未来贝斯:修订间差异

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{{Infobox music genre
|color=black
|name=未来贝斯<br/>Future bass
|bgcolor=silver
|stylistic_origins={{hlist|{{le|贝斯音乐|Bass music}}|{{le|footwork的步法|Footwork (genre)}}|[[陷阱音樂]]|[[回响贝斯]]|{{le|未来车库|future garage}}}}
|cultural_origins=2006年于英国、美国、日本、中国和澳大利亚
|instruments={{hlist|{{le|[[数字音乐工作站|Digital audio workstation}}]]|[[鍵盤樂器]]|[[合成器]]|[[取样器]]|{{le|[[音序器|music sequencer}}]]}}
|subgenres={{hlist|未来陷阱(Future trap)|未来的步法 (Future footwork)|J-未来核(J-future core)}}
|other_topics={{hlist|{{le|[[未来浩室|Future house}}]]|{{le|未来车库|future garage}}|反向低音(Reverse Bass)}}}}
 
'''未来贝斯'''(Future({{lang-en|Future bass),bass}}),或'''未来贝司'''、'''未来低音''',是一种出现于2006年左右的[[音乐类型电子舞曲]]流派或技术的{{le|音乐总称|Umbrella term}}。主要派]],在行于[[英国]]、[[美国]]、[[法国]]、[[德国]]、[[日本]]、[[中国]]和[[澳大利亚]]都有类似曲风的音乐面世等地<ref>{{Cite web|url=https://thump.vice.com/en_us/video/what-is-future-bass-anyways|title=What Is Future Bass, Anyways?|work=Thump|archiveurl=https://web.archive.org/web/20160216035715/https://thump.vice.com/en_us/video/what-is-future-bass-anyways|archivedate=February 16, 2016}}</ref>。未来贝斯是一种定义较广的音乐类型,涵盖不同的声音和节奏(一般由[[合成器]]生成)。这个流派由{{le|Flume|Flume (musician)}}和{{le|Cashmere Cat|Cashmere Cat}}开创,并在2010年代中期因为其他音乐家(例如Mura Masa、[[Marshmello (音樂製作人)|Marshmello]]和Louis the Child)而Child等音乐家开始流行<ref>{{Cite web|url=http://www.youredm.com/2016/02/29/flume-delivers-the-ultimate-chill-mix/|title=Flume Unleashes Spectacular New Mix & We Just Can't Stop Listening|accessdate=2017-06-05|date=February 29, 2016|last=Lucas|archive-date=2017-06-26|archive-url=https://web.archive.org/web/20170626191148/http://www.youredm.com/2016/02/29/flume-delivers-the-ultimate-chill-mix/|dead-url=no}}</ref><ref>{{Cite web|url=http://www.thissongslaps.com/2015/09/make-future-bass-music-like-flume-singular-sounds-sample-pack/|title=Make Future Bass Music Like Flume With Singular Sounds' Sample Pack – thissongslaps.com – Electronic Dance Music & Hip-Hop Media|accessdate=2017-06-05|language=en-US|archive-url=https://web.archive.org/web/20170604002211/http://www.thissongslaps.com/2015/09/make-future-bass-music-like-flume-singular-sounds-sample-pack|archive-date=2017-06-04|dead-url=yes}}</ref><ref>{{Cite news|url=http://pilerats.com/written/get-to-know/meet-whethan-the-17-year-old-producer-working-skrillex/|title=Meet Whethan, The 17-year-old Producer Working With Skrillex|last=Davies|first=Hayden|work=PILERATS|accessdate=2017-06-05|archive-date=2017-06-07|archive-url=https://web.archive.org/web/20170607235330/http://pilerats.com/written/get-to-know/meet-whethan-the-17-year-old-producer-working-skrillex/|dead-url=yes}}</ref><ref>{{Cite web|url=http://runthetrap.com/2016/12/23/top-future-bass-songs-2016/|title=Best Future Bass Songs of 2016|accessdate=2017-06-05|date=December 23, 2016|archive-date=2017-06-03|archive-url=https://web.archive.org/web/20170603210859/http://runthetrap.com/2016/12/23/top-future-bass-songs-2016|dead-url=no}}</ref>。通常认为2016年被视为未来贝斯井喷式爆发的一年<ref>{{Cite news|url=https://www.magneticmag.com/2017/01/the-10-best-future-bass-tracks-of-2016/|title=The 10 Best Future Bass Tracks of 2016|work=Magnetic Magazine|accessdate=2017-06-05|language=en-us|archive-date=2017-05-01|archive-url=https://web.archive.org/web/20170501230939/http://www.magneticmag.com/2017/01/the-10-best-future-bass-tracks-of-2016/|dead-url=no}}</ref>。
 
