Hulu’s hit series Only Murders in the Building returns for its fourth season this month as the crime-solving trio takes a trip from New York City to Los Angeles to solve yet another murder. But just because they’re moving coasts, doesn’t mean that Oliver (Martin Short), Mabel (Selena Gomez), and Charles (Steve Martin) can escape the deaths that keep plaguing their apartment building.
We also get to see what happens to the Solar Opposites in the aftermath of the series-changing finale when the full fifth season of the series drops this August.
Here’s everything that’s coming to (and leaving) Hulu in August.
Hulu New Releases – August 2024
August 1
Billion Dollar Wreck: Complete Season 1
Buddy Valastro’s Cake Dynasty: Complete Season 1
Interrogation Cam: Complete Season 1
Naruto Shippuden (Dubbed) Eps#450 – 461
The Banger Sisters (2002)
The Beach (2000)
Because I Said So (2007)
Brothers Mcmullen (1995)
Casino (1995)
Drumline (2002)
Eddie Murphy: Raw (1987)
Eragon...
We also get to see what happens to the Solar Opposites in the aftermath of the series-changing finale when the full fifth season of the series drops this August.
Here’s everything that’s coming to (and leaving) Hulu in August.
Hulu New Releases – August 2024
August 1
Billion Dollar Wreck: Complete Season 1
Buddy Valastro’s Cake Dynasty: Complete Season 1
Interrogation Cam: Complete Season 1
Naruto Shippuden (Dubbed) Eps#450 – 461
The Banger Sisters (2002)
The Beach (2000)
Because I Said So (2007)
Brothers Mcmullen (1995)
Casino (1995)
Drumline (2002)
Eddie Murphy: Raw (1987)
Eragon...
- 8/1/2024
- by Brynnaarens
- Den of Geek
John Early is an actor, comedian, writer, and wearer of many hats. His latest as a comedian and writer is the HBO special Now More Than Ever. His latest as an actor is the independent film Stress Positions. On this episode he talks about how these two projects came about, the differences between the John Early character and himself, the pleasure of working on the series Search Party, why he relishes straight-up acting, the comedy breakthrough he made in his new special, and much more. Back To One can be found wherever you get your podcasts, including Apple Podcasts, Google […]
The post “That’s What’s Thrilling about Acting—Recreating Private Moments”: John Early, Back To One, Episode 296 first appeared on Filmmaker Magazine.
The post “That’s What’s Thrilling about Acting—Recreating Private Moments”: John Early, Back To One, Episode 296 first appeared on Filmmaker Magazine.
- 6/18/2024
- by Peter Rinaldi
- Filmmaker Magazine - Blog
John Early is an actor, comedian, writer, and wearer of many hats. His latest as a comedian and writer is the HBO special Now More Than Ever. His latest as an actor is the independent film Stress Positions. On this episode he talks about how these two projects came about, the differences between the John Early character and himself, the pleasure of working on the series Search Party, why he relishes straight-up acting, the comedy breakthrough he made in his new special, and much more. Back To One can be found wherever you get your podcasts, including Apple Podcasts, Google […]
The post “That’s What’s Thrilling about Acting—Recreating Private Moments”: John Early, Back To One, Episode 296 first appeared on Filmmaker Magazine.
The post “That’s What’s Thrilling about Acting—Recreating Private Moments”: John Early, Back To One, Episode 296 first appeared on Filmmaker Magazine.
- 6/18/2024
- by Peter Rinaldi
- Filmmaker Magazine-Director Interviews
John Early and Olga Merediz have joined the cast of A24’s “Eternity.”
The romantic comedy, in which people must decide who they want to spend eternity with, also stars Miles Teller (“Top Gun: Maverick”), Elizabeth Olsen (“WandaVision”), Callum Turner (“Masters of the Air”) and Da’Vine Joy Randolph (“The Holdovers”).
David Freyne is directing the movie; Pat Cunnane (“Designated Survivor”) wrote the script, which appeared on the 2022 Black List.
A24 is financing and distributing the rom-com, as well as producing with Star Thrower Entertainment and its founders Trevor White and Tim White. The film is currently in production.
Early was last seen in the 2024 pandemic comedy “Stress Positions,” from director Theda Hammel. On Monday, the comedian announced a fall tour and album to accompany his 2023 HBO special “Now More Than Ever.” Early is also known for “Search Party,” “The Afterparty” and his special with Kate Berlant “Would It Kill You to Laugh?...
The romantic comedy, in which people must decide who they want to spend eternity with, also stars Miles Teller (“Top Gun: Maverick”), Elizabeth Olsen (“WandaVision”), Callum Turner (“Masters of the Air”) and Da’Vine Joy Randolph (“The Holdovers”).
David Freyne is directing the movie; Pat Cunnane (“Designated Survivor”) wrote the script, which appeared on the 2022 Black List.
A24 is financing and distributing the rom-com, as well as producing with Star Thrower Entertainment and its founders Trevor White and Tim White. The film is currently in production.
Early was last seen in the 2024 pandemic comedy “Stress Positions,” from director Theda Hammel. On Monday, the comedian announced a fall tour and album to accompany his 2023 HBO special “Now More Than Ever.” Early is also known for “Search Party,” “The Afterparty” and his special with Kate Berlant “Would It Kill You to Laugh?...
- 6/14/2024
- by Ethan Shanfeld
- Variety Film + TV
On Monday, June 10, GMA3: What You Need to Know welcomes comedian and actor John Early, financial expert Alexis Christoforous, ABC News anchor Linsey Davis, and Broadway star Sky Lakota-Lynch as guests. John Early will discuss his latest role in the upcoming comedy film “Stress Positions,” in which he portrays a character in strict quarantine […]
GMA3: What You Need to Know: John Early, Alexis Christoforous...
GMA3: What You Need to Know: John Early, Alexis Christoforous...
- 6/9/2024
- by Riley Avery
- MemorableTV
Exclusive: The Gotham Film & Media Institute (The Gotham) announced today the 2024 fellows for the Festival De Cannes Producers Network Program. They are Deidre Backs (Fancy Dance), Apoorva Guru Charan (Joyland), Gabriel Mayers (A Different Man), Jhane Myers (Prey), Giancarlo Nasi (The Settlers), Stephanie Roush (Stress Positions), and Pierce Varous (The Feeling That the Time for Doing Something Has Passed). This year’s Producers Network Fellows will be participating in person at Cannes, May 15 – 20.
As the sole U.S. Partner Organization for the Festival de Cannes Producers Network, The Gotham annually selects U.S. fiction and nonfiction producers to participate. Running concurrently with the Cannes Film Festival and the Marche du Film, the program is specifically designed for experienced producers to build up their international networks and learn more about international production, financing, legal and packaging.
