User reviews

This was unoriginal and only saved by the characters that are actually funny people in real life. Written by Amy Schumer, she manages to have the worst character and performance in the film. And herein lies the ultimate irony: the worst performance in this film was also nominated for a golden globe. A collection of clichés and stolen one liners from Sex and the City... a really poor effort that is only worth watching for Bill Hader's performance and the supporting cast. John Cena's and Lebron's performances might be a sort of surprise but anyone who had watched interviews in laid back settings knew they had potential. Adding brilliant comedians to the cast who can ad lib and improvise is a smart move but doesn't add value to Schumer's work. I have been noticing in the last few years an effort to hype Amy and turn her into a sort of new Tina Fey or Amy Poehler, but nominating this disaster for golden globes is a disgrace and steals credibility to the awards.

I really enjoy Amy's TV show and was expecting big things from this movie but ended up feeling I'd wasted my time watching it and it's off delivery leave a bad taste in the mouth. Was it that Amy just wasn't up to a feature length film or was it Judd Apatow's direction that made this not work. Where Amy's mischievous bad taste gender stereotype flipping gags work on her show, here they were missing the knowing nod. Amy fitted her self centered character's skin too well and at feature length you started to believe this was a real person and someone you wouldn't want to spend time with, even in a movie. Schummer was too ugly, and I don't mean that in a physical sense. Hader was good, as were most of the actors, apart from the product placement sports stars. It really started to drag in the last 3rd, possibly because it had nowhere to go, which is exactly where it ended up.

Trainwreck is a romantic comedy directed by Judd Apatow and starring Amy Schumer and Bill Hader, and this film comes in very strong with the comedy. The romance side of the film kicks in about 30 minutes in, so for the first act of the film it really has some pretty damn good laughs. There was a pretty steady flow of jokes and comedy gags throughout the film and you have to give most of that credit to Amy Schumer who was incredibly hilarious in this. She is one of the funniest people out there today and she proves it in this film with perfect comedic timing. Her style of comedy is so blunt and fairly subtle at some moments and that makes it very unpredictable so she can hit you with great jokes left right and centre and you never see it coming.

Now even though she does manage to pull it off the best, Bill Hader and the supporting cast are also hilarious and provided a lot more laughs than i had initially expected. Bill Hader of course is hilarious and he works in this film really well but he was slightly overshadowed by Amy at some moments in the film, and the large supporting cast also took away from him a little. But man were the supporting cast hilarious, i have to give credit to LeBron James because that guy is hilarious. He was one of the biggest surprises of the film, almost every scene he was in i couldn't stop laughing, it looks like Apatow and Schumer managed to teach him a few things in terms of comedy.

As well as being jam packed with great hilarious moments this movie really had a basic but also pretty good rom-com story thrown in there. And it worked well, they didn't just force any random plot in there to add to the run-time. For the first two acts they did a great job at blending those comedic scenes and romantic more plot driven scenes well so they could switch between the two vary naturally. But the third act for me didn't work as much. The romantic side began to take charge and the comedy took a back seat. There were still some pretty funny scenes in the third act but it felt uneven tonally and a little jumpy. There was a pretty sad moment at one point then it tries to crack a few jokes immediately after then going back to the romantic stuff and it didn;t work for me as well as the rest of the film. I don't think it was an issue of being too long just needed a little more refining towards the end. But otherwise it was a great funny movie.

Amy Schumer's comedy may not be for everyone so those who are not a fan of her 'Inside Amy Schumer' skits probably won't like this as much but as far as a romantic comedy goes, this one was actually very good and had quite a bit in there for everyone. - 7.1

ALSO, on last thing, i just checked the list of cast and was surprised beyond belief when i found out that Tilda bloody Swinton was in this film. Like WTF? she was completely unrecognisable and hilarious, so see if you can pick her out when you see the film.

