ejs-80
Joined Aug 2002
Welcome to the new profile
We're still working on updating some profile features. To see the badges, ratings breakdowns, and polls for this profile, please go to the previous version.
Reviews3
ejs-80's rating
"Mother of Mine" tells a story about nine-year-old Eero (Topi Majaniemi) who is one of the war children who were sent from Finland to Sweden in order to escape the war against USSR. It is a very hearty film, and especially at the beginning, when the ruthlessness of the war begins to show its ugly head, it contains downright heartbreaking material.
On the other hand, those parts where grown-up Eero (played by Esko Salminen) converses about the past with his mother feel a bit too much like commentaries, and they might have benefited from a little more liveliness. On the first viewing I thought also that Eero's relationship with the foster mother Signe (Maria Lundqvist) doesn't ever really open and warm up like the narration implies later. However, on the second viewing I noticed that the scene in the graveyard is honestly trying to deal with this point. So that part of the theme is not completely left undeveloped.
Michael Nyqvist as Hjalmar Jönsson does a pretty good job, but one of the best virtues of the film is the fact that director Klaus Härö has been able to cultivate an extremely believable Eero-boy from young Topi Majaniemi. Praises also belong to the numerous incredibly beautiful scenes, of which one of the finest is a shot where a bus comes from the left side of the panorama picture and continues its drive to a stop in the middle of desolation with Eero as its only passenger traveling towards his new home.
In short, "Mother of Mine" is a recommendable movie for everyone who considers him-/herself to be a friend of honest and straightforward drama. See it by yourself or show it to the mother of yours.
On the other hand, those parts where grown-up Eero (played by Esko Salminen) converses about the past with his mother feel a bit too much like commentaries, and they might have benefited from a little more liveliness. On the first viewing I thought also that Eero's relationship with the foster mother Signe (Maria Lundqvist) doesn't ever really open and warm up like the narration implies later. However, on the second viewing I noticed that the scene in the graveyard is honestly trying to deal with this point. So that part of the theme is not completely left undeveloped.
Michael Nyqvist as Hjalmar Jönsson does a pretty good job, but one of the best virtues of the film is the fact that director Klaus Härö has been able to cultivate an extremely believable Eero-boy from young Topi Majaniemi. Praises also belong to the numerous incredibly beautiful scenes, of which one of the finest is a shot where a bus comes from the left side of the panorama picture and continues its drive to a stop in the middle of desolation with Eero as its only passenger traveling towards his new home.
In short, "Mother of Mine" is a recommendable movie for everyone who considers him-/herself to be a friend of honest and straightforward drama. See it by yourself or show it to the mother of yours.
"Karakter" is an awesome movie with an ingenious plot. During the film you end up repeatedly wondering why certain characters behave the way they do, and with the help of marvelous actors (especially Jan Decleir/Dreverhaven), the resolutions always surprise you and leave you pondering. The magnificent cinematography deserves a praise, too, and despite the prolonged chess-game quality of the battle between Jacob Katadreuffe and his father, everything that happens regarding this has a curious thriller aspect to it.
Victor Löw's appearance as De Gankelaar is very impressive (perhaps in some ways comparable to Brando's Don Corleone in the Godfather, although these characters are not alike). Also the ethereal beauty (in my opinion) of Tamar van den Dop as Lorna te George didn't hurt my enjoyment of this film at all.
Altogether, don't miss "Karakter" if you ever have a chance to watch it!
Victor Löw's appearance as De Gankelaar is very impressive (perhaps in some ways comparable to Brando's Don Corleone in the Godfather, although these characters are not alike). Also the ethereal beauty (in my opinion) of Tamar van den Dop as Lorna te George didn't hurt my enjoyment of this film at all.
Altogether, don't miss "Karakter" if you ever have a chance to watch it!