In addition, The Gotham is proud to support the Gotham Edu partners Colgate University...
As the sole U.S. Partner Organization for the Festival de Cannes Producers Network, The Gotham annually selects U.S. fiction and nonfiction producers to participate. Running concurrently with the Cannes Film Festival and the Marche du Film, the program is specifically designed for experienced producers to build up their international networks and learn more about international production, financing, legal and packaging.
In addition, The Gotham is proud to support the Gotham Edu partners Colgate University...
- 5/9/2024
- by Valerie Complex
- Deadline Film + TV
Things had been going so well at the box office over the past few weeks, so it was disappointing that none of the week’s three new wide releases made much of an impact. Read on for the weekend box office report.
Although Universal’s vampire thriller “Abigail,” directed by Matt Bettinelli-Olpin and Tyler Gillett (aka “Radio Silence”), had the best hopes of breaking out due to its cool horror premise and ensemble cast, Alex Garland‘s future shock thriller “Civil War,” starring Kirsten Dunst and Wagner Moura, was able to hold onto first place with $11.1 million, a drop of 57% from its record-setting opening for A24. The movie has grossed $44.9 million domestically so far, which already puts it in the top 10 all-time grossers for the studio after just 10 days.
Although horror tends to do quite well with younger moviegoers, “Abigail” and its cast, which includes Melissa Barrera, Dan Stevens, Kathryn Newton,...
Although Universal’s vampire thriller “Abigail,” directed by Matt Bettinelli-Olpin and Tyler Gillett (aka “Radio Silence”), had the best hopes of breaking out due to its cool horror premise and ensemble cast, Alex Garland‘s future shock thriller “Civil War,” starring Kirsten Dunst and Wagner Moura, was able to hold onto first place with $11.1 million, a drop of 57% from its record-setting opening for A24. The movie has grossed $44.9 million domestically so far, which already puts it in the top 10 all-time grossers for the studio after just 10 days.
Although horror tends to do quite well with younger moviegoers, “Abigail” and its cast, which includes Melissa Barrera, Dan Stevens, Kathryn Newton,...
- 4/21/2024
- by Edward Douglas
- Gold Derby
One of the truisms in film calendar slating is that it’s a real plus to be the first new horror film released in a while. With the weak opening of Universal’s “Abigail” this weekend, the inverse also seems to hold.
The seventh wide release in the genre over the past eight weeks from a studio that has been quite reliable for sustaining horror success, from Blumhouse and elsewhere, fell short with only $10.1 million. That allowed “Civil War” (A24) to hold on to # 1 with $11.2 million despite a 56 percent drop.
With such a low gross at #1 and the rest doing less, the weekend struggled to reach close to $66 million. That’s the fifth sub-$70 million total out of 16 weekends so far this year. By comparison, pre-Covid 2019 — with ticket prices more than 15 percent lower than now — had none.
The weak performance, down nearly 50 percent from last year’s $127 million, brought the...
The seventh wide release in the genre over the past eight weeks from a studio that has been quite reliable for sustaining horror success, from Blumhouse and elsewhere, fell short with only $10.1 million. That allowed “Civil War” (A24) to hold on to # 1 with $11.2 million despite a 56 percent drop.
With such a low gross at #1 and the rest doing less, the weekend struggled to reach close to $66 million. That’s the fifth sub-$70 million total out of 16 weekends so far this year. By comparison, pre-Covid 2019 — with ticket prices more than 15 percent lower than now — had none.
The weak performance, down nearly 50 percent from last year’s $127 million, brought the...
- 4/21/2024
- by Tom Brueggemann
- Indiewire
Nathan Zellner and David Zellner’s Sasquatch Sunset is stomping into circa 850 theaters this weekend after debuting in 9 with a solid opening for a film many could find weird. A tribe of Sasquatch, possibly the last of their kind, live and love in the woods of northern California, where it was shot.
“We are taking Bigfoot to America. We have high hopes that the broader market will embrace the movie,” says Kyle Davies of distributor Bleecker Street, calling it “a very different” kind of movie and “a bit of an unknown.”
“It’s a wildcard.”
Marketing was mainly through social activations. “I wouldn’t call it traditional marketing. It doesn’t really fit in that box,” Davies adds. The Sasquatch standees in theaters are fun. And Alamo Drafthouse South Lamar is displaying a baby Sasquatch sitting in a glass case with umbilical cord and placenta.
This is “a polarizing film.
“We are taking Bigfoot to America. We have high hopes that the broader market will embrace the movie,” says Kyle Davies of distributor Bleecker Street, calling it “a very different” kind of movie and “a bit of an unknown.”
“It’s a wildcard.”
Marketing was mainly through social activations. “I wouldn’t call it traditional marketing. It doesn’t really fit in that box,” Davies adds. The Sasquatch standees in theaters are fun. And Alamo Drafthouse South Lamar is displaying a baby Sasquatch sitting in a glass case with umbilical cord and placenta.
This is “a polarizing film.
- 4/19/2024
- by Jill Goldsmith
- Deadline Film + TV
First-time feature director Theda Hammel looks straight into the sun of the Covid summer of 2020 — PPE, GrubHub, lazy liberal gesturing, and all — with “Stress Positions.”
The Brooklyn screwball comedy, set around the Fourth of July weekend that year, asks us to relive the days of sheltering in place and banging pots and pans in solidarity with healthcare workers while doing little else but navel-gazing at our own misfortune indoors. With a chatty ensemble led by John Early as Terry, a gaping wound of an idler reeling from a herniated disc and an ongoing breakup with his husband, “Stress Positions” sounds on paper like the coronavirus indie we’d like to ignore so as not to re-traumatize ourselves. But where many of the Covid-reacting films we saw spin out of 2020 were tethered to Zoom, “Stress Positions” goes straight into the “hell mouth” of the moments lived off Zoom.
IndieWire spoke with Early and Thammel over,...
The Brooklyn screwball comedy, set around the Fourth of July weekend that year, asks us to relive the days of sheltering in place and banging pots and pans in solidarity with healthcare workers while doing little else but navel-gazing at our own misfortune indoors. With a chatty ensemble led by John Early as Terry, a gaping wound of an idler reeling from a herniated disc and an ongoing breakup with his husband, “Stress Positions” sounds on paper like the coronavirus indie we’d like to ignore so as not to re-traumatize ourselves. But where many of the Covid-reacting films we saw spin out of 2020 were tethered to Zoom, “Stress Positions” goes straight into the “hell mouth” of the moments lived off Zoom.
IndieWire spoke with Early and Thammel over,...
- 4/17/2024
- by Ryan Lattanzio
- Indiewire
Photo: Courtesy of Neon Do you remember the summer of 2020? You might not want to, but unless you’re particularly gifted at repressing memories, you mostly likely do. It was a season of fear, of paranoia, of guilt. It’s also the season of Stress Positions, the debut feature from writer-director Theda Hammel,...