I liked it, it's not like any other Rom-com i've seen before. It's obviously not a masterpiece but it does the job, it's entertaining, funny and different:

The characters are not the typical "model-looking"Rom-com cliché, they are normal looking and relatable characters. the movie is an exaggeration (for comedy proposes of course) of quotidian situations, thoughts, problems etc that happen everyday. People laughed ALL the time during the movie it's been long since I've seen people laugh so much.

I also discovered my new favorite comedian, the brilliant Amy Schummer. If you are looking to have a great laugh and a good time this movie is for you.

There are some makers who although talented in a specific way, move into a space that simply shows their talent to be little. Alexander Payne for example could be making stylized comedies with no problem, but as soon as he moves into elegy and meaning, it all becomes a sophomoric play. We've known Malick in that field and Payne is like a film school grad next to him.

So it would seem Apatow has an effervescent personality, at least enough to want to move out from his comfort zone. He could be cranking penis joke comedies till the cows come home but wants to move into more somber reflection about the pains of life. He has tried this a few times by now.

Here he tries a few switches. A movie about the usual slob who never grew out of adolescence but she's a girl. Men are almost entirely immature or idiots, and for some reason I can't begin to fathom, half of them gay, that is except for the knight in white armor who patiently helps her grow out of herself. He puts them in that New York movie romance where a couple are on and off again and might even think he's turning Woody Allen upside down. Indicative; the familiar romantic scene on a bench looking over at Brooklyn Bridge ends with a blowjob.

None of it sticks after a point and it's off-putting to think he might be thinking of any of this as transgressive. So he has moved out from the familiar safety of what he can do well, into a space that shows him to have trivial insights and odd hangups, from primarily a comedy about life where laughter sanctifies reductions, to primarily a drama about life where muttering dialogue and stereotypes rattle in the nothingness of not having anything to impart. He moves, even if ever so slightly, into territory that Woody, Bergman, and Altman have occupied. But in this space he's shown to be a dunderhead.

Firstly, I am not a fan of Schumer but the supporting cast, cameos and Judd Apatow's typical treatment of a RomCom makes this a reasonable outing and worthwhile.

Bill Hader was underrated as usual and Tilda Swinton played an atypical role for her which I found amusing due to this fact. Although I enjoyed this film despite being a little cliche, but I don't think I will ever make an effort to see "I Feel Pretty".

This movie is like a lot of similar type of movies; meaning movies that aims to challenge preconceived notions of "what a lady should and should't be like". It quickly becomes banal, predictable and irritating. There's no depth of character here, because you sort of get the gist of the jokes before they're halfway delivered. Having said that; these kinds of movies can and have been saved by good performances. Unfortunately Amy Schumer doesn't deliver that. I don't know why scriptwriters and directors hit the same creative pitfalls every time a movie like this is to be made. We get it: here's an urban girl with a modern outlook on life who does what she wants, sleeps with whom she wants and doesn't apologize for it, etc etc.. good, but then what? A movie needs more than just a cliché of a character, predictable jokes and bad acting.

All the critics seem to be male, which I find interesting.

Here's a female point of view.

Maybe not all females have been in the protagonist's shoes, but it is very common for women to have problems with monogamy, just like men. Showing a woman who treats men the way most men treat women is not only realistic, but eye-opening. I think that's the problem most men have with the movie. No one wants to see the shoe on the other foot--it's uncomfortable, but guess what? It's reality.

I thought the movie was funny and touching. LeBron James is hilarious as himself.

For whoever says there is no real strong story-line? They obviously missed it. It's about maturing, about figuring out what a person's priorities are in life. It's about the realization that compensation isn't all it's cracked up to be.

Schumer genuinely makes me laugh. I dig her show. But it turns out creating sustained, feature-length comedy is a different bag altogether.

I appreciate Schumer/Apatow's attempts at grounded, human comedy. This doesn't have to be as broad as say, "Spy", which was way more funny and, I think, thematically much smarter. But if you're going for grounded comedy then the characters have to be... well, interesting. And every single character in this is a one-dimensional shell. Each one has their role to play in the script and are nothing beyond that. The performances are strong, and the actors work hard to humanize their characters, but no person in this film is expansive or complex or terribly engaging or remotely unpredictable in any way. In fact, absolutely nothing is unpredictable in this film. So, for me, it comes off as not broad enough to be funny, and not genuine enough to be grounded.

