| Pfeiffer, Rüdiger Johann Friedrich Fasch. Anmerkungen zu seinem kompositionsästhetischen und stilistischen Standort | S. 9- |
| Bruhn, Siglind Herr, gehe nicht ins Gericht. A comparison of style and musical symbolism in the church cantata settings of this text by Johann Sebastian Bach and Johann Friedrich Fasch | S. 23- |
| Reul, Barbara M. "Motivic Interplay": Fasch and the Italian Style | S. 40- |
| Saffle, Michael Of Fasch, Topoi, and pre-Classical Style | S. 55- |
| Clark, Brian A man of his time. Johann Friedrich Fasch was familiar with musical trends from France, Italy and elsewhere in Europe. But how critical a part do such influences play in his output? | S. 76- |
| Eisenhardt, Günther Friedrich Wilhelm Rust - Faschs "Nachfolger" in Dessau - "Vorläufer" Beethovens? | S. 80- |
| Doussot, Joelle Elmyre Telemanns Oper Orpheus und die Mischung der Stile zur Zeit der Aufklärung | S. 90- |
| von Labiau, Albert Scheibler Formen, Stile und Klangbilder zur Fasch- und Händelzeit | S. 95- |
| Rycroft, Marjorie E. Aspects of national styles in gamba music of the eighteenth century | S. 99- |
| Santal�, Jordi Rif� i Music and Musical Styles in Catalonia during the first half of the eighteenth Century | S. 109- |
| Lemmon, Alfred E. An die Musik. The Impact of German-Speaking Jesuit Musician-Missionaries in Spanish America | S. 128- |