- 4/17/2024
- by Drew Gillis
- avclub.com
Theda Hammel and John Early on the set of Stress PositionsImage: Photos courtesy of Neon
Do you remember the summer of 2020? You might not want to, but unless you’re particularly gifted at repressing memories, you mostly likely do. It was a season of fear, of paranoia, of guilt. It...
Do you remember the summer of 2020? You might not want to, but unless you’re particularly gifted at repressing memories, you mostly likely do. It was a season of fear, of paranoia, of guilt. It...
- 4/17/2024
- by Drew Gillis
- avclub.com
Looking for bold new work from first- and second-time feature filmmakers? Look no further than New Directors/New Films, the premier New York City festival that annually highlights them.
Now in its 53rd edition, New Directors/New Films returns to New York April 3 through 14 from Film at Lincoln Center and the Museum of Modern Art, bringing the best of the fests so far to audiences eager for discovery. This year’s festival is bookended by Aaron Schimberg’s opening night entry “A Different Man,” starring Sebastian Stan as an actor who unravels after a facial reconstruction surgery, and Theda Hammel’s “Stress Positions,” an anxiety-inducing Covid lockdown comedy starring John Early. Both films premiered at the 2024 Sundance Film Festival, whose Dramatic Competition gem “Good One,” a coming-of-age drama set around a derailed camping trip and directed by India Donaldson, also features at New Directors.
Also premiering at the festival is Sundance favorite “Exhibiting Forgiveness,...
Now in its 53rd edition, New Directors/New Films returns to New York April 3 through 14 from Film at Lincoln Center and the Museum of Modern Art, bringing the best of the fests so far to audiences eager for discovery. This year’s festival is bookended by Aaron Schimberg’s opening night entry “A Different Man,” starring Sebastian Stan as an actor who unravels after a facial reconstruction surgery, and Theda Hammel’s “Stress Positions,” an anxiety-inducing Covid lockdown comedy starring John Early. Both films premiered at the 2024 Sundance Film Festival, whose Dramatic Competition gem “Good One,” a coming-of-age drama set around a derailed camping trip and directed by India Donaldson, also features at New Directors.
Also premiering at the festival is Sundance favorite “Exhibiting Forgiveness,...
- 4/2/2024
- by Ryan Lattanzio
- Indiewire
IndieWire’s “Screen Talk” podcast is coming live to New York City with a special edition on Thursday, April 4.
To celebrate Film at Lincoln Center and the Museum of Modern Art’s New Directors/New Films festival, “Screen Talk” co-hosts Anne Thompson and Ryan Lattanzio will host a free live recording of the podcast at the Elinor Bunin Munroe Film Center at 5 p.m. They’ll be joined by special guest Derek Cianfrance, the director of the films “Blue Valentine” and “The Place Beyond the Pines” and TV series including “I Know This Much Is True,” and the Oscar-nominated co-writer of “Sound of Metal.” Most recently, he’s a producer behind the New Directors/New Films entry “Exhibiting Forgiveness,” which premiered at the 2024 Sundance Film Festival. The drama, directed by Titus Kaphar, stars André Holland as an artist confronted with the return of his long-estranged father.
During the live “Screen Talk,...
To celebrate Film at Lincoln Center and the Museum of Modern Art’s New Directors/New Films festival, “Screen Talk” co-hosts Anne Thompson and Ryan Lattanzio will host a free live recording of the podcast at the Elinor Bunin Munroe Film Center at 5 p.m. They’ll be joined by special guest Derek Cianfrance, the director of the films “Blue Valentine” and “The Place Beyond the Pines” and TV series including “I Know This Much Is True,” and the Oscar-nominated co-writer of “Sound of Metal.” Most recently, he’s a producer behind the New Directors/New Films entry “Exhibiting Forgiveness,” which premiered at the 2024 Sundance Film Festival. The drama, directed by Titus Kaphar, stars André Holland as an artist confronted with the return of his long-estranged father.
During the live “Screen Talk,...
- 4/1/2024
- by Ryan Lattanzio and Anne Thompson
- Indiewire
“Stress Positions” is a new live-action comedy feature, directed by Theda Hammel, starring John Early, Hammel, Qaher Harhash, Amy Zimmer, Faheem Ali, Rebecca F. Wright, Davidson Obennebo and John Roberts, releasing April 19, 2024 in theaters:
“…during the early months of the pandemic in Brooklyn, a young man named ‘Bahlul’ (Qaher Harhash) recovers from a broken leg while quarantining with his uncle ‘Terry’ …”
Click the images to enlarge…...
“…during the early months of the pandemic in Brooklyn, a young man named ‘Bahlul’ (Qaher Harhash) recovers from a broken leg while quarantining with his uncle ‘Terry’ …”
Click the images to enlarge…...
- 3/28/2024
- by Unknown
- SneakPeek
"Be free! Fiction is freedom!" Neon has revealed an official trailer for a totally bonkers indie comedy titled Stress Positions, marking the feature directorial debut of trans filmmaker Theda Hammel (also of the series "My Trip to Spain"). This premiered at the 2024 Sundance Film Festival in the Dramatic Competition section, and it's also playing at New Directors/New Films in NYC in April before it opens in select theaters later in April as well. Terry Goon is keeping very strict quarantine in his ex-husband’s Brooklyn brownstone while caring for his nephew — a 19-year-old model from Morocco named Bahlul — bedridden in a full leg cast after an electric scooter accident. Unfortunately for Terry, everyone in his life wants to meet the model – hilarity ensues. Starring John Early, Qaher Harhash, Theda Hammel, Amy Zimmer, Faheem Ali, and John Roberts. This awkward comedy is about a hodgepodge of queer people from NYC...
- 3/26/2024
- by Alex Billington
- firstshowing.net
Neon, the indie studio behind “Parasite” and “Anatomy of a Fall,” has tapped the producers of “Everything Everywhere All at Once,” Jon Read and Allison Rose Carter, to lead their growing production arm. Read and Carter are the co-founders of Savage Rose Films.
The pact comes as Neon has moved more aggressively into developing and producing its own movies, instead of focusing purely on acquiring completed films. The company’s recent foray into production have included Brandon Cronenberg’s “Infinity Pool,” Bishal Dutta’s “It Lives Inside,” Theda Hammel’s “Stress Positions,” Jazmin Jones’s “Seeking Mavis Beacon” and Tilman Singer’s “Cuckoo.” This new in-house focus also includes upcoming projects from Joshua Oppenheimer, Boots Riley and David Robert Mitchell. Under the terms of the deal, Neon will have a first-look at Savage Rose Films’ roster of projects while Read and Carter will also run Neon’s productions, reporting to Jeff Deutchman,...