Combine this overwhelming predictability, flat characterization and the sports-stunt casting with Apatow's habit for long running times, and an uninspired, robot-written third act, and you get a film that's more tedious than fun.

But Schumer herself is funny. And more than that, she's important. She's at her best when she's exploding the precious notion of female body imagery in joke after joke about bloody tampons and promiscuity. But the film lacks the courage of its star, which is a complicated criticism, since she actually wrote it.

There was the potential to make something outrageous and beautiful here. That potential was pretty much blown.

Trainwreck is a pretty good comedy film but it's not as great as everyone says it is. Some people believe it's the funniest film of all time and some think it's the best comedy of this decade so far but I would have to disagree with them. The film is funny but it's not gut busting laughing. The laughs are more of a chuckle. The acting is great everyone played their part very well. Amy Schumer wrote this film and I think she did a great job for writing this film. The chemistry between her and Bill Hader is great. Also this is probably Judd Apatow's best film since 40 Year Old Virgin. The film is more of a chick flick but there are some chick flicks that I thought were funnier than this film like Bridesmaids. Also this could be a great date film for couples. I do find this film way over-hyped and probably one of the most overrated films so far this year. Overall if your a fan of Amy Schumer or Judd Apatow then you'll enjoy this film.

And what a trainwreck it is! I have actually watched a few episodes of 'Inside Amy Schumer', laughing a few times and sitting there confused for most times. I understand how hard it is for a stand-up comic to not only star in, but write a comedy that lasts at least 90 minutes. However, with all my understandings I just didn't like this film. Small parts of it were kind of funny, but the rest of it was like a mashup of ideas that were trying hard to come together.

Hader was the only redeeming factor of the film. He acted with intent and knew the role he was playing. All the celebrity cameos (especially from some of the sports stars) seemed strained at the best of times. Amy herself is unrelatable. I don't understand why people are going crazy for her?? Is it because she is a female in a highly male dominated industry? I'm sure she truly is a funny person, but maybe test run these things a bit more before sending them out into the world.

When I first saw, "This if 40," I really didn't like it, but over time, I discovered that I loved it! I think one must watch Apatow's films a few times to really soak them all up. I liked "Trainwreck," but didn't love it. I'm hoping I'll like it more after I've seen it a few times. It was very obvious that some of the jokes just didn't work. Some of the scenes didn't work well enough. The intervention scene was clunky, contrived and sophomoric. I think Apatow could have done a polish on the screenplay to improve it a little. I love his long films, but this is the first time where I think he should have cut down the length.

Lebron James was funny. During his first scene, his acting was pretty wooden and made me uncomfortable, but it got better as the film progressed. Amy Schumer and Bill Hader were excellent. I think this is Colin Quinn's best performance ever. I didn't realize that Tilda Swinton was in the film until the credits. She was excellent as well.

This was not a train wreck of a film, but it did need some tightening up and extra thought.

Unlike some comedies out there, this one is actually funny. I didn't really know Amy Schumer too well as a comedian - her roles have mainly been with television but let me be the first to say that Amy Schumer, acting as a chronically commitment-challenged career woman, is some serious comedic gold. Throw in some dirty jokes, a solid script (written by Schumer herself) and SNL veteran Bill Hader, and you've got a good movie for a Friday night.

What made this movie enjoyable was the script and great comedic acting. Amy wrote herself a good character. She showcases her comedic chops and also subtly subverts the stereotypical Hollywood romantic comedy women leads (instead of pining for Mr. Right, Schumer's Amy Townsend has sworn off the happily-married-with-two- kids phase for a...different source of romance).

