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The Way Way Back (2013)
This was my life
8.6 stars.
This film, like no other, struck a familiar chord in my soul and resonates with me on a very deep level. This is my fourth time. I just had to experience it again. When I watch a film more than three times, it's a minimum 8.0 stars, so this being 8.6 stars puts it in my best of the best column (for family drama).
I have to say I WAS this kid, I lived this life, almost identical in every way. The mother in this film, that was my mom. The girl next door, was many a girl that I grew to love in my own special young teenager way. Like this boy, I was very shy, but when I was released, it was game on. Anyone who can relate to this story, you know exactly how visceral it was, the misunderstood angst, simply wanting to fit in, having a crush on any girl who looked in your direction...and most of those girls had no clue what was going on in your head, they had their own issues, but likely there was not any mutual affection or crushes going on from their perspective...but once in a while (it was a numbers game) one of them actually did crush, but was it ever the one you really liked, or was it the "other" girl? Probably the other girl. That's teenage life I guess. But in the end, I worked at a summer camp, there was lots of water activities, I had a girl, I became popular, she was impressed, my friends started to witness my courageous and fun side, I was finally alive. If you can relate to this story, you may love "The Way Way Back" more than you know.
The Long Game (2023)
Inspiring story about outsiders
7.7 stars.
If you're looking for a movie about white people who dislike Mexicans, this is the right movie for you. And I mean that statement in the most relevant and meaningful way. This film depicts some racial tensions between these two cultures back in the 1950's when it was evidently still a major issue for the upper crust Texans, those at country clubs, the rich sectors, snobby folks who had it easy, grown up being told by their mammies and pappies that the less fortunate folk had a lower lot in life. I don't know why people become this way, I have not been able to comprehend this sort of mindset or treatment, other than the fact their cultures are so different, and the one group just can't seem to adapt to the other's lifestyles and cultural differences. My own grandparents hated all the minorities, they called them every derogatory name in the book and they laughed about it, and when I was a kid, I laughed too. I thought it was funny. I thought "them" was just substandard and lowlife scum. And then we moved out of that nasty place, the mean streets of the Philadelphia burbs, out West to a more enlightened state. Those are distant memories, yet my relatives, the ones my age who still live over there, they still have a problem with "them" losers. It's sad. Well, my point is this film gives you yet another glimpse of all that. There are lots of better movies about this subject, but this one focuses on Mexicans rather than African Americans. The cast is top notch, lots of recognizable faces and the acting is top notch. I shed a few tears.
Le loup et le lion (2021)
It has good moments
6.9 stars.
I have some difficulty watching tear jerker stuff like this, but most of the tears were near the end. And it's not a tragedy, so to speak. But there are many moments that don't flow between the narrative and what we see happening. I think they bit off more than they could chew with some of the footage and making it work well for the audience. It's not easy making a film with a Lion and a wolf and a woman raising them. It's not seamless for sure. Gets a little clunky now and again, which detracts from the emotional impact. Notwithstanding, it's very joyful and sometimes sad. The adorable animals were amazing, the humans were okay.
Space Cadet (2024)
I had high hopes
5.9 stars.
I had such high hopes for this film. After watching it, I feel like a space cadet myself. I got most of the way through, and then I just had to fast forward until almost the end because it just became more and more disappointing. The whole idea of a woman faking her way through NASA training to become an astronaut is funny. But it was not. Comedic it was kind of weird. It's almost as if they're trying to make us think this could really happen, and yet there's no possible way that it could. There's no way to learn all of that information in such a short amount of time and qualified to walk in space. It's just so so outlandish and the comedy factory doesn't make up for the lack of originality and acting skills.. Comedic it was kind of weird. It's almost as if they're trying to make us think this could really happen, and yet there's no possible way that it could. There's no way to learn all of that information in such a short amount of time and a qualified to walk in space. It's just so so outlandish and the comedy factor doesn't make up for the lack of originality and acting skills. The romance is all but absent as well.
Love in Focus (2023)
Nestled away in a cabin
7.6 stars.
