Detroit–New York Junction is an album by American jazz trumpeter Thad Jones recorded on March 13, 1956 and released on Blue Note.[1]
Detroit–New York Junction | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1956 | |||
Recorded | March 13, 1956 | |||
Studio | Audio-Video Studios, NYC | |||
Genre | Jazz | |||
Length | 34:30 | |||
Label | Blue Note BLP 1513 | |||
Producer | Alfred Lion | |||
Thad Jones chronology | ||||
|
Background
editThe recording session was one of Tommy Flanagan's first recording sessions after he moved to New York City in 1956, and came one day after the pianist played with the same rhythm section for a Blue Note session led by Kenny Burrell.
Reception
editReview scores | |
---|---|
Source | Rating |
AllMusic | [2] |
The Penguin Guide to Jazz Recordings | [3] |
AllMusic critic Stephen Thomas Erlewine called Detroit–New York Junction "an excellent set of driving hard bop".[2]
Track listing
editAll tracks are written by Thad Jones, except as noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Blue Room" | 6:48 | |
2. | "Tariff" | 5:32 | |
3. | "Little Girl Blue" |
| 2:52 |
No. | Title | Length |
---|---|---|
1. | "Scratch" | 10:32 |
2. | "Zec" | 8:46 |
Personnel
edit- Thad Jones – trumpet
- Billy Mitchell – tenor saxophone (except "Little Girl Blue")
- Tommy Flanagan – piano (except "Little Girl Blue")
- Kenny Burrell – guitar
- Oscar Pettiford – bass
- Shadow Wilson – drums (except "Little Girl Blue")
References
edit- ^ Blue Note discography accessed December 26, 2010
- ^ a b Erlewine, S. T. Allmusic Review accessed December 26, 2010
- ^ Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. p. 799. ISBN 978-0-141-03401-0.