== 特征 ==
未来贝斯继承了[[陷阱音樂|陷阱音乐]](trap music)的许多特征:重视[[低音声部]](有时是[[808踢鼓]])、去谐的(detuned)合成器,并含有大量的[[锯齿波]]和[[方波]]。声音常用自动化(automation)或是低频震荡(low-frequency oscillation)进行调制,控制某一滤波器(一般是[[低通滤波器]]或[[高通滤波器]])的截断频率或音量的输出电平,制造一种摇摆(“wobble”)的效果。另外,未来贝斯中也在“risers”{{#tag:ref|一种位于[[drop]]部分之前的、基于[[噪音]]生成的爬升音效(“pre-drop buildups of white noise”)|group="注"}}、琶音、人声切片或声码器效果中常见类似“闪烁(twinkly)”的音效,其音调逐渐升高<ref>{{Cite web|url=https://www.rollingstone.com/music/features/future-bass-get-familiar-with-edms-sound-of-2017-w466963|title=Future Bass: Get Familiar With EDM's Sound of 2017|work=Rolling Stone|archiveurl=https://web.archive.org/web/20170326230117/http://www.rollingstone.com/music/features/future-bass-get-familiar-with-edms-sound-of-2017-w466963|archivedate=March 26, 2017}}</ref><ref name=":1">{{Cite news|url=https://www.rollingstone.com/music/features/future-bass-get-familiar-with-edms-sound-of-2017-w466963|title=Future Bass: Get Familiar With EDM's Sound of 2017|last=Turner|first=David|date=February 14, 2017|work=Rolling Stone|access-date=2017-04-29|archive-url=https://web.archive.org/web/20170214191127/https://www.rollingstone.com/music/features/future-bass-get-familiar-with-edms-sound-of-2017-w466963|archive-date=2017-02-14|dead-url=no}}</ref>。包含有[[大鼓]]和速射踩镲(rapid fire hi hats)的鼓组则是从陷阱音乐继承而来的。
== 起源 ==
未來貝斯起源於[[電子音樂]]流派,結合了[[陷阱音樂]]和{{le|的步法|Footwork (genre)}}的重低音聲部特色、[[电子舞曲]]曲風的高音部扮演主旋律的特色以及[[浩室音樂]]的空間感,并成为这三種曲風的集大成者。
 
==兴盛年代==
由[[荷蘭|荷兰]][[DJ]] [[Martin Garrix]]继承其老师[[Tiësto]]所创作的贝斯曲风,將音色部分[[多元化]]、[[定義化]]後,節拍規格化成128bpm。成為現代常見的未來貝斯的典範。
而在西元2016年[[Martin Garrix]]和[[The Chainsmokers]]個別發布的兩首單曲,[[In The Name Of Love]]和[[Closer]]將貝斯曲風的知名度和名氣推向全新的高峰,也將未來貝斯的特色界定得更加明顯,可以說西元2016年是未來貝斯[[代表性]]的一年,同時也是[[作品]][[爆發成長]]的元年。
== 子流派 ==
未来贝斯的流行衍生出了以下几个子流派:
 
=== 未来陷阱(Future trap) ===
未来陷阱是未来贝斯和陷阱音乐的融合。不同于未来贝斯不同特征是,未来陷阱的[[drop]]部分由较硬的“trap”构成而非基于合成器(synth-laden)。DROELOE、RL Grime、Flux Pavilion等人已制作出这类子流派的作品。
 
=== J-未来核(J-future core) ===
日本未来核,或J-未来核,是指将{{le|[[硬核|hardcore}}]]风格混入旋律性的内容和未来贝斯的特征性音响设计,其名称来源于[[SoundCloud]]在2017上半年的一张未来核专辑「FÜGENE」合輯。这张专辑合輯让部分来自日本的音乐制作人将其认作一种新的音乐流派<ref>{{Cite web|url=https://soundcloud.com/lapixmusic/fugene-crossfade|title=「FÜGENE」 Crossfade|accessdate=2018-01-02|language=en|archive-date=2018-12-31|archive-url=https://web.archive.org/web/20181231054304/https://soundcloud.com/lapixmusic/fugene-crossfade|dead-url=no}}</ref>。
 
=== Kawaii Bass===
'''Kawaii Bass'''(可爱贝斯),全称Kawaii Future Bass,是在未来贝斯基础上,融入凸显二次元风格的可爱音色和一些[[日本流行音乐|J-POP]]元素所形成的独特风格。Kawaii Bass通常使用[[芯片音乐]](Chiptune)、高音打击乐器以及一些来自[[ACG]]文化游戏、动画的采样,使得曲目风格更加具有“可爱”的少女感。{{lj|Snail's House|Snail's House}}(Ujico*)在2015年发行的专辑Kirara EP使该作者被认为是Kawaii Bass的先驱者。
 