Surprisingly good. Starts off feeling like a b-rated movie for sure. The sound quality and sound editing were very faulty throughout, which was a bummer, however the story is wonderful and the acting is actually really good. All of the actors brought their best, except maybe the secondary male, he needed a bit more work. But the two leads are great together and there is a lot of chemistry. The movie producer mother and talent agent father were very refreshing roles as they melded into the story very nicely. This film has a lot of funny moments, surprisingly witty and clever conversations and it wasn't a fluke, I laughed about 4 times, really good laughs, akin to the humor I can recall only from the best films. Unfortunately, this appears to be an unknown movie, but it's a hidden gem, the best kind of surprise. Better advertising maybe, because "Love in Focus" needs to be seen by a larger audience, who will come to love it like I have. Sure, it's not absolutely amazing, thus less than 8 stars, but anything written this good and with great acting deserves high praise.
A Family Affair (2024)
Above average romance
8.1 stars.
I've been reading several reviews to gauge general opinions because I genuinely love this film. However, unlike iconic romances with lines like "You had me at hello," this one is effective in its own right, despite some actors appearing to have undergone unnecessary cosmetic procedures. Zac Efron and Nicole Kidman, for instance, didn't need alterations to their already great faces. It's baffling why they chose to undergo such procedures when so few achieve the desired results.
Setting aside unrealistic expectations, this film offers a raw and emotionally satisfying romance. It centers on Zara (played by King) and a semi-narcissistic movie star who also happens to be her boss (played by Efron). She is his personal assistant aspiring to become a producer. Their dynamic shifts when Chris and Zara's mother, Brooke (played by Kidman), develop a romantic connection. Initially unsettling for Zara, this budding relationship evolves into something deeper, complicated by Chris's history of fleeting romances that Zara must manage on a regular basis.
The story ventures into the potential fallout of Brooke's heartbreak. Zara, who has always lived in Brooke's shadow as a famous writer, feels compelled to protect her mother despite their complex relationship. The situation intensifies with the involvement of Leila (played by Bates), Zara's grandmother, whose wisdom adds another layer of insight. Without realizing it, Zara has become the person she least admires, a self-centered woman who cares not about the feelings of anyone around her. Life has become all about her lately, and her mother and friends are suffering while she continues to focus on her own needs. Her best friend finally points out her selfishness and the drama intensifies.
Beyond the complexities, this film is a wonderfully intricate romantic comedy. Look past the cosmetic enhancements and appreciate it for the engaging love story it portrays.
Expats (2023)
starts bad, ends bad
5.8 stars.
I began drafting this review around episode 4, initially leaning towards a rating of 7.4 stars. However, having completed the series, my final verdict is that "Expats" fell short. My gut tells me to give this a 5.0, but due to its commendable music, camera work, and acting, I'll be lenient. The script, in terms of its communication, is also praiseworthy.
Nevertheless, the story itself is disappointingly anticlimactic and disjointed, making it difficult for me to connect with and derive enjoyment from it after episode 4.
For its good aspects, this show stands out as an outlier for me. I agree with many reviewers who seem to share similar thoughts. One reviewer mentioned they couldn't explain why they kept watching but found themselves unable to stop. Others felt it a waste of time, yet oddly entertaining. Personally, I'm drawn in by the cinematography, acting, and the director's ability to create suspense, even though the lack of closure or resolution can be frustrating.
There's a comment about Kidman's character's husband being initially portrayed as lifeless and lacking personality, but by episode four, he undergoes significant character development that adds depth to his role, despite not having much screen time.
Symbolism is prevalent throughout the series, and it becomes evident if you stick with it. Every conversation, nuanced expression, and situation carries weight and contributes to the overall narrative. It encourages viewers to interpret and draw their own conclusions about the deeper meanings behind the events unfolding.
The general consensus among many is that episode 5, at least the first half, is considered a waste of time. I watched it closely, hoping to uncover its purpose and understand why we were introduced to a new minor storyline. These characters are still connected to the main narrative, yet no context is provided about them. The episode focuses on secondary characters (the help and some unfamiliar relatives) and their perspectives on the main characters and their ongoing struggles and decline, which have been unfolding over the first four episodes.
Honestly, I have to agree that this episode disrupts the progression and coherence of the series' overall theme and narrative. It seems to pay homage to something specific, but to a casual viewer, it comes across as an amateurish and premature attempt at communicating an idea or a concept with which we are unaware.
