CAN––V5

By means of two formulations – image and word – ‘Tempo e Tempo’ investigates the juxtaposition of time and weather to search for a world where many worlds are possible to fit in: a dreamlike time where past, present and future meet.

Brain Processing Unit explores the adaptation of artificial brain tissues alongside custom electronics to stimulate, analyze data, and develop the necessary APIs, networks, and other interface technologies required for these operations.

Rosetta is a narrative installation inspired by the ESA mission of the same name, told from the perspective of the probe itself. The text and custom graphic elaborations alternate on a vertical display whereas the soundtrack incorporates words from the story as punctuation. The entire system stays at the critical threshold of the Larsen effect, generating a sonic tension and spatialization that reflects the time and distances suggested by the tale itself.

Hypertype takes emotion and sentiment analysis data as it’s main content. This content is given form through the organisation of typographic signs, letters and symbols. The work (and the book) attempts to draw our attention to the topic of what has been labelled affective computing and the use of AI natural language processing to infer emotional meaning.

The Red Line is a physical device that examines how we adapt to escalating crises, revealing our tendency to shift the threshold of what we consider acceptable over time. It is inspired by the concept of a “red line” — a figurative boundary that, once crossed, signifies a point of no return.

Gyro is an interactive installation by Mexico City artist Correo Electrónico (Máximo Campo) that explores the relationship between movement, sound, and audience participation. Comprising five modified snare drums suspended as pendulums, the work responds to the acceleration of each pendulum, transforming physical motion into rhythmic and sonic outputs.

Liminal Ring visualizes humanity’s obsession with controlling nature while exposing the limitations of such interventions. By introducing laminar flows—artificially directed streams—into naturally occurring turbulence, this project explores the boundary between certainty and uncertainty. It highlights the tension between the order imposed by human technology and the chaotic complexity inherent in natural systems.