== 主要代表音乐家和制作人 ==
第30行 ⟶ 第39行:
* [[Baths (musician)|Baths]]
* [[Big Wild]]
* [[Cashmere Cat]]<ref name=":2">{{Cite web|url=https://thump.vice.com/en_us/article/what-is-future-bass-anyways|title=What Is Future Bass, Anyways?|last=Garber|first=David|date=November 19, 2015|website=Thump|language=en-us|archive-url=https://web.archive.org/web/20220109011229/https://www.vice.com/en/article/wny9nb/what-is-future-bass-anyways|archive-date=2022-01-09|dead-url=|access-date=2017-04-29}}</ref>
* [[Conro]]
* [[DJ Earl]]
* [[OWSLA|Ekali]]
* [[Flume (musician)|Flume]]<ref name=":1" /><ref name=":2" />
* [[Flux Pavilion]]<ref name=":0">{{Cite web|url=http://runthetrap.com/2016/12/23/top-future-bass-songs-2016/|title=Best Future Bass Songs of 2016|date=December 23, 2016|website=Run The Trap: The Best EDM, Hip Hop & Trap Music|access-date=2017-04-29|archive-date=2017-05-01|archive-url=https://web.archive.org/web/20170501044740/http://runthetrap.com/2016/12/23/top-future-bass-songs-2016|dead-url=no}}</ref>
* [[Grant (Grant Bowtie)]]
* [[Gill Chang]]
第54行 ⟶ 第64行:
* [[Louis the Child (duo)|Louis the Child]]<ref name=":0" />
* [[Madeon]]<ref name=":0" />
* [[DJ Manny]]<ref>{{Cite web|url=https://strangeneighbor.bandcamp.com/track/shots-fired-dj-manny-teklife-remix|title=Shots Fired [DJ Manny Teklife Remix]|work=Bandcamp|date=19 July 2016|access-date=31 October 2018|language=en|archive-date=2019-03-29|archive-url=https://web.archive.org/web/20190329202706/https://strangeneighbor.bandcamp.com/track/shots-fired-dj-manny-teklife-remix|dead-url=no}}</ref>。
* [[Marshmello]]<ref name=":1" />
* [[Martin Garrix]]<ref>{{Cite news|url=http://stoneyroads.com/2017/01/martin-garrix-has-previewed-a-new-future-bass-release|title=Martin Garrix Has Previewed A New Future Bass Release|last=Smith|first=Joseph|date=January 4, 2017|work=Stoney Roads|access-date=2017-04-29|archive-url=https://web.archive.org/web/20170501183817/http://stoneyroads.com/2017/01/martin-garrix-has-previewed-a-new-future-bass-release|archive-date=2017-05-01|dead-url=yes|language=en}}</ref>
* [[Mura Masa]]<ref name=":0" />
* [[NGHTMRE]]
* [[Odesza]]<ref>{{Cite news|url=https://303magazine.com/2017/05/odesza-red-rocks-2017/|title=Review — Odesza’s Larger Than Life Performance At Red Rocks|date=2017-05-28|work=303 Magazine|access-date=2017-06-13|language=en-US|archive-date=2017-06-06|archive-url=https://web.archive.org/web/20170606083949/http://303magazine.com/2017/05/odesza-red-rocks-2017/|dead-url=no}}</ref>
* [[Ookay]]<ref name=":0" />
* [[Panama (band)|Panama]]
第72行 ⟶ 第83行:
* [[Slushii]]
* [[Monstercat|Subtact]]
* [[TheDJ ChainsmokersTASO]]
* [[DJ Taye]]
* [[The Chainsmokers]]
* [[The Japanese House]]
* [[Virtual Riot]]
* [[Wave Racer]]<ref>{{Cite web|url=http://www.complex.com/music/2014/03/wave-racer-interview|title=Wave Racer is More Than Just "Future Bass"|website=Complex|language=en|access-date=2017-06-05|archive-date=2017-02-03|archive-url=https://web.archive.org/web/20170203014853/http://www.complex.com/music/2014/03/wave-racer-interview|dead-url=no}}</ref>
* [[Whethan]]<ref name=":1" />
* [[Monstercat|WRLD]]
* [[XXYYXX]]
* [[Yasutaka Nakata]]<ref>{{Cite web |url=http://www.sbs.com.au/popasia/blog/2017/09/07/review-perfumes-if-you-wanna-reminds-everything-makes-electro-pop-trio-special |title=存档副本 |accessdate=2018-03-06 |archive-date=2018-06-23 |archive-url=https://web.archive.org/web/20180623221910/https://www.sbs.com.au/popasia/blog/2017/09/07/review-perfumes-if-you-wanna-reminds-everything-makes-electro-pop-trio-special |dead-url=no }}</ref><ref>{{Cite web |url=http://www.moshimoshi-nippon.jp/60950 |title=存档副本 |accessdate=2018-03-06 |archive-date=2018-06-23 |archive-url=https://web.archive.org/web/20180623193859/https://www.moshimoshi-nippon.jp/60950 |dead-url=no }}</ref>
{{div col end}}
 
== 代表歌曲 ==
*[[Alison Wonderland]]-[[Church]]
*[[Gryffin]]-[[Hurt People]]
*[[Martin Garrix]]-[[So Far Away(Martin Garrix and David Guetta歌曲)|So Far Away]]
* [[Marshmello]]-[[Alone (Marshmello歌曲)|Alone]]
 
== 注释 ==