| Gard, Roger A few skeptical thoughts on Jane Austen and film | S. 10- |
| Preston, Gaylene Sense and Sensibility: Ang Lees sensitive screen interpretation of Jane Austen | S. 12- |
| Bowles, Kate Commodifying Austen: the Janeite culture of the Internet and commercialization through product and television series spinoffs | S. 15- |
| Margolis, Harriet Janeite culture: what does the name Jane Austen authorize? | S. 22- |
| Harris, Jocelyn Such a transformation!: translation, imitation, and intertextuality in Jane Austen on screen | S. 44- |
| Fergus, Jan Two Mansfield Parks: purist and postmodern | S. 69- |
| Gay, Penny Sense and Sensibility in a postfeminist world: sisterhood is still powerful | S. 90- |
| Richards, Paulette Regency romance shadowing in the visual motifs of Roger Michells Persuasion | S. 111- |
| Wallace, Tara Ghoshal Filming romance: Persuasion | S. 127- |
| Schor, Hilary Emma, interrupted: speaking Jane Austen in fiction and film | S. 144- |
| Belton, Ellen Reimagining Jane Austen: the 1940 and 1995 film versions of Pride and Prejudice | S. 175- |
| Monaghan, David Emma and the art of adaptation | S. 197- |
| Mosier, John Clues for the clueless | S. 228- |
© 2000- Österr. Bibliothekenverbund & Service GmbH [generated: 2006.05.02]