When “The Young Pope” debuted overseas, America kept quiet. Premiering at the Venice Film Festival in September 2016 and then on Italian TV in late October, Jude Law devotees and Paolo Sorrentino aficionados were aware, but little spirit — holy or otherwise — survived the trip across the pond. Even when HBO announced the premiere date and sent out a trailer in early December, it took another month for the series to catch fire and send white smoke billowing from the internet’s chimney.
Read More: ‘The Young Pope’: Paolo Sorrentino Explains That Stellar Opening Sequence, Kangaroos and More
Yet when the signal sounded, the dopest pope of TV was quickly coronated. Memes, fan art, and more funny commentary spread across the web like prayers during lent — quickly and in droves. We’ve discussed them a few times already, but here are a few choice offerings to set the mood:
i’m...
Read More: ‘The Young Pope’: Paolo Sorrentino Explains That Stellar Opening Sequence, Kangaroos and More
Yet when the signal sounded, the dopest pope of TV was quickly coronated. Memes, fan art, and more funny commentary spread across the web like prayers during lent — quickly and in droves. We’ve discussed them a few times already, but here are a few choice offerings to set the mood:
i’m...
- 1/23/2017
- by Ben Travers
- Indiewire
“The Young Pope’s” opening title sequence made its debut Sunday night and, true to form, it was both a confounding and delightful experience to watch. Viewers had to wait until the series’ third episode aired to see the official sequence for creative reasons.
“In the first two episodes we don’t see that because they were longer,” creator and director Paolo Sorrentino told IndieWire. “Rather than sacrifice a scene, I preferred to cut the initial sequence.”
Read More: ‘The Young Pope’ Review: Jude Law Rules With Old Testament Authority in HBO Series That Is Set to Surprise
Rich with subtext, art history, nifty computer graphics and cheeky irreverence, the opening gives viewers a lot to take in and ponder. We see the titular Pope Pius Xiii, aka Lenny Belardo (Jude Law), stride across the screen passing famous works of art depicting religious scenes ranging from the birth of Jesus to the Crusades.
“In the first two episodes we don’t see that because they were longer,” creator and director Paolo Sorrentino told IndieWire. “Rather than sacrifice a scene, I preferred to cut the initial sequence.”
Read More: ‘The Young Pope’ Review: Jude Law Rules With Old Testament Authority in HBO Series That Is Set to Surprise
Rich with subtext, art history, nifty computer graphics and cheeky irreverence, the opening gives viewers a lot to take in and ponder. We see the titular Pope Pius Xiii, aka Lenny Belardo (Jude Law), stride across the screen passing famous works of art depicting religious scenes ranging from the birth of Jesus to the Crusades.
- 1/23/2017
- by Hanh Nguyen
- Indiewire
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