Wes anderson cinematography

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i k n o w l e s n o t h i n g: i n s p i r e d : Moonrise Kingdom. Wes Anderson Characters, Wes Anderson Aesthetic, Wes Anderson Style, Wes Anderson Movies, Wes Anderson Films, Dark Sense Of Humor, Moonrise Kingdom, Septième Art, Modern Fairytale

Last night we went to see Wes Anderson's new film Moonrise Kingdom. I swear I've been waiting for it to come out for agggess, & it was really so lovely. As always, it looked so beautiful. I really loved the dress that Suzy wore. She had the same shape in loads of colours. I am definitely going to be making one this week. I wish I was that cool when I was 12 (I think I had short ginger hair cut & wore big baggy jeans) (images from Google) This week I have to make sew about 300 metres of…

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Tony Revolori and Saiorse Ronan in The Grand Budapest Hotel Wes Anderson Color Palette, Tony Revolori, Wes Anderson Aesthetic, Color In Film, Wes Anderson Style, The Grand Budapest Hotel, Wes Anderson Movies, Wes Anderson Films, Adrien Brody

Cinematographer Robert Yeoman has one of the most interesting CVs in Hollywood, starting out in an array of Eighties classics such as William Friedkin’s To Live and Die in LA and Gus Van Sant’s Drugstore Cowboy, and collaborations with directors as diverse as Wes Craven (on Red Eye), Drew Barrymore (on Whip It) and Paul Feig (on Bridesmaids, Spy and Ghostbusters) in the past decade.

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