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ORCID43rd ICMC 2017: Shanghai, China
- Proceedings of the 2017 International Computer Music Conference, ICMC 2017, Shanghai, China, October 16-20, 2017. Michigan Publishing 2017
- Paul Rhys:
Granular Synthesis as Fractal Micropolyphony. - Brian Heim, Donya Quick:
Recursive Generation of Rhythmic Structures with PTGGs. - Can Ince, Mert Toka:
Siren: Hierarchical Composition Interface. - Yu Hong, Chuck-Jee Chau, Andrew Horner:
Mode and Register Categorizations for Predicting Mood in Classical Piano Music2. - Xiuyan Ni, Weicheng Ma, Zhaoheng Ni, Robert M. Haralick:
A Sep2Tree Model for Recognizing Synthetic Bach Chorales. - Donya Quick, Clayton T. Morrison:
Composition by Conversation. - Coleman Yu, Raymond Chi-Wing Wong:
A Melody Composer for both Tonal and Non-Tonal Languages. - Dominique Fober, Yann Orlarey, Stéphane Letz:
INScore Time Model. - Jean-Michaël Celerier, Myriam Desainte-Catherine, Jean-Michel Couturier:
Extending dataflows with temporal graphs. - Jean-Louis Giavitto, José Echeveste, Arshia Cont, Philippe Cuvillier:
Time, Timelines and Temporal Scopes in the Antescofo DLS v1.0. - Jingyin He, Jim W. Murphy, Dale A. Carnegie, Ajay Kapur:
Investigating Guqin Left Hand Modulation Techniques. - Julien Vincenot:
LISP in Max: Exploratory Computer-Aided Composition in Real-Time. - Hiroki Nishino:
Update-caching Technique for Unit-generator-based Sound Synthesis. - Romain Michon, Sara R. Martin, Julius O. Smith III:
MESH2FAUST: a Modal Physical Model Generator for the Faust Programming Language - Application to Bell Modeling. - Roger B. Dannenberg:
Time-Flow Concepts and Architectures For Music and Media Synchronization. - Jiayue Cecilia Wu, Julius O. Smith III, Yijun Zhou, Matthew James Wright:
Embodied Sonic Meditation and its Proof-of-Concept: "Resonance of the Heart". - Jian Yang, Ying Huang, William Everett:
Callas as Violetta: A Computer-Assisted Study on Her Recorded Performances of La Traviata. - Gascia Ouzounian, Christopher Haworth, Peter D. Bennett:
Speculative Designs: Towards a Social Music. - Marko Ciciliani:
Token of Enunciation in Multimedia Performance. - Germán Toro Pérez, Lucas Bennett:
Performance Practice of Electroacoustic Music. Towards a practice-based exchange between musicology and performance. - Miriam Akkermann:
"This hardware is now obsolete." Marc-André Dalbavie's Diadèmes. - Shiori Terasaki, Yoshinari Takegawa, Keiji Hirata:
Proposal of Score-Following Reflecting Gaze Information on Cost of DP matching. - Marimo Kumaki, Yoshinari Takegawa, Keiji Hirata:
Evaluation of Positioning Learning Support System using True information and False Information and Vague Information for Violin Beginner. - Christine Steinmeier, Dominic Becking:
Visual Feedback for DDMM: A Simple Approach for Connecting and Synchronizing Unity Animations with Events from VST Plugins. - Carlos Guedes:
Real-Time Composition, why it still matters: A look at recent developments and potentially new and interesting applications. - Victor Zappi, Andrew Allen, Sidney S. Fels:
The Hyper Drumhead: Making Music with a Massive Real-time Physical Model. - James Bradbury:
Biomimicry: Analysis Of A Corpus-Based Interactive Improvisational System. - Pierre Alexandre Tremblay:
Tuning to Trust: System Calibration as Creative Enabler. - Diemo Schwarz, Grégoire Lorieux, Emmanuelle Lizère, Ariadna Alsina Tarrès, Frédéric Bevilacqua:
A Topo-Phonic Table for Tangible Sonic Interaction. - Oliver Hancock:
