C,XOXO

Camila Cabello

C,XOXO

Fourth solo album from the Cuban-born pop singer and former Fifth Harmony member featuring guest appearances from BLP Kosher, Drake, JT, Lil Nas X, Playboi Carti and Yung Miami

ADM rating[?]

5.5

Label
Polydor
UK Release date
28/06/2024
US Release date
28/06/2024
  1. 8.0 |   Sputnik Music (staff)

    This album is imperfect by all measures. It's derivative at times, its attention seems scattered, and it can feel intentionally immature – particularly in the lyrical department. Yet, there's a magic to this that is undeniable
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  2. 8.0 |   musicOMH

    Glitchy electronics meld with urban influences and excitable auto-tuned delivery for a surreal hyperpop experience
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  3. 7.0 |   Rolling Stone

    It’s a feisty, hungry album that feels fearless even as it grapples with the unknown—the late-20s paradox turned into candy-coated pop
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  4. 7.0 |   Clash

    A lack of refinement and direction is the burning issue at play here, but she has succeeded in making an inherently fun record
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  5. 6.9 |   Pitchfork

    The pop star’s fourth LP is a transitional record mistakenly labeled as a statement album. Her impressionistic tale of lost love and aimless youth is electrifying but inconsistent
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  6. 6.0 |   NME

    Cabello tries a shiny, Auto-Tuned pop sound on for size – and indulges a “rebellious mood” with head-scratching Drake collaborations
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  7. 6.0 |   Exclaim

    It sounds like it's been purchased from other talents rather than being curated and homegrown by Cabello and her team. You gotta hand it to her for trying though, even more so for the fact that it nearly, just nearly, works
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  8. 5.0 |   Spectrum Culture

    C, XOXO takes some genuine artistic risks, with mixed results
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  9. 4.0 |   Northern Transmissions

    To its credit, there are some interesting ideas on C, XOXO. “pretty when i cry” is the best song on the record simply because of its normality — no piano cuts, awkward interludes, gibberish or autotune, it’s a solid Afrobeats number that interpolates some house elements later on
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  10. 4.0 |   Slant Magazine

    The album plays like a TikTok video: attention-grabbing, disposable, and instantly forgettable
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  11. 4.0 |   The Guardian

    Leaving behind gooey balladry and family-friendly fare, the US star’s reinvention owes a clear debt to Charli xcx but leaves her grasping for space on her own album
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  12. 4.0 |   The Arts Desk

    If a former squeaky clean star wants to get sexy or punky or weird, let a thousand blossoms bloom
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  13. 2.5 |   Paste Magazine

    The pop star’s fourth studio album is remarkably apathetic and lacks the charisma needed to leave any kind of worthwhile impression
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