The pact comes as Neon has moved more aggressively into developing and producing its own movies, instead of focusing purely on acquiring completed films. The company’s recent foray into production have included Brandon Cronenberg’s “Infinity Pool,” Bishal Dutta’s “It Lives Inside,” Theda Hammel’s “Stress Positions,” Jazmin Jones’s “Seeking Mavis Beacon” and Tilman Singer’s “Cuckoo.” This new in-house focus also includes upcoming projects from Joshua Oppenheimer, Boots Riley and David Robert Mitchell. Under the terms of the deal, Neon will have a first-look at Savage Rose Films’ roster of projects while Read and Carter will also run Neon’s productions, reporting to Jeff Deutchman,...
- 3/26/2024
- by Brent Lang
- Variety Film + TV
After delivering one of the best stand-ups of the last few years with John Early: Now More Than Ever, the comedian is now back on the big screen, this time leading his own project. Theda Hammel’s Stress Positions, which premiered at Sundance Film Festival and closes New Directors/New Films next month, will now get a U.S. release from Neon on April 19 and the first trailer has arrived.
Lena Wilson said in her Sundance review, “Between The Sweet East and, to some extent, American Fiction, cinephiles seem to be increasing their appetite for politically incorrect commentary. Even if you are not one such moviegoer, Stress Positions, the feature debut from Theda Hammel, does not fucking care. That’s an asset before it’s a problem, but its aimless narrative and discordant visual styles undercut this film’s sharpness.”
See the trailer below for the film also starring Qaher Harhash and Theda Hammel.
Lena Wilson said in her Sundance review, “Between The Sweet East and, to some extent, American Fiction, cinephiles seem to be increasing their appetite for politically incorrect commentary. Even if you are not one such moviegoer, Stress Positions, the feature debut from Theda Hammel, does not fucking care. That’s an asset before it’s a problem, but its aimless narrative and discordant visual styles undercut this film’s sharpness.”
See the trailer below for the film also starring Qaher Harhash and Theda Hammel.
- 3/26/2024
- by Jordan Raup
- The Film Stage
Everyone is falling apart in “Stress Positions,” the Sundance premiere now opening in U.S. theaters from Neon on April 19.
The anxiety-inducing comedy directed by Theda Hammel, which she co-wrote with Faheem Ali, centers on a cluster of Brooklyn-dwelling New Yorkers spiraling during the first Covid summer of 2020 and also reeling from their own hang-ups, breakdowns, and break-ups. There’s Terry (John Early), a politically numbed basket case in the midst of a divorce, now spinning his wheels in the Brooklyn brownstone owned by the husband who’s left him. There’s his Moroccan nephew Bahlul (Qaher Harhash), a beautiful model badly injured with a broken leg and convalescing at said brownstone, with nowhere else to go and identity questions of his own. Then there’s Terry’s best friend, Karla (also played by director Hammel), a trans massage therapist in a shitty relationship with a writer (Amy Zimmer), reaping...
The anxiety-inducing comedy directed by Theda Hammel, which she co-wrote with Faheem Ali, centers on a cluster of Brooklyn-dwelling New Yorkers spiraling during the first Covid summer of 2020 and also reeling from their own hang-ups, breakdowns, and break-ups. There’s Terry (John Early), a politically numbed basket case in the midst of a divorce, now spinning his wheels in the Brooklyn brownstone owned by the husband who’s left him. There’s his Moroccan nephew Bahlul (Qaher Harhash), a beautiful model badly injured with a broken leg and convalescing at said brownstone, with nowhere else to go and identity questions of his own. Then there’s Terry’s best friend, Karla (also played by director Hammel), a trans massage therapist in a shitty relationship with a writer (Amy Zimmer), reaping...
- 3/26/2024
- by Ryan Lattanzio
- Indiewire
Neon is bolstering its production and distribution capabilities with a new financial investment from the producers of its most recent film, “Cuckoo,” which just screened at the SXSW Film Festival.
Indie-studio Neon has formed a strategic financial partnership with Waypoint Entertainment, a production company led by producer Ken Kao that’s been behind films like “The Favourite” and “The Nice Guys.” Together, the two companies will work on a slate of genre films intended for theatrical release.
The deal is non-exclusive, and no details on the slate of films were announced today — but the films will be indies in the $10 million+ range. The investment should give Neon a bit more financial firepower to compete with the likes of A24. Neon will handle global distribution on each of Waypoint’s titles via its newly-launched international sales division.
“Ken Kao and the Waypoint team have long demonstrated their commitment and unique ability to create bold,...
Indie-studio Neon has formed a strategic financial partnership with Waypoint Entertainment, a production company led by producer Ken Kao that’s been behind films like “The Favourite” and “The Nice Guys.” Together, the two companies will work on a slate of genre films intended for theatrical release.
The deal is non-exclusive, and no details on the slate of films were announced today — but the films will be indies in the $10 million+ range. The investment should give Neon a bit more financial firepower to compete with the likes of A24. Neon will handle global distribution on each of Waypoint’s titles via its newly-launched international sales division.
“Ken Kao and the Waypoint team have long demonstrated their commitment and unique ability to create bold,...
- 3/19/2024
- by Brian Welk
- Indiewire
In honor of International Women’s Day, IndieWire is pleased to share its annual female filmmakers to watch list featuring a rising assortment of women writers and directors with some of the biggest projects of the year.
On the big screen, Theda Hammel’s Sundance breakout “Stress Positions” went on to become a leading title on this year’s New Directors/New Films lineup and is set to close out the festival. Alessandra Lacorazza’s “In the Summers” won the Grand Jury prize at Sundance, and also earned Lacorazza the Directing prize. Cazzie David and Elisa Kalani co-wrote and co-directed SXSW selected film “I Love You Forever,” which is produced by Diablo Cody.
While David also co-stars in the film, another actress makes her directorial debut with a similarly sinister premiere: Anna Kendrick directs and stars in “Woman of the Hour” based on the haunting true story of the “Dating Game” killer.
On the big screen, Theda Hammel’s Sundance breakout “Stress Positions” went on to become a leading title on this year’s New Directors/New Films lineup and is set to close out the festival. Alessandra Lacorazza’s “In the Summers” won the Grand Jury prize at Sundance, and also earned Lacorazza the Directing prize. Cazzie David and Elisa Kalani co-wrote and co-directed SXSW selected film “I Love You Forever,” which is produced by Diablo Cody.
While David also co-stars in the film, another actress makes her directorial debut with a similarly sinister premiere: Anna Kendrick directs and stars in “Woman of the Hour” based on the haunting true story of the “Dating Game” killer.
