Bonnie cashin

Today's blog post is written by Nandini Gopalarathinam, recipient of the Santamaura Summer Study Grant.

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The wearer is ready for day or evening in this elegant ensemble. As rustic, tactile, and colorful as Cashin's favored mohair is, this outfit works chiefly in terms of silhouette. The profusion of skirt materials can be pulled up and even stuffed into pockets ("retroussée dans les poches") to create a look reminiscent of late eighteen-century fashion

Marisa Berenson. Photo by Richard Avedon. Vogue, February 1, 1968.

Stephanie Lake and Bonnie Cashin were lucky enough to form a rare bond, and for anyone that has encountered that special person though decades may separate them in age, they're simpatico. It's a gift. Bonnie Cashin referred to Lake as her little sister, and together Cashin, years after her death, and her sister collaborate in introducing the timeless Cashin to today's fashion tribes. Author Stephanie Lake writes she was determined “…to redress historical neglect of her career.” That she's…

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A cropped jersey top, with shoulder snaps, is combined with a copious suede skirt. Cashin was sympathetic to the body-visibility and body-acuity of the 1970s. Having long been a pioneer, she was as ready to accommodate the body as she was to continue to experiment with the versatility of suede for spring and the uses of practical fasteners