The last two episodes are a train wreck, so maybe don't waste your time.
America's Sweethearts: Dallas Cowboys Cheerleaders (2024)
Excellent documentary
8.0 stars.
I don't binge through documentaries very often, but I watched this in two days. The similar ones, although totally different, NFL documentaries like "Hard Knocks" and "Quarterback" are male oriented (obviously) but for some reason they aren't nearly as interesting. I can't pin it down, but this cheerleader documentary blows them away, at least for me. It's not about ogling pretty women, not at all. Looking at these girls, they are worn out and stressed all the time. There is hardly anything attractive about those aspects of the show. We get to witness the grittiness of their experiences and interactions. What I find interesting is that this seems to capture the reality of it all, as if they just figured out how to capture it right. I bet you anything they will change the format and delivery for next season and for me it will be a major downer, but somehow so many people will come out of the woodwork and say, "season two is so much better", and all I can say to those future reviewers is that I disagree, season one is perfection.
The few things I didn't like so much are they focused on too few women and didn't share the camera with a few more. I would have liked to have seen ten girls' experiences instead of 5 or 6. They focused on a couple women exclusively for at least half of the show and that wasn't the best decision, however the show is still tremendous. Just add a few more ladies next season, please.
Deep Impact (1998)
Divergent impact
8.3 stars.
First of all, let's compare this with "Armageddon," because that's what we do. I remember watching this in 1998, just a couple of months before "Armageddon." I was in my mid-twenties, the prime time for me to critically review movies during my peak years, when I thought I knew it all and had all the answers. I decided to join in those lively discussions about which was the best apocalypse movie out there. Back then, the options were limited because making an Extinction Level Event (E. L. E.) film before the 90s was too expensive, but we persisted, and it's been our fascination for a century.
In my comparisons between this and the aforementioned film, one major difference stands out to me: "Armageddon" was about glamour, hotshots, cowboys, and hero worship, while "Deep Impact" lives up to its name-it's about the profound impact an extinction event would have on the planet. The acting is just as good, although the actors aren't all A-listers, with a few exceptions here compared to a half-dozen over there. The music is much better here; they had to enlist the help of a legendary rock star to give "Armageddon" a musical edge, which worked like magic. However, "Armageddon" also had a love story, whereas "Deep Impact" is almost devoid of romance. So, "Deep Impact" remains a purely apocalyptic film, whereas "Armageddon" is more emotionally impactful and romantic.
Those are the main differences; the rest is in the details. When it comes to sheer life-altering and world-ending terror, "Deep Impact" takes the cake by a mile. The special effects are on par in both films, the acting is also comparable, but the sense of impending doom is much more tangible in "Deep Impact," while the other feels more like a group of cowboys in space performing miracles with machines and vehicles, almost a farce. But Michael Bay really nailed it. The man knows his craft.
When it comes to which of the two films I think is better, I'd have to say they are almost evenly matched. I'd give "Armageddon" a slight edge, 8.4 stars, mainly because of the Tylers-you just can't beat that combination. Willis, Affleck, Buscemi, Owen Wilson, Liv Tyler, and Billy Bob up it a notch. It's hard for Morgan Freeman, Tea Leoni, Elijah Wood, and John Favreau to hold a candle to them, even with Vanessa Redgrave in her twilight. "Armageddon" cost about twice as much and delivered twice the monetary reward in the end, but if you read some articles, you'll see the "Armageddon" producers "borrowed" most of the ideas from the "Deep Impact" script. They won't deny it, but they don't seem to mind, especially with upwards of 600 million dollars and counting, vs half of that return for "Deep Impact", resulting in a somewhat shallow impact. Ha ha, I had to.
Love in Tahiti (2023)
Ocean mist
7.9 stars.
