
MLVC4E
Joined May 1999
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Ratings1.6K
MLVC4E's rating
Reviews126
MLVC4E's rating
Sometimes, a movie can have big stars, a huge budget, and spectacular action sequences, but without a solid story behind it, it all feels like an eye-catching package with little real substance. Mr. & Mrs. Smith blends action and comedy with a simple premise: a seemingly normal married couple is actually made up of two assassins working for rival agencies. The problem is that the film takes itself too seriously when it might have worked better with more irony and lightheartedness, making everything feel emptier than it should.
The biggest draw is the chemistry between Brad Pitt and Angelina Jolie, who carry the film with their charisma. The movie gives them room for playful glances, meticulously choreographed fights, and moments of romantic tension disguised as conflict. However, beyond them, the story is minimal, and character development is almost nonexistent. The action sequences are well-executed and fast-paced, but without a strong script to support them, they become pure visual spectacle and lose impact as the story progresses.
It's not a boring movie, but it doesn't leave much of a mark either. If you take it as a showcase of high-speed chases and explosions, it can be entertaining, as long as you don't expect much more. However, the lack of a more developed story and the overly serious tone prevent it from fully working. In the end, it's a visually attractive product that, if not for its lead actors, would likely be forgotten.
The biggest draw is the chemistry between Brad Pitt and Angelina Jolie, who carry the film with their charisma. The movie gives them room for playful glances, meticulously choreographed fights, and moments of romantic tension disguised as conflict. However, beyond them, the story is minimal, and character development is almost nonexistent. The action sequences are well-executed and fast-paced, but without a strong script to support them, they become pure visual spectacle and lose impact as the story progresses.
It's not a boring movie, but it doesn't leave much of a mark either. If you take it as a showcase of high-speed chases and explosions, it can be entertaining, as long as you don't expect much more. However, the lack of a more developed story and the overly serious tone prevent it from fully working. In the end, it's a visually attractive product that, if not for its lead actors, would likely be forgotten.
We're the Millers doesn't try to reinvent comedy; it just wants to make you laugh with its shameless humor and absurd situations. The story is simple but effective: a small-time drug dealer comes up with a fake family to smuggle drugs across the border without getting caught. To pull it off, he teams up with a stripper, a clueless teenager, and a tough girl. As you can imagine, things quickly spiral out of control, turning the trip into a mess full of chaos and ridiculous situations. The movie follows the style of classic American raunchy comedies, with jokes that sometimes land and others that fall flat, but overall, it delivers a fun time.
The cast is one of its biggest strengths. Jason Sudeikis nails the comedic timing with his sarcastic humor, while Jennifer Aniston brings charisma and fits well into her role. However, the real scene-stealer is Will Poulter, whose awkward and endearing teenage character delivers some of the funniest moments. Ed Helms also stands out, adding a touch of craziness to his villainous role.
This isn't a refined comedy, and it doesn't try to be. We're the Millers goes for straightforward humor, with absurd moments that, while not always perfect, get the job done. The ending is predictable, and some scenes could have been tighter, but if you're looking for a lighthearted comedy without big ambitions, it's a solid choice for a good time.
The cast is one of its biggest strengths. Jason Sudeikis nails the comedic timing with his sarcastic humor, while Jennifer Aniston brings charisma and fits well into her role. However, the real scene-stealer is Will Poulter, whose awkward and endearing teenage character delivers some of the funniest moments. Ed Helms also stands out, adding a touch of craziness to his villainous role.
This isn't a refined comedy, and it doesn't try to be. We're the Millers goes for straightforward humor, with absurd moments that, while not always perfect, get the job done. The ending is predictable, and some scenes could have been tighter, but if you're looking for a lighthearted comedy without big ambitions, it's a solid choice for a good time.
Underwater doesn't break any new ground. From the very first minute, you know exactly what you're in for: a group of characters trapped in an underwater facility, a mysterious threat picking them off one by one, and a desperate fight for survival. The film wastes no time on unnecessary introductions and jumps straight into the action, but that same rush works against it-there's barely any character development. Kristen Stewart does what she can with her role, bringing intensity and presence, but the story doesn't give her much to work with.
The biggest issue is how familiar everything feels. Underwater borrows shamelessly from films like Alien, The Abyss, and Leviathan without adding anything new. There's tension, sure, and some sequences work thanks to the claustrophobic setting and well-executed special effects, but the overwhelming sense of "I've seen this before" is hard to ignore. The action can also be hard to follow at times, with dim lighting and frantic editing that make it difficult to see what's happening.
In the end, Underwater is an entertaining but forgettable experience. If you enjoy survival thrillers with sea monsters and don't mind a formulaic approach, it delivers some tension and solid visuals. But if you're looking for something more original or characters that truly matter, this might not be the deep dive you're looking for.
The biggest issue is how familiar everything feels. Underwater borrows shamelessly from films like Alien, The Abyss, and Leviathan without adding anything new. There's tension, sure, and some sequences work thanks to the claustrophobic setting and well-executed special effects, but the overwhelming sense of "I've seen this before" is hard to ignore. The action can also be hard to follow at times, with dim lighting and frantic editing that make it difficult to see what's happening.
In the end, Underwater is an entertaining but forgettable experience. If you enjoy survival thrillers with sea monsters and don't mind a formulaic approach, it delivers some tension and solid visuals. But if you're looking for something more original or characters that truly matter, this might not be the deep dive you're looking for.