista Records.[3] Mottola persuaded Arista promoter Don Ienner—who had been part of the marketing strategy that made Houston a household name—to join Columbia.[4]

Although Carey requested to work on her debut album Mariah Carey (1990) with longtime co-writer Ben Margulies rather than well-known producers,[2] Mottola felt it required further influences.[5] To broaden the album's music, Ienner suggested they hire Houston producer Narada Michael Walden.[2][a] This aligned with their view of Carey as "a franchise" with marketability to multiple demographics[4] as Walden's work appealed to both pop and R&B audiences.[6]

Recording

Mottola phoned Walden personally to request that he write a successful song with Carey in New York.[7][8] She was apprehensive and feared that her music would become "too schmaltzy" like his work with Houston.[2] After meeting each other, the pair held a writing session at the city's Hit Factory studio where Walden heard Carey's voice for the first time. While working on some uptempo songs, he believed she needed one that was slower and melodramatic. Influenced by recordings such as Chuck Jackson's "I Don't Want to Cry", Walden began singing a concept to Carey.[7] They composed the melody and wrote the chorus to "I Don't Wanna Cry", after which Carey completed the remaining lyrics.[9]

"I Don't Wanna Cry" was recorded at Tarpan Studios[b] and The Plant Studios in California.[10] Carey sought to redo licks multiple times during the process, and Walden agreed. After she recorded more vocals, Walden refused to incorporate them because he felt the song was complete.[7] Mottola encouraged Carey to follow his advice but acknowledged her discontent.[5] She never collaborated with Walden after Mariah Carey,[11] stating, "The label was very excited for me to work with him because of his collaborations with hugely successful vocalists ... it was very important for me to keep my identity as a songwriter."[12] Carey married Mottola in 1993 and they later divorced due to his controlling nature.[13] Retrospectively, he considers Carey's experiences with Walden how "her whole issue of feeling controlled" came into being.[5]

Composition and lyrics

"I Don't Wanna Cry"
A pop and R&B ballad, "I Don't Wanna Cry" features Carey's singing complemented by drums, guitars, and synthesizers.
Problems playing this file? See media help.

"I Don't Wanna Cry" is a torch song[14] in the form of a Latin soul-influenced[15] pop[16] and R&B[17] breakup song[18] in the form of a ballad.[16] Like many recordings, it references the act of crying.[19] The lyrics are simple and concern the demise of a romance: "Though I've given you my heart and soul / I must find a way of letting go / 'Cause baby, I don't wanna cry."[11][20] According to David T. Farr of the Sturgis Journal, they introduce an element of vulnerability to Carey's image.[21] Scholar Dorothy Marcic views them as an example of the progression of women's societal role as they showcase a sense of inner strength rather than victimhood like songs from previous decades.[22]

With an introduction, verse, pre-chorus, chorus, post-chorus, bridge, and outro, "I Don't Wanna Cry" features a prototypical song structure. It is organized in compound AABA form.[23] Set in common time, the music is played "tenderly" at a tempo of 66 beats per minute according to sheet music published by Hal Leonard.[24] It is written in the key of F-sharp minor until the first chorus when modulation to the relative key of A major occurs. The key reverts to F-sharp minor for the next verse. Upon the climax at the final chorus, a key change to B-flat major takes place. The song concludes in the relative key of G minor. This alternation constructs prosody; lyrics about breaking up ("Only emptiness inside us") are in minor key while those about moving on ("I must find a way of letting go") are in major key.[25]

Carey engages in riffing during the song's introduction.[26] She uses a low register during verses and an upper register for the chorus.[11] Her vocal range spans two octaves and six semitones from the low note of C♯3 to the high note of G5.[27] Carey's timbre varies between whispering,[28] cooing,[29] belting with bravura,[30] and "raspy grit".[11] Aside from producing, Walden plays the drums heard in "I Don't Wanna Cry". The song features an electric guitar and an acoustic guitar played by Chris Camozzi.[10] They evoke the sound of a Spanish guitar, which was a vogue production choice at the time.[31] The guitars are soft-sounding and play the melody while programmed keyboards are heard in the background.[32][33] Walter Afanasieff worked with the keys and synth bass electronically; Ren Klyce used the Fairlight CMI digital synthesizer for rhythm programming.[10] As with most Mariah Carey tracks, Bob Ludwig conducted mastering at Masterdisk in New York.[10] The album edition of "I Don't Wanna Cry" is four minutes and forty-seven seconds long[10] and an edited version lasts four minutes and twenty-five seconds.[16]