The script, even while developing the budding connection between the two leads, still maintains gravity by exploring how each person's problems has affected their relationship. By this, I mean that there are no silly love rivals or dramatic altar scenes with sad music in the background, but rather a more realistic look into Amy's entrenched commitment-phobia and Aaron's relative naiveté with deep relationships. Schumer cuts out the clichéd dialogue and relies on well-placed scenes and double entendres, to good effect.

And of course, with the main lead (Bill Hader) playing a sports doctor, there were quite a few brilliant cameos from big-name athletes like LeBron James and Amar'e Stoudemire (LeBron in particular plays a penny-pinching, egotistical version of himself to perfection).

You may be concerned about the running time (over two hours), but the twists and narrative detours that Schumer writes are, in my opinion, justified. They don't necessarily further the plot, but they contribute to the world that the characters inhabit by fleshing out side characters. In particular, Tilda Swinton, playing the unrecognizably bronzed Anna-Wintour-like editor of Snuff magazine who bosses around Amy and her colleagues (Randall Park from "Fresh Off The Boat" and Vanessa Bayer from SNL), was another hilarious addition to the movie.

While it's not a deeply emotional movie (and it shouldn't be), it will resonate for anyone who's ever went through troubled times in a relationship. The script is cheeky and the acting was cheekier. Watch the movie. It's good.

Continuing the fantastic Summer season for females (Charlize Theron, Melissa McCarthy, Anna Kendrick) we have Amy Schumer branching off from her stand-up and television success (Comedy Central: Still Trying to Replace Dave Chappelle) to deliver a fine performance in an Apatow movie that has all the typical Apatow strengths and weaknesses. Just like Apatow's best, we have a delightful staff delivering the laughs and the dramatic undertones to make up for sloppy directing and loose editing that we've seen far too many times from the Team Apatow comedy circle.

We've seen this movie before, and we know the destination. Regardless of how raunchy or how off the PG-13 spectrum, romance movies carry the same formula and usually produce the same results (With 500 Days of Summer and Before Midnight being notable recent exceptions). We continue watching these because of the joy of said journey. Amy's voyage as she tries to shed her provocative past to become happy is a lengthy yet enjoyable watch, mostly because of her slick and slightly jagged sense of humor. This is her script and it has her brand of comedy sprinkled all over the place. Expect off-the-cusp movie references, uncomfortable content, good raw emotion, bite of New York flavor, and even some MacFarlane-like unpredictability.

Schumer has the comedic chops, and will earn your attention even when she is at her least charming. Helping the movie is Bill Hader, who played the perfect straight man getting caught up in Amy's whirlwind of a life. Although the cameos are a bit distracting (This Family Guy-like technique dates the movie slightly), LeBron James, John Cena, and a few others provided a surprising amount of laughs, with Cena being especially impressive in a short yet pivotal scene.

Apatow still lacks the ability to chop the movie to a more acceptable length. This has killed/damaged his recent efforts like This is 40 and Funny People (especially). Trainwreck once again has that slowdown period that has people checking their phones and watches, which especially hurts after a strong first half. And as previously stated, we know the destination, the journey has to maintain its interest. Despite the strongest efforts from everyone involved, it gets a little tiresome before the heartwarming finale. Unless the movie spans decades, no romantic comedy should run past two hours. All of the best romantic movies (Princess Bride, Eternal Sunshine, Beauty and the Beast, Before Sunset/Sunrise) run under two hours.

Yes, I know the gem Love Actually breaks the rule I just placed. Moving on....

Despite the flaws of time and distractions, Schumer does a great job in her debut cinematic vehicle. I can see a good future with her as long as she works with the right people and expands her range. She's funny, fearless, and has a nice dosage of New York charm. All of those ingredients make this an entertaining viewing and far better than Apatow's previous flicks. It won't shatter the movie industry or alter your perception of her or the genre, but it won't be a total disaster sitting through this---you'll find plenty to laugh and be shocked at.