- 3/8/2024
- by Samantha Bergeson
- Indiewire
It’s about time for the annual New Directors/New Films Festival. Set to take place April 3 – 14, the festival presented by Film at Lincoln Center and the Museum of Modern Art features a slew of early 2024 festival favorites. Nd/Nf opens with Sundance hit “A Different Man,” directed by breakout filmmaker Aaron Schimberg. Sebastian Stan won the Berlinale best actor award for his turn in the feature as an actor who undergoes a facial reconfiguration surgery.
Film at Lincoln Center programmer and 2024 New Directors/New Films co-chair Dan Sullivan billed “A Different Man” as a “delirious, complex, and hilarious work that evokes the best black comedies produced on the streets and inside the apartments of New York City in the 1960s and ’70s (with a healthy dash of body horror and metanarrative).”
Nd/Nf closes with fellow New York-based film “Stress Positions,” which also premiered at the 2024 Sundance Film Festival.
Film at Lincoln Center programmer and 2024 New Directors/New Films co-chair Dan Sullivan billed “A Different Man” as a “delirious, complex, and hilarious work that evokes the best black comedies produced on the streets and inside the apartments of New York City in the 1960s and ’70s (with a healthy dash of body horror and metanarrative).”
Nd/Nf closes with fellow New York-based film “Stress Positions,” which also premiered at the 2024 Sundance Film Festival.
- 3/7/2024
- by Samantha Bergeson
- Indiewire
A yearly spotlight glancing into the future of cinema, Film at Lincoln Center and the Museum of Modern Art have now announced the 53rd edition of New Directors/New Films (Nd/Nf), taking place from April 3 through April 14, 2024. Bookending the festival are a pair of Sundance hits, Aaron Schimberg’s A Different Man and Theda Hammel’s Stress Positions, while also including another major favorite from the Park City festival: India Donaldson’s Good One. Featuring prize-winners from Berlin, Cannes, Locarno, Sarajevo, and Sundance, including the revelatory Blackbird Blackbird Blackberry, it’s a robust lineup of new voices.
Dan Sullivan, Programmer, Film at Lincoln Center, and 2024 Nd/Nf Co-Chair says, “It just feels right for us to bookend this year’s edition of Nd/Nf with two exciting new features by local filmmakers, as a reminder of what Nd/Nf has always been about: early encounters between the most cutting-edge...
Dan Sullivan, Programmer, Film at Lincoln Center, and 2024 Nd/Nf Co-Chair says, “It just feels right for us to bookend this year’s edition of Nd/Nf with two exciting new features by local filmmakers, as a reminder of what Nd/Nf has always been about: early encounters between the most cutting-edge...
- 2/29/2024
- by Leonard Pearce
- The Film Stage
The New Directors/New Films lineup boasts a slew of 2024 festival breakout features.
The annual festival, presented by Film at Lincoln Center and The Museum of Modern Art, will take place from April 3 to April 14 at Film at Lincoln Center. Sundance premiere “A Different Man,” Berlinale best first feature winner “Cu Li Never Cries,” and Locarno Film Festival winner “A Good Place” are among this year’s standout titles.
The 53rd annual festival celebrates rising filmmakers who redefine the state of cinema. The 2024 lineup includes 25 features and 10 short films, including one world premiere. “A Different Man,” directed by Aaron Schimberg and co-starring Berlinale best actor winner Sebastian Stan, will open the festival April 3. Theda Hammel’s “Stress Positions,” which also premiered at the 2024 Sundance Film Festival, will close New Directors/New Films April 14. Both features were directed by New York City-based filmmakers.
“It just feels right for us to bookend...
The annual festival, presented by Film at Lincoln Center and The Museum of Modern Art, will take place from April 3 to April 14 at Film at Lincoln Center. Sundance premiere “A Different Man,” Berlinale best first feature winner “Cu Li Never Cries,” and Locarno Film Festival winner “A Good Place” are among this year’s standout titles.
The 53rd annual festival celebrates rising filmmakers who redefine the state of cinema. The 2024 lineup includes 25 features and 10 short films, including one world premiere. “A Different Man,” directed by Aaron Schimberg and co-starring Berlinale best actor winner Sebastian Stan, will open the festival April 3. Theda Hammel’s “Stress Positions,” which also premiered at the 2024 Sundance Film Festival, will close New Directors/New Films April 14. Both features were directed by New York City-based filmmakers.
“It just feels right for us to bookend...
- 2/29/2024
- by Samantha Bergeson
- Indiewire
Neon announced on Tuesday that it will bring Academy Award nominee Ava DuVernay’s acclaimed drama Origin back to 500 U.S. theaters on February 28, for a one-night-only special screening event, featuring an exclusive pre-recorded introduction and post-screening Q&a with DuVernay.
Released wide on January 19, Origin has recently been awarded Best Drama, Best Director and Best Actress by the African American Film Critics Association, also securing NAACP Image Awards nominations for Outstanding Motion Picture, Directing in a Motion Picture, Actress in a Motion Picture, and Youth Performance in a Motion Picture.
Written and directed by DuVernay, the film explores the mystery of history, the wonders of romance, and a fight for our future. While investigating the global phenomenon of caste and its dark influence on society, a journalist faces unfathomable personal loss and uncovers the beauty of human resilience.
Aunjanue Ellis-Taylor leads a cast also including Jon Bernthal, Niecy Nash-Betts,...
Released wide on January 19, Origin has recently been awarded Best Drama, Best Director and Best Actress by the African American Film Critics Association, also securing NAACP Image Awards nominations for Outstanding Motion Picture, Directing in a Motion Picture, Actress in a Motion Picture, and Youth Performance in a Motion Picture.
Written and directed by DuVernay, the film explores the mystery of history, the wonders of romance, and a fight for our future. While investigating the global phenomenon of caste and its dark influence on society, a journalist faces unfathomable personal loss and uncovers the beauty of human resilience.
Aunjanue Ellis-Taylor leads a cast also including Jon Bernthal, Niecy Nash-Betts,...
- 2/27/2024
- by Matt Grobar
- Deadline Film + TV
Unlike other film festivals around the globe, Sundance has been ahead of the curve when it comes to telling Lgbtqia+ stories whether in narrative or documentary form. That was once again evident in 2024 with the festival selecting films such as “Layla,” “Sebastian,” “My Old Ass,” “Stress Positions” and “Ponyboi.” One Next slate selection that attempted to cross the lines of both documentary and drama is Jules Rosskam’s “Desire Lines.” Sadly, like many world premieres in its genre this year, it comes up disappointingly short.
Continue reading ‘Desire Lines’ Review: A Messy Drama-Documentary Hybrid On Trans Male History at The Playlist.
Continue reading ‘Desire Lines’ Review: A Messy Drama-Documentary Hybrid On Trans Male History at The Playlist.