Release

"I Don't Wanna Cry" is the third track on Mariah Carey,[10] which Columbia released on June 12, 1990.[34] It forms the record's mass market appeal along with other ballads such as "Vision of Love" and "Love Takes Time".[30] By early 1991, the first three singles had reached number one on the US Billboard Hot 100 Singles chart[c] and the album was in the midst of an 11-week run at number one on the Billboard 200 following Carey's Best New Artist win at the 33rd Annual Grammy Awards.[11][36]

Columbia issued "I Don't Wanna Cry" as the fourth single from Mariah Carey.[37] The label distributed cassettes and 7-inch vinyls to retail in March 1991 with the album track "You Need Me" as a B-side.[16][38] The latter song has a similar relationship separation theme,[39] this time incorporating funk and rock music.[40] A promotional CD includes a radio edit version.[41] In Japan, Sony Music released "I Don't Wanna Cry" as a mini CD on May 2, 1991.[42] It is featured on Carey's compilation albums #1's (1998),[43] Greatest Hits (2001),[44] and #1 to Infinity (2015).[45]

Critical reception

Critics judged "I Don't Wanna Cry" to be one of the best songs from Mariah Carey.[d] Aside from Carey's work, it received comparisons to other ballads about relationships such as George Michael's "Careless Whisper" and Chris Isaak's "Wicked Game".[50][51] Commentators considered "I Don't Wanna Cry" conventional[e] and thought that Carey's vocal performance elevates the song's orthodoxy.[f] Glenn Gamboa of Newsday regarded it as perhaps "the surest sign from her debut that [Carey]'s powerful voice could turn an average song into a hit"[54] and Cleveland.com's Troy L. Smith reckoned although it might have generic production, that "doesn't stop Carey from rescuing the song with an amazing vocal".[31]

Critics felt that Carey's vocals and the composition complement each other[g] and resonate emotion.[h] According to Billboard, "Walden's grand production suits her acrobatic vocal style".[16] Rob Tannenbaum of Rolling Stone thought that Carey's "downcast whispers animated the song's luxurious sorrow" and Vibe's Julianne Shepherd said "she strikes a perfect balance between vocal ability and emotional rawness."[60] Reviewing retrospectively, Leah Greenblatt of Entertainment Weekly graded "I Don't Wanna Cry" a B+[61] and Stereogum's Tom Breihan scored it a 5 out of 10.[11]

Commercial performance

In the United States, "I Don't Wanna Cry" debuted at number 50 on the Billboard Hot 100 Singles chart dated April 6, 1991, as Carey's "Someday" departed the top 10.[7] It rose from number eight to number one in the May 25, 1991, issue and replaced "I Like the Way (The Kissing Game)" by Hi-Five.[62] The song's jump to number one was the biggest since Meco's "Star Wars Theme/Cantina Band" did the same in 1977,[63] a feat British publication Music Week deemed "unprecedented".[64][i] "I Don't Wanna Cry" became Carey's fourth consecutive number one on the Hot 100. This made her the second act after the Jackson 5 in 1970 to have their first four singles reach number one and the second female artist after Paula Abdul to have four number-one songs from a debut album.[66] "I Don't Wanna Cry" spent two weeks at number one and nineteen total on the chart.[35] As of 2018, it is Carey's 11th-best performing song on the Hot 100[67] and Walden's final number one as a producer.[11]

"I Don't Wanna Cry" experienced success across multiple radio formats in the United States. The song topped at least one of the adult contemporary, urban contemporary, and contemporary hit radio charts published by Billboard, Gavin Report, or Radio & Records magazines.[68][69][70] It received citations from performance rights organizations ASCAP and BMI for being one of the most-played songs on American radio and television stations in 1991.[71][72] The Recording Industry Association of America certified it Gold in 2022, which denotes 500,000 units based on digital downloads and on-demand streams.[73][74]

Outside of the United States, the song performed well in Canada. It reached the top 10 on the sales-based singles chart published by The Record (No. 7) and the airplay-based chart produced by RPM (No. 2).[75][76][77] Elsewhere, "I Don't Wanna Cry" peaked at number 13 on the New Zealand singles chart and number 49 on the Australian singles chart.[78]

Music video and performances

A woman and a man looking sad inside of a dark home.
The video for "I Don't Wanna Cry" shows Carey and a male model despondent about their relationship.

