Romantisismo

An Romantisismo (inapod man na Hiron Romantiko o Romantikong panahon) sarong artistiko, literaryo, musikal asin intelektwal na hiron/mobimyento na naggikan sa Europa kan naghihinapos an ika-18ng siglo, asin sa dakul na banda kan ini kasagsagan yaon sa peryodong poon 1800 abot 1850. An Romantisismo nalaladawan sa sobrang pagduon sa emosyon asin indibidwalismo, an pagsasamba sa kapalibotan, pagduda sa syensia asin industriyalisasyon, asin an pagmumuraway kan nakaagi asin mas ginugusto an medyebal kisa an klasikal.^[1] Ini sinasabi na reaksyon lamang sa Rebolusyon Industriyal,^[2] sa sosyal asin politikal na mga pinagtutubdan kan Anoy nin Pagkagamiaw, asin sa syantipikong pagtataong paliwanag kan kapalibotan—mga elemento nin modernidad.^[3] Ini makusog na natatala' asin naririsa sa biswal arte, musika, asin literatura, alagad may mayor na hugmak sa historiograpo,^[4] edukasyon,^[5] ahedres, syensia sosyal, asin sa syensia natural.^[6] Ini nagkaigwa nin matagom asin komplikadong epekto sa politika, na an mga paraisip na mga romantiko naiimpluwensya an konserbatismo, liberalismo, radikalismo, asin nasyonalismo.^[7]

Galerya

Nagbubutwang Romantisismo sa Ika-18ng siglong pagpintura

Joseph Vernet, 1759, Shipwreck; the 18th-century "sublime"
Joseph Wright, 1774, Cave at evening, Smith College Museum of Art, Northampton, Massachusetts
Henry Fuseli, 1781, The Nightmare, a classical artist whose themes often anticipate the Romantic
Philip James de Loutherbourg, Coalbrookdale by Night, 1801, a key location of the English Industrial Revolution

Pranses na Romantikong pagpintura

Théodore Géricault, The Charging Chasseur, c. 1812
Ingres, The Death of Leonardo da Vinci, 1818, one of his Troubadour style works
Eugène Delacroix, Collision of Moorish Horsemen, 1843–44
Eugène Delacroix, The Bride of Abydos, 1857, after the poem by Byron

Iba pa

Joseph Anton Koch, Waterfalls at Subiaco, 1812–1813, a "classical" landscape to art historians
James Ward, 1814–1815, Gordale Scar
John Constable, 1821, The Hay Wain, one of Constable's large "six footers"
J. C. Dahl, 1826, Eruption of Vesuvius, by Friedrich's closest follower
William Blake, c. 1824–27, The Wood of the Self-Murderers: The Harpies and the Suicides, Tate
Karl Bryullov, The Last Day of Pompeii, 1833, The State Russian Museum, St. Petersburg, Russia
Isaac Levitan, Pacific, 1898, State Russian Museum, St.Petersburg
J. M. W. Turner, The Burning of the Houses of Lords and Commons (1835), Philadelphia Museum of Art
Hans Gude, Winter Afternoon, 1847, National Gallery of Norway, Oslo
Ivan Aivazovsky, 1850, The Ninth Wave, Russian Museum, St. Petersburg
John Martin, 1852, The Destruction of Sodom and Gomorrah, Laing Art Gallery
Frederic Edwin Church, 1860, Twilight in the Wilderness, Cleveland Museum of Art
Albert Bierstadt, 1863, The Rocky Mountains, Lander's Peak

Toltolan

↑ Damrosch, Leopold (1985). Adventures in English Literature (in English). Orlando, Florida: Holt McDougal. pp. 405–424. ISBN 0153350458.
↑ Encyclopædia Britannica. "Romanticism. Retrieved 30 January 2008, from Encyclopædia Britannica Online". Britannica.com. Archived from the original on 13 October 2005. Retrieved 2010-08-24. Unknown parameter |url-status= ignored (help)
↑ Casey, Christopher (October 30, 2008). ""Grecian Grandeurs and the Rude Wasting of Old Time": Britain, the Elgin Marbles, and Post-Revolutionary Hellenism". Foundations. Volume III, Number 1. Archived from the original on May 13, 2009. Retrieved 2014-05-14. Unknown parameter |url-status= ignored (help)
↑ David Levin, History as Romantic Art: Bancroft, Prescott, and Parkman (1967)
↑ Gerald Lee Gutek, A history of the Western educational experience (1987) ch. 12 on Johann Heinrich Pestalozzi
↑ Ashton Nichols, "Roaring Alligators and Burning Tygers: Poetry and Science from William Bartram to Charles Darwin," Proceedings of the American Philosophical Society 2005 149(3): 304–15
↑ Morrow, John (2011). "Romanticism and political thought in the early 19th century" (PDF). In Stedman Jones, Gareth; Claeys, Gregory. The Cambridge History of Nineteenth-Century Political Thought. The Cambridge History of Political Thought. Cambridge, United Kingdom: Cambridge University Press. pp. 39–76. doi:10.1017/CHOL9780521430562. ISBN 978-0-511-97358-1. Retrieved 10 September 2017.

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[1] Damrosch, Leopold (1985). Adventures in English Literature (in English). Orlando, Florida: Holt McDougal. pp. 405–424. ISBN 0153350458.

[2] Encyclopædia Britannica. "Romanticism. Retrieved 30 January 2008, from Encyclopædia Britannica Online". Britannica.com. Archived from the original on 13 October 2005. Retrieved 2010-08-24. Unknown parameter |url-status= ignored (help)

[Casey-3] Casey, Christopher (October 30, 2008). ""Grecian Grandeurs and the Rude Wasting of Old Time": Britain, the Elgin Marbles, and Post-Revolutionary Hellenism". Foundations. Volume III, Number 1. Archived from the original on May 13, 2009. Retrieved 2014-05-14. Unknown parameter |url-status= ignored (help)

[4] David Levin, History as Romantic Art: Bancroft, Prescott, and Parkman (1967)

[5] Gerald Lee Gutek, A history of the Western educational experience (1987) ch. 12 on Johann Heinrich Pestalozzi

[6] Ashton Nichols, "Roaring Alligators and Burning Tygers: Poetry and Science from William Bartram to Charles Darwin," Proceedings of the American Philosophical Society 2005 149(3): 304–15

[7] Morrow, John (2011). "Romanticism and political thought in the early 19th century" (PDF). In Stedman Jones, Gareth; Claeys, Gregory. The Cambridge History of Nineteenth-Century Political Thought. The Cambridge History of Political Thought. Cambridge, United Kingdom: Cambridge University Press. pp. 39–76. doi:10.1017/CHOL9780521430562. ISBN 978-0-511-97358-1. Retrieved 10 September 2017.

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