- 1/29/2024
- by Gregory Ellwood
- The Playlist
Between The Sweet East and, to some extent, American Fiction, cinephiles seem to be increasing their appetite for politically incorrect commentary. Even if you are not one such moviegoer, Stress Positions, the feature debut from Theda Hammel, does not fucking care. That’s an asset before it’s a problem, but its aimless narrative and discordant visual styles undercut this film’s sharpness.
Hammel also stars as Karla, a narcissistic trans woman in a resentment-ridden relationship with a lesbian novelist. The film primarily takes place in the brownstone where Karla’s friend Terry (John Early) is riding out the early stages of Covid with his nephew Bahlul (Qaher Harhash). Bahlul is a 19-year-old Moroccan model, and Terry’s gay circle––including his slutty ex-husband Leo (John Roberts)––is all atwitter at the news. Everyone is desperate to lay eyes on this model, who’s likewise eager to meet people besides Terry.
Hammel also stars as Karla, a narcissistic trans woman in a resentment-ridden relationship with a lesbian novelist. The film primarily takes place in the brownstone where Karla’s friend Terry (John Early) is riding out the early stages of Covid with his nephew Bahlul (Qaher Harhash). Bahlul is a 19-year-old Moroccan model, and Terry’s gay circle––including his slutty ex-husband Leo (John Roberts)––is all atwitter at the news. Everyone is desperate to lay eyes on this model, who’s likewise eager to meet people besides Terry.
- 1/29/2024
- by Lena Wilson
- The Film Stage
Everybody in writer-director Theda Hammel’s comedy Stress Positions wants to know about Bahlul (Qaher Harhash), the 19-year-old Moroccan model. Bahlul’s leg is broken, and he’s being nursed back to health by his white uncle, Terry Goon (John Early), who’s living in the Brooklyn “party house” of his soon-to-be-ex-husband, Leo (John Roberts). Terry shelters Bahlul like a wounded bird, vacating all evidence of whatever debauchery took place within the house and insisting that his nephew is too grievously injured for visitors. But the more that Terry tries to keep people away, the greater the mystique is attached to Bahlul.
Of course, as it’s the early days of the Covid-19 pandemic, anything that breaks the monotony of self-isolation gains a grand allure—especially if it happens to be a person whose job is to be hot for a living. Right out of the gate, Hammel’s threading...
Of course, as it’s the early days of the Covid-19 pandemic, anything that breaks the monotony of self-isolation gains a grand allure—especially if it happens to be a person whose job is to be hot for a living. Right out of the gate, Hammel’s threading...
- 1/28/2024
- by Steven Scaife
- Slant Magazine
By Abe Friedtanzer
John Early in "Stress Positions"
Since March 2020, a number of films and TV series have addressed the life-altering Covid-19 pandemic in their storylines. Often it’s fodder for comedy, since looking back at people furiously wiping down groceries and staying far, far apart from each other can be humorous in retrospect. In some cases, it’s just an extra obstacle to make life a little bit harder and more complicated. In filmmaker Theda Hammel’s feature debut, Stress Positions, staying afloat in a chaotic and isolating time is a considerable challenge for its memorable characters.
John Early stars as Terry, a recently divorced Brooklyn resident watching over his nineteen-year-old nephew from Morocco, Bahlul (Qaher Harhash), as he recovers from an accident...
John Early in "Stress Positions"
Since March 2020, a number of films and TV series have addressed the life-altering Covid-19 pandemic in their storylines. Often it’s fodder for comedy, since looking back at people furiously wiping down groceries and staying far, far apart from each other can be humorous in retrospect. In some cases, it’s just an extra obstacle to make life a little bit harder and more complicated. In filmmaker Theda Hammel’s feature debut, Stress Positions, staying afloat in a chaotic and isolating time is a considerable challenge for its memorable characters.
John Early stars as Terry, a recently divorced Brooklyn resident watching over his nineteen-year-old nephew from Morocco, Bahlul (Qaher Harhash), as he recovers from an accident...
- 1/28/2024
- by Abe Friedtanzer
- FilmExperience
‘Stress Positions’ Review: Where So Many Have Failed, This Team Delivers a Hilarious Pandemic Comedy
Building on the promise of her short film “My Trip to Spain,” which played Sundance in 2022, filmmaker Theda Hammel returns to the festival with her feature debut, “Stress Positions.” Joined by favorite collaborator and lead actor John Early, she brings along the same wry sharp humor and the same incisive parody of her generation, only this time, Hammel is playing on a bigger canvas, directing a larger cast and tackling more topics and themes. Among other things, the film might be the first genuinely enjoyable film made about the pandemic.
Set entirely within a few days in the summer of 2020, “Stress Positions” follows Terry Goon (Early) as he navigates a rather stressful few weeks. Recently divorced and unemployed, he’s living in his ex-husband’s Brooklyn brownstone, scared out of his mind about getting infected with Covid. At the same time, he’s caring for 19-year-old nephew Bahlul (Qaher Harhash...
Set entirely within a few days in the summer of 2020, “Stress Positions” follows Terry Goon (Early) as he navigates a rather stressful few weeks. Recently divorced and unemployed, he’s living in his ex-husband’s Brooklyn brownstone, scared out of his mind about getting infected with Covid. At the same time, he’s caring for 19-year-old nephew Bahlul (Qaher Harhash...
- 1/23/2024
- by Murtada Elfadl
- Variety Film + TV
One of the biggest challenges of the Sundance Film Festival is trying to fit it all in and be everywhere all at once in Park City. On Sunday morning at The Park, a group of festival insiders stayed in one place for about two hours to take in a keynote from Everything Everywhere All at Once’s Oscar-winning producer Jonathan Wang and witness two producers being singled out with awards and $10,000 grants.
It all went down as part of a producers award collaboration between the Sundance Institute and Amazon MGM Studios. The prizes — one for fiction, one for nonfiction — were awarded to producers Brad Becker-Parton of Stress Positions and Toni Kamau of The Battle for Laikipia, two films that premiered in this year’s lineup.
Becker-Parton’s other credits include Tina Satter’s Reality, starring Sydney Sweeney, and Mariama Diallo’s Master, starring Regina Hall, a Sundance selection released by...
It all went down as part of a producers award collaboration between the Sundance Institute and Amazon MGM Studios. The prizes — one for fiction, one for nonfiction — were awarded to producers Brad Becker-Parton of Stress Positions and Toni Kamau of The Battle for Laikipia, two films that premiered in this year’s lineup.
Becker-Parton’s other credits include Tina Satter’s Reality, starring Sydney Sweeney, and Mariama Diallo’s Master, starring Regina Hall, a Sundance selection released by...