Carey's video album The First Vision (1991) presents a preview of the song's music video.[79] The clip captures her singing amid red-orange lighting on an empty stage.[80] Larry Jordan directed the official video for "I Don't Wanna Cry", which Columbia released in April 1991.[81][j] He had previously done so for "Someday".[82] The sepia-toned video features Carey and a male model in a dark Midwestern United States home surrounded by candles and empty picture frames. After brooding over their tainted relationship, she enters a wheat field and cries.[83][84][85]

The video received critical commentary. According to KQED's Emmanuel Hapsis, Carey's performance foreshadows her strong acting ability in Precious (2009).[83] People writer Drew Mackie thought her walking barefoot appears seductive.[86] Carey disavowed the video later in her career. As Columbia reshot scenes due to the appearance of her dress and the male model, she prefers the director's cut.[87][k] This version premiered on MTV in November 1998 and is included on her 1999 video compilation #1's.[88][89]

"I Don't Wanna Cry" is not one of Carey's fondest compositions;[20] she has seldom performed it live.[11] The song is noticeably absent from her 1993 high-profile Here Is Mariah Carey concert.[90] Carey sang "I Don't Wanna Cry" during the 1993 Music Box Tour[15] and the 1996 Daydream World Tour.[91] Her performance of the song at the Tokyo Dome during the latter is included on her compilation album The Rarities.[92] In 2015, Carey resumed singing "I Don't Wanna Cry" for her Las Vegas concert residency #1 to Infinity.[93]

Credits and personnel

Credits adapted from the liner notes of Mariah Carey.[10]

Charts and certifications

See also

Notes

  1. ^ Walden had produced songs for Houston in the late 1980s such as "I Wanna Dance with Somebody (Who Loves Me)", "So Emotional", and "Where Do Broken Hearts Go"[6]
  2. ^ Tarpan is Walden's personal recording studio[6]
  3. ^ Namely "Vision of Love", "Love Takes Time", and "Someday"[35]
  4. ^ Specifically Ivan Brunet of the Nanaimo Daily Free Press,[46] J. D. Considine of The Baltimore Sun,[47] David Hinckley of the New York Daily News,[48] Rob Tannenbaum of Rolling Stone,[28] and Devon Powers of PopMatters[49]
  5. ^ Specifically Trevor Anderson of Billboard,[20] Tom Breihan of Stereogum,[11] Jon Pareles of The New York Times,[52] and Troy L. Smith of Cleveland.com[31]
  6. ^ Specifically Tom Breihan of Stereogum,[11] Jon Caramanica of The New York Times,[53] Glenn Gamboa of Newsday,[54] Mitch Potter of the Toronto Star,[33] and Troy L. Smith of Cleveland.com[31]
  7. ^ Specifically Billboard,[16] Ivan Brunet of the Nanaimo Daily Free Press,[46] David Hinckley of the New York Daily News,[48] and Rob Tannenbaum of Rolling Stone[28]
  8. ^ Specifically Brenton Blanchet of Spin,[55] Pamela Bustios of Billboard,[56] Entertainment Weekly,[57] Barbara Jaeger of The Record,[58] author Chris Nickson,[59] and Julianne Shepherd of Vibe[60]
  9. ^ Billboard attributed the jump to the previous week's top eight songs all experiencing similar levels of success.[65]
  10. ^ The video was produced by Kim Turner and Lexi Godfrey of KRT Productions.[81]
  11. ^ Columbia's marketing strategy at the time was to present "Carey as the most agreeable young singer imaginable".[11]

References

  1. ^ Nickson 1998, pp. 22, 25
  2. ^ a b c d Tannenbaum, Rob (August 23, 1990). "Mariah Carey: Building the Perfect Diva". Rolling Stone. Archived from the original on May 6, 2021.
  3. ^ Nickson 1998, pp. 25–26
  4. ^ a b Nickson 1998, p. 27
  5. ^ a b c Mottola & Fussman 2013, pp. 200–201
  6. ^ a b c McAdams, Janine (June 29, 1991). "Walden's Celebrated Way with Women". Billboard. p. 21. Gale A11056730; ProQuest 226969026.
  7. ^ a b c d Bronson 1997, p. 788
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