ben83
Joined May 2005
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Reviews9
ben83's rating
Finally a full staging of my favourite musical and the second longest running one in the U.K is here for the first time on DVD. This live production filmed straight from the iconic Royal Albert Hall in London, which was broadcasted to cinemas and theatres around the world and celebrates 25 years of the Andrew Lloyd-Webber musical, is nothing short of a lavish treat for the eyes and ears, with amazing performances and acting from the cast, including all the songs that fans of the show will know and remember.
The 25th Anniversary production stars the amazingly talented Iranian born Canadian Ramin Karimloo as the Phantom and American Broadway star Sierra Boggess as Christine Daae, with a great supporting performance from Hadley Fraser as Christine's love interest Raoul. Karimloo and Boggess incidentally are no strangers to the characters, having played them previously in the London production of the sequel to this show 'Love Never Dies'. Their chemistry on stage is perfect as are their performances.
Ramin is terrific as the Phantom and injects emotion and passion into the show playing the phantom as essentially a victim, with a voice that at times can be vengeful and deadly, yet soft and vulnerable at others. His delivery of the 'insolent boy' line near the beginning strikes fear right around the Albert Hall. I would even go as far to say that he is the best Phantom that I've watched so far, having previously experienced others on stage live and unfortunately the terrible 2004 movie version starring Gerard Butler. His acting is great without being over the top, and you really feel for the character. Sierra Bogges is also amazing displaying sensitivity, vulnerability and sexuality all throughout the show. Her performance of 'past of the point no return' being a particular highlight. The two leads work very well together and make the show believable.
There are also good supporting performances too. Hadley Fraser's Raoul is dynamic and energetic without becoming too irritating and makes quite a good match against the Phantom in the battle for Christine's heart. Wendy Ferguson and Wynne (Go Compare) Evans are very funny as the diva Carlotta and Piangi, the two Italian opera supremos who are the subjects of Phantom's rage and eventually driven to obedience. Equally as funny and memorable are the opera house managers Firmin and Andre, played brilliantly by Barry James and Gareth Snook, who camp it up and provide some additional comedy.
The staging and scenery is spectacular, with the doomed chandelier hanging above the audience and the on stage sets, especially the bridge leading to the Phantom's lair, featuring prominently. Due to the venue they had to make a very slight change to the chandelier scene at the end of the first part of the show, but it isn't a big deal and still has a great impact in my opinion.
The show is pretty much identical to that of the theatre version that one may see in London's West End or anywhere else it may be on. Some lines were changed ever so slightly but nothing noticeable or significant. The performances throughout will leave you astounded and definitely not disappointed. In fact there are simply no scenes or performances that can be criticised. If you are a fan of the show you will love this and not be disappointed.
As in usual 'anniversary style', like the Les Miserables 25th concert, they bring back all the old Phantom's and stars who have performed over the years in various productions. Including Michael Crawford and Sarah Brightman. Andrew Lloyd-Webber also makes a speech about the show and it's legacy.
So now finally you can watch the show like you were in the theatre itself whenever you want. One advantage this production has over seeing it live is that you get to see all the facial expressions and emotions up close, thereby really getting a feel for the show almost like a movie in some parts (but definitely much better than the actual movie).
The 25th Anniversary production stars the amazingly talented Iranian born Canadian Ramin Karimloo as the Phantom and American Broadway star Sierra Boggess as Christine Daae, with a great supporting performance from Hadley Fraser as Christine's love interest Raoul. Karimloo and Boggess incidentally are no strangers to the characters, having played them previously in the London production of the sequel to this show 'Love Never Dies'. Their chemistry on stage is perfect as are their performances.
Ramin is terrific as the Phantom and injects emotion and passion into the show playing the phantom as essentially a victim, with a voice that at times can be vengeful and deadly, yet soft and vulnerable at others. His delivery of the 'insolent boy' line near the beginning strikes fear right around the Albert Hall. I would even go as far to say that he is the best Phantom that I've watched so far, having previously experienced others on stage live and unfortunately the terrible 2004 movie version starring Gerard Butler. His acting is great without being over the top, and you really feel for the character. Sierra Bogges is also amazing displaying sensitivity, vulnerability and sexuality all throughout the show. Her performance of 'past of the point no return' being a particular highlight. The two leads work very well together and make the show believable.
There are also good supporting performances too. Hadley Fraser's Raoul is dynamic and energetic without becoming too irritating and makes quite a good match against the Phantom in the battle for Christine's heart. Wendy Ferguson and Wynne (Go Compare) Evans are very funny as the diva Carlotta and Piangi, the two Italian opera supremos who are the subjects of Phantom's rage and eventually driven to obedience. Equally as funny and memorable are the opera house managers Firmin and Andre, played brilliantly by Barry James and Gareth Snook, who camp it up and provide some additional comedy.