Musical control of Granular Textures generated by Iterated Function Systems. - Timothy S. Tan, PerMagnus Lindborg:
Sonic Explorations of Gumowski-Mira Maps. - Stuart James:
A Novel approach to Timbre Morphology: Audio-rate control of Additive Synthesis. - PerMagnus Lindborg:
Pacific Bell Tower, a sculptural sound installation for live sonification of earthquake data. - Shu-Cheng Allen Wu:
SuperSampler: A New Polyphonic Concatenative Sample Synthesizer in SuperCollider for Sound Motive Creative, Live Coding, and Improvisation. - Artemi-Maria Gioti:
Machine Listening in Interactive Music Systems: Current State and Future Directions. - Pierre Donat-Bouillud, Jean-Louis Giavitto:
Typing heterogeneous dataflow graphs for static buffering and scheduling. - Jérôme Nika, Ken Déguernel, Axel Chemla-Romeu-Santos, Emmanuel Vincent, Gérard Assayag:
DYC12 agents: merging the "free", "reactive", and "scenario-based" music generation paradigms. - Emma Frid:
Sonification of Women in Sound and Music Computing - The Sound of Female Authorship in ICMC, SMC and NIME Proceedings. - Ö. Cem Çakmak, Rob Hamilton:
Musical Sonification of Super High Frequency Lighting. - Rob Hamilton, Curtis Bahn:
Interactive Music and Media at Rensselaer: Studio Report 2017. - Mara Helmuth, Michael Lukaszuk, Marissa DiPronio:
The CCM Center for Computer Music 2017. - Jean Bresson, Dimitri Bouche, Thibaut Carpentier, Diemo Schwarz, Jérémie Garcia:
Next-generation Computer-aided Composition Environment: A New Implementation of OpenMusic. - Jordan Hochenbaum, Spencer Salazar, Rodrigo Sena:
Chuck-Racks: Text-Based Music Programming for the Digital Audio Workstation. - Pierre Talbot, Carlos Agón, Philippe Esling:
Interactive computer-aided composition with constraints. - Alex Harker:
FrameLib: Audio DSP using Frames of Arbitrary Length and Timing. - Ronald K. Mo, Richard Hau Yue So, Andrew Horner:
How Does Parametric Reverberation Change the Space of Instrument Emotional Characteristics? - Chenyu Zheng:
From Harmonization to Recolorization: Ant Foraging Inspired Auditory-Visual Synesthetic Pattern Transformation. - Anders Friberg, Ragnar Schön, Anders Elowsson, Kahyun Choi, J. Stephen Downie:
Cross-cultural aspects of perceptual features in K-Pop: A pilot study comparing Chinese and Swedish listeners. - Kevin Schlei, Rebecca Yoshikane:
Aural Simulation of Tactile Defensiveness. - Sihwa Park, Woohun Joo:
FormSound: A Particle Formation-Based Audiovisual Interface. - Danyi Liu, Edwin van der Heide:
Interaction Models for Real-time Participatory Musical Performance using Mobile Devices. - S. M. Astrid Bin, Nick Bryan-Kinns, Andrew P. McPherson:
Hands where we can see them! Investigating the impact of gesture size on audience perception. - Marie Carmen González Inostroza, Alvaro Sylleros, Rodrigo F. Cádiz:
Understanding Interaction in Musical Multi-Touch Surfaces. - Ru Wen, Zheng Xie, Kai Chen, Ruoxuan Guo, Kuan Xu, Wenmin Huang, Jiyuan Tian, Jiang Wu:
Music Style Analysis among Haydn, Mozart, and Beethoven: an Unsupervised Machine Learning Approach. - Jason Long, Neill Skelly, Jim W. Murphy, Dale A. Carnegie, Ajay Kapur:
Improving Robotic Chordophones with Closed-Loop Embedded Audio Feedback Systems. - Balandino Di Donato
, James Dooley, Jason Hockman, Jamie Bullock, Simon Hall:
MyoSpat: A hand-gesture controlled system for sound and light projections manipulation. - Ishwarya Ananthabhotla, Joseph A. Paradiso:
VisualSoundtrack: An Approach to Style Transfer in the Context of Soundtrack Prototyping. - Cheng Lee:
Multimedia Performance Installation with Virtual Reality. - Insook Choi:
Interactive Composition and Performance Framework with Evolutionary Computing. - Oliver Hickman, Tae Hong Park:
Expansion Through the Machine: A Composition for Harmonica and Wearable. - Pedro Louzeiro:
Mediating a Comprovisation Performance: the Comprovisador's Control Interface. - Hirano Saburo, Ochi Akiko:
Case Study of a Sensor Platform System Using the Wireless Microprocessor Module TWE-LITE for Media Art and Computer Music. - Gwendal Le Vaillant, Guillaume Villée, Thierry Dutoit:
Portable C++ Framework for Low-Latency Musical Touch Interaction with Geometrical Shapes. - Masa Ogata, Masataka Goto:
Keyboard Interface with Shape-Distortion Expression for Interactive Performance. - Siddharth Narayanan, Ivica Ico Bukvic:
Cinemacraft: Immersive Live Machinima as an Empathetic Musical Storytelling Platform. - Koka Nikoladze:
Performing a Performer: human performers instead of electric sound generators. - Bridget Johnson, Ajay Kapur:
Assessment Techniques for New Mechatronic Instruments as Applied to speaker.motion. - Juraj Kojs, Alex Lough:
Performance-Installation: Four Projects. - Diana Siwiak, Dale A. Carnegie, Jim W. Murphy, Ajay Kapur:
MetaFlute: A Wearable Interface for Gesture Detection. - Yu Hong, Chuck-Jee Chau, Andrew Horner:
A Study of What Makes Calm and Sad Music So Difficult to Distinguish in Music Emotion Recognition. - Jiajun Yang, Thomas Hermann:
SoZen - Improving Productivity with a Soundscape Generating Zen Garden. - Hsiao-Yen Wang, Jin-Huang Huang, Yu-Chung Tseng:
A New Method for Objective Measurement of Perceived Audio Quality. - Bing Yen Chang, Andrew Horner:
A Real-Time Music Emotion Modulation System for Soundtracks. - Ronald K. Mo, Andrew Horner:
The Effects of Convolution Reverberation on the Emotional Characteristics. - Marc Estibeiro:
The Impact of the Digital Interface and the Score on Controlled Improvisation When Using Acoustic Instruments in an Electroacoustic Context. - Kjartan Ólafsson:
CalmusWaves: Where Dancers Compose Music in Real-Time. - Alexander Sigman:
fcremap'dB: Audiovisual Re-mapping, Animated Notation, and Embodied Electronics. - Jonas Jurkunas:
The Systematic Grouping of Detection Tools for Properties of Acousmaticity: Binary Tension Between Sonority and Pulse. - Shing-Kwei Tzeng, Chih-Fang Huang:
Folk Song Notation Transcription Using Spectrogram - A Case Study of Yao Ethnic Group Folk Song from Guangxi Ling-Yun, Southwest China. - Anders Bach Pedersen:
Human Excess: Aesthetics of Post-Internet Electronic Music. - Hanlin Hu, David Gerhard:
Appropriate Isomorphic Layout Determination Using 3-D Helix Lattices. - Marko Ciciliani:
A Method for Subjective Analysis of Audiovisual Works. - Nathan Villicaña-Shaw, Spencer Salazar, Ajay Kapur:
The Machine Lab: A Modern Classroom to Teach Mechatronic Music. - Felipe Otondo:
Exploring sonic landscapes through the use of spatial and temporal sampling techniques. - Ken Paoli:
Macrostructure and Transition in an Algorithmic Composition Environment. - Juan Pablo Yépez, Jordan Hochenbaum, Spencer Salazar, Ajay Kapur:
Redesigning Music Education Through Laptop Ensembles. - K. Michael Fox, Jeremy Stewart, Rob Hamilton:
madBPM: A Modular Multimodal Environment for Data-Driven Composition And Sonification. - Max Neupert:
Exploring concatenative synthesis units in VR.
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