This is a wonderfully serene and picturesque romance featuring two unfamiliar actors and a supporting cast of new faces, all of whom delivered performances that blended seamlessly together like a well-oiled machine. The ensemble created a familial dynamic that was genuinely heartfelt. The lead female character has a charmingly thick French accent, which, coupled with her clear enunciation, adds to her likability and attractiveness and makes her character come alive. I found myself drawn to her personality as she navigates her role as captain of her father's snorkeling excursions business in French Polynesia. The male lead, although more reserved and introspective, exudes a gentle and kind demeanor, though I wished his character had a bit more of an edge. The film revolves around their quest for treasures and trinkets in the exotic setting, with the beautiful blue ocean backdrop and the father's magnetic presence despite his disability from a previous stroke. The return of the younger sister from America with a surprise adds an intriguing twist to the storyline. The conclusion is satisfyingly uplifting, wrapping up a lovely romance that catches the essence of the ocean's allure with its enhanced visuals and sensory details. Overall, it's a film I'd gladly revisit for its charm, setting, and the adventurous atmosphere it evokes.
Bombshell (2019)
Theron was too good
7.4 stars.
Charlize Theron's portrayal of Megyn is so authentic that I felt like I was actually watching Megyn herself on her show, snapping back to reality throughout the film. It's the first time I've experienced such a chillingly real performance. The movie focuses on the women of Fox News and Mr. Ailes, exploring the extent of sexual harassment allegations-estimated to be dozens, if not more, despite at least 23 confirmed cases. Beyond that, the film is a masterful docudrama depicting the powerful figure of Ailes, who was likely connected to the notorious figure, you know who I'm talking about, Ep$t&in. Ailes wielded power, harassed women, and had access-what more did he think he needed? It's appalling how such powerful and wealthy men can feel entitled to exploit women and believe they are above reproach.
Just Mercy (2019)
"They messing with ya ain't they?"
8.3 stars.
"Just Mercy" is profoundly impactful and emotionally stirring. Jamie Foxx and Michael B. Jordan deliver standout performances, creating a mesmerizing dynamic between their characters. Foxx embodies his role with a perfect blend of intelligence, cynicism, and deep sympathy, making his character both charismatic and profoundly relatable. His portrayal inspires admiration for his patience and frustration at the injustice he faces, yet he remains steadfast in his understanding of the flawed system. He even empathizes with the challenges of his young lawyer, despite being on death row himself-a testament to his character's depth. Foxx's performance is nothing short of remarkable, placing him among the greatest actors of his generation, following in the footsteps of icons like Morgan Freeman and Jack Nicholson.
Michael B. Jordan, on the other hand, brings a distinct intensity to his roles, characterized by grit and emotional depth. His portrayal of a young, idealistic lawyer navigating a hostile legal environment is compelling. The contrast between Foxx's seasoned wisdom and Jordan's raw determination creates a dichotomy that drives the film. Together, their performances elevate "Just Mercy" to a poignant exploration of justice and humanity.
As I watch this ambitious Harvard lawyer (Jordan) facing off against corrupt cops, my initial emotion is shock. However, my cynicism soon kicks in, reminding me that the drama is heightened for effect-it's a movie, after all, where every emotion and conflict is magnified. Yet, reality isn't as clear-cut as this portrayal suggests. While I acknowledge ongoing issues, particularly in the Deep South and back in the eighties, I also recognize the complexity of every story. Not every conspiracy theory or dramatic portrayal is entirely believable. This depiction of racial mistreatment in Alabama moved me, but it's essential to understand there are nuances and multiple perspectives involved. Despite its spin, the story resonates because of its portrayal of real people with lives, families, and genuine experiences. I empathize with the underdogs, even if the narrative may exaggerate reality. It's important to remember that not everyone in positions of authority in Alabama-be they police, D. A.s, lawyers, or white residents-is corrupt. Life isn't as simplistic as shown in some films. These characters are grounded in real experiences, and while the story may be dramatic, its impact feels genuine and captivating. Let's appreciate the entertainment value of this film while grounding ourselves in the realities and complexities it attempts to portray.
On the Basis of Sex (2018)
Smooth and impactful
7.4 stars.
I was surprised to learn this film was released six years ago, given Justice Ginsburg's frequent presence in the news over the past decade. While it carries a timeless quality, its style and certain aspects clearly mark it as a more recent production. As a movie enthusiast, I believe pinpointing the greatest era of filmmaking is challenging, but the 2010s stand out for their innovation. The 1990s saw a surge in cinematic advancements, from cinematography to acting styles, with luminaries like Jack Nicholson and rising stars like Daniel Day Lewis, Keanu Reeves and Tom Cruise. Meanwhile, actresses such as Julia Roberts, Sandra Bullock, Cameron Diaz, and Jennifer Aniston all rose to prominence in that era, shaping television and film entertainment. I compare the 2010's to the 1990's in many ways, and this film showcases many similar actors that helped set a standard for the 2010's.