- 1/22/2024
- by Chris Gardner
- The Hollywood Reporter - Movie News
On Sunday, January 21, festival attendees gathered to celebrate the unique triumphs and struggles of independent film producers at the Sundance Producers Celebration. In addition to honoring the producers of the films in this year’s festival, the event featured a keynote address from “Everything Everywhere All at Once” producer and frequent Daniels collaborator Jonathan Wang and presented the 2024 Sundance Institute | Amazon Studios Producers Awards.
Brad Becker-Parton (“Stress Positions”) received the Amazon Studios Fiction Producers Award, while Toni Kamau (“The Battle for Laikipia”) received the Amazon Studios Nonfiction Producers Award. IndieWire shares Wang’s keynote exclusively below.
Jonathan Wang: In 2015, I attended Sundance for the first time with an interactive short film called “Possibilia.” It was made by some unknown music-video nerds working under the pretentious pseudonym ‘Daniels.’ All of three people watched the film, two were Daniel Scheinert’s parents, and the third was probably a glitch in the tech.
Brad Becker-Parton (“Stress Positions”) received the Amazon Studios Fiction Producers Award, while Toni Kamau (“The Battle for Laikipia”) received the Amazon Studios Nonfiction Producers Award. IndieWire shares Wang’s keynote exclusively below.
Jonathan Wang: In 2015, I attended Sundance for the first time with an interactive short film called “Possibilia.” It was made by some unknown music-video nerds working under the pretentious pseudonym ‘Daniels.’ All of three people watched the film, two were Daniel Scheinert’s parents, and the third was probably a glitch in the tech.
- 1/21/2024
- by Christian Zilko
- Indiewire
“The Millennial Decline That’s Taking Place in the Present Moment”: Theda Hammel on Stress Positions
Premiering in the U.S. Dramatic Competition at the 2024 Sundance Film Festival, Stress Positions—the feature debut from writer, director and star Theda Hammel—takes place during the not-so-distant summer of 2020. While this setting immediately evokes recollections of quarantine, protest movements and rapidly-changing health and safety standards, Hammel isn’t striving to present a time capsule. Instead, the filmmaker opts for a satirical take on how the pandemic shaped generational notions of social justice, artistry and personal identity, particularly among New York’s well-to-do queer fringe. Hammel plays Karla, a trans woman whose relationship with Vanessa (Amy Zimmer), her cis lesbian girlfriend, has […]
The post “The Millennial Decline That’s Taking Place in the Present Moment”: Theda Hammel on Stress Positions first appeared on Filmmaker Magazine.
The post “The Millennial Decline That’s Taking Place in the Present Moment”: Theda Hammel on Stress Positions first appeared on Filmmaker Magazine.
- 1/20/2024
- by Natalia Keogan
- Filmmaker Magazine - Blog
“The Millennial Decline That’s Taking Place in the Present Moment”: Theda Hammel on Stress Positions
Premiering in the U.S. Dramatic Competition at the 2024 Sundance Film Festival, Stress Positions—the feature debut from writer, director and star Theda Hammel—takes place during the not-so-distant summer of 2020. While this setting immediately evokes recollections of quarantine, protest movements and rapidly-changing health and safety standards, Hammel isn’t striving to present a time capsule. Instead, the filmmaker opts for a satirical take on how the pandemic shaped generational notions of social justice, artistry and personal identity, particularly among New York’s well-to-do queer fringe. Hammel plays Karla, a trans woman whose relationship with Vanessa (Amy Zimmer), her cis lesbian girlfriend, has […]
The post “The Millennial Decline That’s Taking Place in the Present Moment”: Theda Hammel on Stress Positions first appeared on Filmmaker Magazine.
The post “The Millennial Decline That’s Taking Place in the Present Moment”: Theda Hammel on Stress Positions first appeared on Filmmaker Magazine.
- 1/20/2024
- by Natalia Keogan
- Filmmaker Magazine-Director Interviews
Amidst diminishing film coverage and uncertainty about the future of arthouse theatrical distribution, Sundance offers movies arriving with distribution a near-guarantee of concentrated response while also implicitly making the case for elevating those works from the content mill and going to see them in a theater if/when general audiences get a crack at them. With three features apiece, Neon and A24 are tied for most features premiering here this year, a step down from last year’s six [!] last year in the latter’s case. The first Neon title to screen is writer/director/co-editor/co-star/composer Theda Hammel’s Stress Positions, a debut feature that […]
The post Sundance 2024: Stress Positions, Veni Vidi Vici first appeared on Filmmaker Magazine.
The post Sundance 2024: Stress Positions, Veni Vidi Vici first appeared on Filmmaker Magazine.
- 1/19/2024
- by Vadim Rizov
- Filmmaker Magazine - Blog
Amidst diminishing film coverage and uncertainty about the future of arthouse theatrical distribution, Sundance offers movies arriving with distribution a near-guarantee of concentrated response while also implicitly making the case for elevating those works from the content mill and going to see them in a theater if/when general audiences get a crack at them. With three features apiece, Neon and A24 are tied for most features premiering here this year, a step down from last year’s six [!] last year in the latter’s case. The first Neon title to screen is writer/director/co-editor/co-star/composer Theda Hammel’s Stress Positions, a debut feature that […]
The post Sundance 2024: Stress Positions, Veni Vidi Vici first appeared on Filmmaker Magazine.
The post Sundance 2024: Stress Positions, Veni Vidi Vici first appeared on Filmmaker Magazine.
- 1/19/2024
- by Vadim Rizov
- Filmmaker Magazine-Director Interviews
Theda Hammel’s latest dramedy at Neon, Stress Positions, stars Hammel, John Early, Qaher Harhash, Amy Zimmer, Faheem Ali and Rebecca F. Wright. It follows Bahlul, a queer Moroccan-American model that everyone wants to meet. While moments emerge showing the glimmer of an insightful character study, the film quickly dissolves into an endurance test drowned out by superficial noise. One must tip the cap to Hammel’s sheer feat of micro-budget production, but her organic style choices bewilder more than enlighten.
The film follows Bahlul (Harhash), a 20-year old spending his time in recovery from a broken leg with his uncle Terry (Early) in Brooklyn. Terry is not Moroccan but American and white, and they are family by marriage. The injured Bahlul meets a cast of eccentric characters including Terry’s best friend Karla (Hammel); Karla‘s girlfriend Vanessa (Zimmer); Terry’s husband Leo (John Roberts); Ronald (Ali), the local...
The film follows Bahlul (Harhash), a 20-year old spending his time in recovery from a broken leg with his uncle Terry (Early) in Brooklyn. Terry is not Moroccan but American and white, and they are family by marriage. The injured Bahlul meets a cast of eccentric characters including Terry’s best friend Karla (Hammel); Karla‘s girlfriend Vanessa (Zimmer); Terry’s husband Leo (John Roberts); Ronald (Ali), the local...