The staging and scenery is spectacular, with the doomed chandelier hanging above the audience and the on stage sets, especially the bridge leading to the Phantom's lair, featuring prominently. Due to the venue they had to make a very slight change to the chandelier scene at the end of the first part of the show, but it isn't a big deal and still has a great impact in my opinion.
The show is pretty much identical to that of the theatre version that one may see in London's West End or anywhere else it may be on. Some lines were changed ever so slightly but nothing noticeable or significant. The performances throughout will leave you astounded and definitely not disappointed. In fact there are simply no scenes or performances that can be criticised. If you are a fan of the show you will love this and not be disappointed.
As in usual 'anniversary style', like the Les Miserables 25th concert, they bring back all the old Phantom's and stars who have performed over the years in various productions. Including Michael Crawford and Sarah Brightman. Andrew Lloyd-Webber also makes a speech about the show and it's legacy.
So now finally you can watch the show like you were in the theatre itself whenever you want. One advantage this production has over seeing it live is that you get to see all the facial expressions and emotions up close, thereby really getting a feel for the show almost like a movie in some parts (but definitely much better than the actual movie).
Gail (Meryl Streep), brings her workaholic husband Tom (David Strathairn) and son Roarke along on a white river rafting trip for a bit of family bonding and partially to salvage what's left of her declining marriage.
The family vacation turns awry however, when they stumble across two mysterious strangers (Kevin Bacon & John C Reilly) who are in need of help as, so they claim, they are stuck in the middle of nowhere and need Gail to help them get out. Gail previously having worked as a guide on the river agrees. This is their story which differs somewhat to the actual truth as to what they are up to and soon husband Tom gets suspicious of the pair, as well he might! What follows is a roller-coaster ride of thrills, splashes, action and tension which successfully make this 90's action thriller a force to be reckoned with. It manages to keep the audience entertained and enthralled as Streep goes head to head with the two villains and of course the gushing river that cuts through the movie. The River Wild does what it says on the tin, all the while refraining from hiding behind any CGI effects, instead just using good old fashioned stunt work and great acting.
Directed by Curtis Hanson who had previously directed 'The Hand That Rocked The Cradle', he uses his previous skill in pumping up the tension successfully and there are some great moments that make you wonder what is going to happen next.
Meryl Streep is great as usual and plays the strong, level-headed female lead well, yet still with an air of vulnerability at the same time. Kevin Bacon is an excellent primary antagonist as Wade, along with his dumb partner in crime Terry. It's actually fun to watch as he uses his superficial charm to gain the trust of Gail and her family and then switching to a malevolent bad guy as soon as his motives are exposed. The scenes between Streep and Bacon are tense and dark which increases the pace even further.
There are strong supporting characters too, including David Strathairn's serious yet underestimated husband role. Joseph Mazzello, from Jurassic Park fame, is Gail's son who puts in a good performance here. Benjamin Bratt also makes a small appearance as a guide on the river. John C Reilly appears in an early career role and has since had stronger roles in film.
I have rated this film highly as it kept me entertained throughout. This is mainly due to the acting and direction which keep the pace going at break neck speed.
Good old 90's action thriller.
The family vacation turns awry however, when they stumble across two mysterious strangers (Kevin Bacon & John C Reilly) who are in need of help as, so they claim, they are stuck in the middle of nowhere and need Gail to help them get out. Gail previously having worked as a guide on the river agrees. This is their story which differs somewhat to the actual truth as to what they are up to and soon husband Tom gets suspicious of the pair, as well he might! What follows is a roller-coaster ride of thrills, splashes, action and tension which successfully make this 90's action thriller a force to be reckoned with. It manages to keep the audience entertained and enthralled as Streep goes head to head with the two villains and of course the gushing river that cuts through the movie. The River Wild does what it says on the tin, all the while refraining from hiding behind any CGI effects, instead just using good old fashioned stunt work and great acting.
Directed by Curtis Hanson who had previously directed 'The Hand That Rocked The Cradle', he uses his previous skill in pumping up the tension successfully and there are some great moments that make you wonder what is going to happen next.
Meryl Streep is great as usual and plays the strong, level-headed female lead well, yet still with an air of vulnerability at the same time. Kevin Bacon is an excellent primary antagonist as Wade, along with his dumb partner in crime Terry. It's actually fun to watch as he uses his superficial charm to gain the trust of Gail and her family and then switching to a malevolent bad guy as soon as his motives are exposed. The scenes between Streep and Bacon are tense and dark which increases the pace even further.
There are strong supporting characters too, including David Strathairn's serious yet underestimated husband role. Joseph Mazzello, from Jurassic Park fame, is Gail's son who puts in a good performance here. Benjamin Bratt also makes a small appearance as a guide on the river. John C Reilly appears in an early career role and has since had stronger roles in film.
I have rated this film highly as it kept me entertained throughout. This is mainly due to the acting and direction which keep the pace going at break neck speed.
Good old 90's action thriller.