Ginsburg's career was already established by then, placing her squarely in the iconography of 1970s courtrooms long before it became fashionable. Felicity Jones delivers a compelling portrayal; her talent shines, though her recent projects have been hit or miss since a notable film in 2019. Her upcoming projects show promise, especially considering her impactful role in the Star Wars universe-a standout achievement amidst Disney's new era of diluted ideas in a fantasy flooded market.
The film boasts an impressive supporting cast, featuring a lineup of stellar and well-known actors that elevate the storytelling. Armie Hammer's role as support to Jones's character is impeccably cast, and the portrayal of the daughter is equally brilliant.
Blended (2014)
Classic Sandler, but it worked
7.9 stars.
This film stars two iconic actors who have a history of memorable co-starring roles together. They've previously shined in hits like "The Wedding Singer" and "50 First Dates". Their chemistry is palpable, exuding a genuine familiarity and a special bond that translates beautifully on screen. They portray a couple with real emotions and relatable issues, effortlessly bouncing humor and heartfelt moments off each other with brilliance. Watching them is like witnessing two friends at a party who naturally command attention, entertaining everyone with cleverness, wit, and depth of character.
These actors aren't focused on the modern, Gen Z-driven acting styles-they belong to my generation, the indomitable Gen X. They have a knack for breathing life into any storyline, no matter how mundane. In this particular film, they portray two families on a vacation in Africa, initially at odds but ultimately becoming inseparable as they navigate hilarious mishaps and heartfelt moments. While Adam Sandler's trademark slapstick and quirky humor are present, they blend seamlessly, making this film a delightful, family-oriented gem.
How to Find Forever (2022)
Not fully harmonious
6.6 stars.
It's the classic story of a city woman returning to her hometown for a work project and meeting a man she's never encountered before. What sets this movie apart from others in its genre is that she isn't reconnecting with an old flame or a missed opportunity from her past. The man in question owns and manages an apple orchard with his sister, and he's passionate about perfecting his apple cider recipe for sale. When the female lead needs to use his vineyard for a work event, she faces initial resistance from him, leading to some melancholy moments. Despite their initial standoff, there's a mutual attraction brewing. As they navigate their growing feelings, the romance progresses quickly, then stalls, and eventually picks up again, but the timing never quite aligns. The chronology of their romance feels somewhat rushed and lacks organic development, although the conclusion ties things together well. But, overall this film is just a bit too sluggish to be satisfactorily entertaining, so this semi-bad apple only gets a 6.6 from this feller.
A Greek Recipe for Romance (2024)
Rich boy identity crisis
6.9 stars.
What makes this film stand out? That's the question, considering how many seem interchangeable, particularly those set in Italy, Greece, and France-the romantic Mediterranean countries blending Western and Near Eastern cultures. These movies typically share common elements: food, music, culture, an American protagonist, and a charming foreign love interest. While you can mix these ingredients differently, the films in this collection often feel too alike to offer a unique or captivating experience beyond their familiar entertainment value. It lacks the excitement or novelty to truly refresh. I crave something more daring-not Spain, Italy, Greece, or Paris, nor some fictional Anglo-inspired realm. How about the Middle East, or even Turkey? Imagine sending one of our beloved Hallmark stars to Constantinople or a similarly exotic locale. It's time to embrace a bold change and explore new horizons.
This storyline feels all too familiar-a tale of an American woman in Greece who encounters a somewhat aloof billionaire's son, determined to conceal his privileged background. Intrigued by him, she discovers he's an exceptional Greek cuisine chef, making him the ideal partner to launch a restaurant and boost her career. Yet, his reluctance to reveal his secrets and adapt to the challenges of restaurant ownership presents obstacles. Meanwhile, her character lacks depth beyond their discussions on food, taste, decor, and olive oil. While I appreciate the actress's charm, the lack of dramatic tension leaves this romance feeling unbalanced.
The Joneses Unplugged (2017)
It's a bit different
7.2 stars.