No spoilers here, there's no plot to spoil and not big amazing scenes or reveals to discuss. Suffice to Trainwreck is a huge waste of time and talent. It should not have been such a bad film but it's beyond terrible. The humour is weak and practically every joke misses the mark. Lebron James is the best thing in the movie - he's the only saving grace. Judd Apatow needs to learn how to edit a comedy down to a short, sharp 1hr 30min as well. I shouldn't be sitting in a comedy wondering if I've missed a week of my life because it feels like the movie has gone on forever. I should have learnt my lesson after This is 40! I am sure fans of Amy Schumer will lap it up but if you're not one then steer clear.

Trainwreck is one of those winning cases of an original movie being a success from this summer. Director Judd Apatow makes Amy Schumer (also the writer) a star with just one movie. It reverses the roles of a romantic comedy, and in this case the woman here is the one who "sleeps around" a lot, then meets the man who clicks with her and then the tropes ensue. What makes it all work is that Apatow, Schumer (who also writes the script) and Hader and Quinn et al *commit* to it and the acting is really terrific across the board.

And it is FUNNY throughout, very funny, all about behavior and not even innuendo, just coming out and saying things. It has people you also wouldn't usually expect in a movie like this, people like John Cena and even more surprisingly basketball star Lebron James, and, no kidding 100 year old Norman Llloyd.

I recommend it, except for one caveat: it's too long. Apatow needs an editor to tell him no, but he won't listen since he doesn't have to. Thus we get a very good movie in the style of his influences, James L Brooks and John Cassavetes once again. Though with Schumer in the lead, it's crass in the best ways and likable too.

Honestly, I'm surprised there are so many poor reviews for this movie. Yes, granted it's not gonna be my favorite movie and it plays off of some clichés and is vulgar..... but what the heck did these people expect?! Considering it was written and performed by Amy, I'm pretty damn impressed. There were some parts I thought could have been a little different or cut (subway scene to finale), other parts made me laugh out loud and think of this movie in hindsight (calling for the check part). As a feminist, I'm always gonna root for a show that can show a strong female character who's not a size 0 and doesn't mind slutting it up a bit. But I loved the chemistry between the main characters (probably because I wasn't expecting it) and I had a good time watching! I hope Amy keeps it up, she's cool.

Judd Apatow started off two for two with The 40 Year Old Virgin and Knocked Up, he then sorta fizzled out, but he's regained some of his magic with Trainwreck.

I really enjoyed this film, but if you were expecting a very raunchy in your face comedy, well don't expect it. The raunchiness is still apparent, but it's very sophisticated. Right off the bat LeBron James and John Cena to me stole the film. LeBron's performance feels very natural and very real. I believe he has some of the funniest moments in the film and when he gets animated he doesn't come off too jokey, and his delivery is sharp. John Cena was quite a surprise as well. He wasn't in a role that I originally pictured him in when I first heard of the film, so that was a plus. He comes off as a giant built dude, who has a very soft interior. Cena also provides very funny moments as well.

Lets talk about the two leads. Amy Schumer and Bill Hader. I know this is overstated a lot, but if the chemistry is not there, then the film doesn't pan out. Thankfully their chemistry is there. I liked Schumer's performance, her character comes off as a bit unlikable, but she eventually grows on you. She obviously has the most prominent story arc but it's done well and it brings some relatablilty. Hader is great, I think this film proves that he can be a male lead and perform well. It was interesting to see him play it a little more straight and his dialog exchanged between LeBron James and Amar'e Stoudemire are sharp and always funny. Brie Larson also has a nice supporting role as Amy's sister.

I'm not big on romantic comedies, but there are a few that make me laugh out loud. I wouldn't rank this as high as other Apatow features(directed or produced) like Forgetting Sarah Marshall or The 40 Year Old Virgin, but it's right behind those two.

I haven't seen all the comedies released this year, but so far Trainwreck is on the top of the food chain. The only problem with this movie is the last act, it's a little forced down, a little too cheesy and feels rushed. But that being said there's plenty to enjoy.

7.7/10