Rebecca and Matthew Jones, a newly married couple, are facing minor financial challenges. Rebecca yearns for a new home, tired of apartment living, while Matthew is hesitant about moving into a house. They each have their reasons. After some circumstances and encouragement, they decide to go "unplugged" whenever they're together-no electronic devices-to rediscover their relationship's roots. This journey helps them reconnect on a deeper level, reminiscent of their pre-marriage days when life, work, and social media weren't distractions. They face obstacles due to missed opportunities from putting their phones down, but their love triumphs over media distraction and instant gratification, ultimately fulfilling their dreams.
The theme captivated me, offering a unique narrative that kept me engaged, anticipating the plot's direction.
I noticed they refrain from kissing on the lips, possibly due to one of the main actors having a personal pact, likely the actress who doesn't frequently appear in movies or shows. Perhaps this choice stems from a spouse's preference, understandable given her past prominence, notably in 'The OC', despite her subsequent career challenges unrelated to her own efforts. She endured harassment, stalking, and abuse, unfortunate realities of Hollywood's darker side. Her resilience is commendable amidst such hardships.
The Mechanics of Love (2017)
The mechanics of resentment
7.5 stars.
Without the strong acting performances, this film would struggle. The ensemble cast shines in their respective roles. The story centers around Matti, a gifted mechanic pursuing an engineering career in the city. Despite her talents, she continually misses out on promotions.
Jake, the male lead, works as a mechanic in her father's garage back home and harbors a long-time crush on Matti. Her mechanical prowess has influenced his career choice.
Returning home to serve as her sister's maid of honor, Matti reconnects with Jake, who is the best man. Together, they restore her late mother's truck amidst wedding preparations. He obviously wants more than a friendship, but she seems unaware of his feelings. However, complications arise when Matti's snobbish city boyfriend unexpectedly arrives, causing tension.
Throughout the film, resentment simmers between Matti and Jake, exacerbated by Clare's growing discontent with her fiancé. The escalating tension hints at a potential breakup before the wedding. Amidst this turmoil, Matti's anger continues to flare towards both her boyfriend and Jake, resulting in discord among everyone involved.
In essence, the film adeptly portrays the dynamics and "mechanics" of resentment leading up to a wedding, creating an atmosphere of intense awkwardness. Viewers are left wondering if the wedding will proceed amidst the unfolding emotional turmoil.
We know how it ends, they never change the formula for these types of films, however the seething discontent is palpable and refreshing.
A Vineyard Romance (2021)
Laid back and relaxing romance
7.3 stars.
I haven't seen this lead actress in any Hallmark movies, but since this film is on UP TV, perhaps it breaks from the usual expectations? The music creates a relaxing, ASMR-like atmosphere in many scenes, seemingly by design. Overall, 'A Vineyard Romance' is laid-back and pleasant, though not particularly thrilling, which is typical for family friendly romances. However, I appreciated the director's intention to provide a soothing and enjoyable viewing experience.
The story follows a familiar trope: both a man and a woman left their hometown of Everlasting, Oregon to pursue their dreams. They agreed to meet one year later at a vineyard on their anniversary, with the possibility of prioritizing their relationship over their dreams if they both showed up.
Jump forward 15 years, she returns to Everlasting to interview a famous bride-to-be at the vineyard, only to discover it's her ex-boyfriend who is getting married to the blogger. Our lead female realizes she's still been missing him after all these years, so old feelings are reignited.
The predictable plot unravels: she arrived at the vineyard that fateful day, 15 years ago, but he didn't-he mistakenly came two days later due to a mix-up in anniversary dates. They've both needlessly yearned for each other since. Throughout most of the film, the reason for his absence at their rendezvous remains a mystery. Eventually, he confesses that he did go to the vineyard, and that's when the crux of the issue is revealed, they missed meeting up together, because of their differing beliefs about the anniversary date-he believed it marked their first date, while she thought it commemorated their first kiss.
In a twist that's typical of light romance films, once they realize they are still meant to be, that they missed the rendezvous because of an honest mistake-instead of altering their plans to be together, they continue with his wedding and her article about his fiancée.
The fiancée, a famous blogger, is assertive yet somewhat sympathetic, making her character complex but overshadowed by the lead female whom the audience prefers. The blogger pressures him into taking a job in New York City he hadn't agreed to, prompting him to abruptly end the engagement just before the wedding, a decision hard to believe given the impending nuptials.
The story unfolds against the backdrop of wedding preparations, where reality and the script diverge, highlighting why emotional investment in such films may not translate to real-life scenarios. In real life, there would likely be confrontations and suspicions, but here, a familiar happy ending wraps things up neatly.
Rome in Love (2019)
Don't write my story!
7.4 stars.
It's the typical story about a woman's private life being exposed to the media, where she feels vulnerable and so on. Personally, I find these narratives hard to believe, so I tend to shrug them off.
She's an ordinary person living in a small town in Oregon, USA, and her life seems stuck in place. However, she finally gets her big break-a long-deserved opportunity she had set aside for various reasons. With her sister's help, she reignites her career and lands a significant role in an Italian movie.
While in Rome, she encounters an American journalist assigned to write her life story, intended to introduce her to the world. The dilemma emerges: she craves success as an actress but shies away from the spotlight. It's an overly familiar trope-the reluctant star-that feels more like wishful thinking than reality. Despite this cliché, I did enjoy the movie. It would be refreshing to see a different approach to creating drama, rather than relying on this well-worn storyline.
Ricci brings her usual charm, making 'Rome in Love' an enjoyable experience for me, despite her character's occasional overreactions. Even her younger sister's role in grounding her in reality and encouraging positivity was a refreshing addition. To quote her sister: "I'm proud of our story, aren't you?"
It's a substantial production by Hallmark standards, likely one of their most expensive in 2019. With the backdrop of Rome, a plethora of props, numerous secondary actors, and plenty of stand-in roles, this was undoubtedly a costly endeavor.
I'm undecided on my final rating. While I thoroughly enjoyed many romantic aspects of the film, there were moments where the momentum stalled. I attribute this to the challenges of managing a large production with numerous moving parts, filmed in a foreign location under tight deadlines and high pressure.
I'm torn between giving this film an 8, but I'm hesitant to justify such high praise, so we will go with 7.4/10. I think I could revisit it in 5 years or more, which leads me to settle on this rating. For context on my rating system, it reflects a blend of overall quality and entertainment value. I find it hard to rate any Hallmark film below 5 stars; they consistently deliver decent filmmaking quality that warrants at least a mediocre rating. Anything below 5 would indicate significant issues like major flaws in sound, cinematography, or acting, which Hallmark's production standards typically avoid.
The Shack (2017)
It's a long film
6.3 stars
If I had to sum up this movie in one word, it would be "metaphysical." It goes deeply into the afterlife, although saying so might spoil the surprise for some. You'll realize this about 30 minutes in. What surprised me was how long the exploration of the afterlife, with its metaphorical and quasi-N. D. E. Elements, lasted-almost two hours. I found myself wondering throughout: what lesson is this story trying to impart?
There's rich symbolism throughout, suggesting insights into the afterlife, even though the protagonist isn't technically dead-making it all quite surreal, which is ironic, considering it's supposed to be surreal, but this takes it to a strange place. It reminded me of many Near-Death Experience stories I've heard, yet here, death isn't confirmed. The narrative is undeniably tragic, deeply so. It's not exactly entertaining; I didn't feel uplifted or fulfilled after watching it. Instead, I was left pondering the author's supernatural concepts, which I personally disagree with. In my view, even in the realm of imagination, the events depicted feel far from anything that could feasibly occur.
However, the film is undeniably accomplished in its presentation. The music, in particular, evokes a lot of emotion. Despite this, I struggled to connect with the intended mood set by the director. There was a noticeable disconnect from reality that proved difficult to bridge.
True Spirit (2023)
A different kind of hero
7.5 stars.
While watching this film, I was captivated by the extraordinary courage displayed by the 16-year-old protagonist. Yet, amidst the awe, I found myself contemplating the fine line between determination and obsession, witnessing the profound sacrifices and enduring pain inherent in the pursuit of life-altering goals. The protagonist's journey, navigating the globe solo aboard her small sailboat "Pink," evoked a blend of admiration and concern. Her quest seemed driven not only by a desire for adventure but by a deeper longing for inner peace and personal accomplishment.
Her willingness to risk life and limb for the sake of her ambitions left me both awestruck and puzzled. What inner turmoil and aspirations led her to embark on such a perilous journey? It's a question that lingers, reminding us of the complexities of the human spirit. Despite her insistence that she's not a hero, her relentless pursuit of excellence through sheer hard work is undeniably heroic.
'True Spirit' is a remarkable film that reaches down into the depths of human determination and passion. It leaves viewers grappling with the profound question of what drives individuals to push themselves to such extremes. Perhaps, as the protagonist herself suggested, it's a love for the craft, in her case, sailing, that surpasses all else. Ultimately, the film serves as a poignant reminder of the boundless capacity of the human spirit to pursue its dreams, no matter the cost.
And what the heck, she was welcomed by over 80,000 people upon her return to Sydney, Australia after the 210 day journey. I guess there are people who find this sort of passion contagious after all. I liked the movie for the emotions it evoked. This review was written by AI, but lacks the human element.
Sisters of the Groom (2017)
Brilliant moments
7.6 stars.
I must start by acknowledging that this film offers a profoundly moving story, and thus, I recommend it. However, viewers may need to persevere through the initial hour, as it can be somewhat perplexing at times.
Parts of the script are marred by glaring errors. Firstly, we encounter a wealthy executive who resides in the same apartment complex as the main female character, yet his affluent status contradicts his supposed lifestyle. Additionally, the female protagonist's occupation is ambiguous, veering from part-time catering to globe-trotting and food critique, leading to confusion regarding the film's premise. Furthermore, inconsistencies abound, with the lead male's brother (who has an upcoming wedding) initially portrayed as older only to be revealed as the younger sibling minutes later, contributing to a disjointed narrative. I was becoming uneasy with the writing at this point, even though the story was satisfying and somewhat entertaining.
Despite these shortcomings, the supporting characters, particularly the lead female's sister, add depth and charisma to the storyline, warranting more screen time. While the music, acting, and cinematography showcase proficiency, the erratic scenes and perplexing moments detract from the overall experience. Moreover, the introduction of what seems to be unfamiliar characters midway through the film disrupts coherence, leaving audiences bewildered about their relevance. But we soon find out they only appear unfamiliar due to a lack of foundation and logical character development.
In essence, for the first half of the movie, while it boasts commendable elements, its faltering script and narrative missteps undermine its potential for a truly engaging viewing experience. In my opinion, there are too many players on the field, or in more generic terminology, too many kids in the sandbox. There is not enough runtime to include this many characters and three smaller plots that are stealing time from the main story. I say, stick with the female lead's sister and her ex-boyfriend storyline and focus a few extra minutes on them, and delete the other sibling stories altogether and this movie becomes more than moderately satisfying.
However, the final 30 minutes of the film deliver an emotional punch, evoking tears and heartfelt moments that tie everything together, culminating in a satisfying conclusion.
South Beach Love (2021)
15 year old princesses
6.7 stars.
Latino girls at the age of 15 have these huge parties. It's similar to sweet 16 for American girls. There are two relatives who are going to create cuisine selections for these parties, but the parties get mixed up, and there are multiple problems that arise between these two supposed 15 year old girlfriends, who are at odds with one another. The male protagonist is a well-known chef and the female protagonist is very competent at her profession, and she can cook too. They were once together many years ago as a young couple, but he left and went to start a restaurant in New York. He has become a celebrity chef, and she doesn't fit comfortably in his shadow. Now he's back and things are tense.
Nothing to write home about. It's about two prima donna families with two prima donna Quinceañeras. The end is emotionally satisfying.
Sweet Magnolias (2020)
Sickly sweet
6.3 stars.
You may think that a show rate at 6.3 stars is considered a good show. But in my rating system, anything below a seven is not re-watchable. In this case, it's a TV series, so it has to be continually palatable in order for me to finish the series. So around episode seven or eight it became increasingly more sappy and sickly sweet. The situation's are way overdramatized, the children are always so angry and brooding, the romance scenes between the three mothers and these men is borderline cringe. After watching a particular episode, and several romantic encounters between these characters, I felt like I needed a shower. The scenes aren't scandalous or revealing, it's just meh. I find myself feeling some minor revulsion. Cannot continue with this nonsense.