- 1/19/2024
- by Valerie Complex
- Deadline Film + TV
Park City – It’s 2024. Are you ready for a movie set in the pandemic summer of 2020? Or, like September 11th, another historical event that was hard for Americans to stomach on screen for a good while, do you need a decade or so to process? Your answer to those questions will likely, for better or worse, determine your opinion of Theda Hammel’s “Stress Positions” which debuted at this year’s Sundance Film Festival.
Continue reading ‘Stress Positions’ Review: These Brooklyn Millennial Queers Were Not All Right [Sundance] at The Playlist.
Continue reading ‘Stress Positions’ Review: These Brooklyn Millennial Queers Were Not All Right [Sundance] at The Playlist.
- 1/19/2024
- by Gregory Ellwood
- The Playlist
The summer of 2020 shouldn’t project beautiful memories onto the brain maps of those who endured it, but Theda Hammel’s anxiety-addled screwball feature debut “Stress Positions,” set around that Covid Fourth of July in New York, asks you to relive the scary days of sheltering in place, banging pots and pans in solidarity with health care workers, and social distancing whenever it was convenient or made you look like you stood for something.
“Stress Positions” mines the gap between the dark bookend of events that shaped millennial lives — September 11 and the pandemic — and that between liberal-posturing millennials and a Gen Z with a less fussy, more hopeful worldview. Hammel’s muses and emissaries on either side of the dichotomy in a comedy swirling with ideas are comedian John Early as a gay soon-to-be-divorcee and Qaher Harhash as his nephew, a 19-year-old Moroccan model with identity-shifting questions of his own.
“Stress Positions” mines the gap between the dark bookend of events that shaped millennial lives — September 11 and the pandemic — and that between liberal-posturing millennials and a Gen Z with a less fussy, more hopeful worldview. Hammel’s muses and emissaries on either side of the dichotomy in a comedy swirling with ideas are comedian John Early as a gay soon-to-be-divorcee and Qaher Harhash as his nephew, a 19-year-old Moroccan model with identity-shifting questions of his own.
- 1/19/2024
- by Ryan Lattanzio
- Indiewire
Not much is funny about those terrifying early days of Covid, when the world was cloaked in an apocalyptic doom and the president was telling us to inject bleach. But in “Stress Positions,” Theda Hammel miraculously finds the funny side of lockdown, mining the masks, Purell and social distancing that defined that unhappy era for physical comedy.
“Those gestures are like balloons, and they’re filled with the sense of danger and a sense of peril,” Hammel says of the Sundance-bound film that she directed and co-wrote. “And as soon as the urgency drains away, these behaviors seem ridiculous.”
“Stress Positions,” which follows a 30-something gay man named Terry (John Early) who is trying — and largely failing — to look after his injured Moroccan nephew Bahlul (Qaher Harhash) when the pandemic hits, also wants to use the all-too-recent past to skewer millennial mores. In Early, her friend and frequent collaborator, Hammel found the perfect muse.
“Those gestures are like balloons, and they’re filled with the sense of danger and a sense of peril,” Hammel says of the Sundance-bound film that she directed and co-wrote. “And as soon as the urgency drains away, these behaviors seem ridiculous.”
“Stress Positions,” which follows a 30-something gay man named Terry (John Early) who is trying — and largely failing — to look after his injured Moroccan nephew Bahlul (Qaher Harhash) when the pandemic hits, also wants to use the all-too-recent past to skewer millennial mores. In Early, her friend and frequent collaborator, Hammel found the perfect muse.
- 1/18/2024
- by Brent Lang
- Variety Film + TV
Woody Harrelson is channeling his “Edge of Seventeen” sensibilities for Sundance film “Suncoast.”
The “True Detective” alum appears in writer-director Laura Chinn’s coming-of-age feature debut “Suncoast” alongside Nico Parker. Inspired by Chinn’s semi-autobiographical story, “Suncoast” follows a teen (Parker) who, while caring for her brother along with her audacious mother (Laura Linney), strikes up an unlikely friendship with an eccentric activist (Harrelson) who is protesting one of the most landmark medical cases of all time.
Parker and Harrelson’s characters bond over their shared grief, with the title coming from the Suncoast hospital center where Parker’s brother is being treated. Ella Anderson, Daniella Taylor, Amarr, and Ariel Martin also star.
The film is having its world premiere in the U.S. Dramatic Competition category at Sundance 2024. Jeremy Plager, Francesca Silvestri, Kevin Chinoy, and Oly Obst produce the Searchlight Pictures film.
“Suncoast” lead Parker is the daughter of Thandiwe Newtown and Ol Parker.
The “True Detective” alum appears in writer-director Laura Chinn’s coming-of-age feature debut “Suncoast” alongside Nico Parker. Inspired by Chinn’s semi-autobiographical story, “Suncoast” follows a teen (Parker) who, while caring for her brother along with her audacious mother (Laura Linney), strikes up an unlikely friendship with an eccentric activist (Harrelson) who is protesting one of the most landmark medical cases of all time.
Parker and Harrelson’s characters bond over their shared grief, with the title coming from the Suncoast hospital center where Parker’s brother is being treated. Ella Anderson, Daniella Taylor, Amarr, and Ariel Martin also star.
The film is having its world premiere in the U.S. Dramatic Competition category at Sundance 2024. Jeremy Plager, Francesca Silvestri, Kevin Chinoy, and Oly Obst produce the Searchlight Pictures film.
“Suncoast” lead Parker is the daughter of Thandiwe Newtown and Ol Parker.
- 1/17/2024
- by Samantha Bergeson
- Indiewire
Festival runs January 18-28.
Sundance Film Festival kicks off on Thursday when the industry will gather on the mountain to put the world to rights and buyers will engage in the annual hunt for the festival’s must-have acquisition titles.
Streamers and theatrical buyers will vie for coveted breakouts and while there will almost certainly be a number of on-site deals as there were last year when Netflix swooped on Fair Play in a $20m deal, Apple forked out close to that amount for Flora And Son, and Searchlight Pictures paid $8m for Theater Camp, the post-Covid deal lag will...
Sundance Film Festival kicks off on Thursday when the industry will gather on the mountain to put the world to rights and buyers will engage in the annual hunt for the festival’s must-have acquisition titles.
Streamers and theatrical buyers will vie for coveted breakouts and while there will almost certainly be a number of on-site deals as there were last year when Netflix swooped on Fair Play in a $20m deal, Apple forked out close to that amount for Flora And Son, and Searchlight Pictures paid $8m for Theater Camp, the post-Covid deal lag will...
- 1/17/2024
- by Jeremy Kay
- ScreenDaily
Writer-director Nathan Silver is harnessing a crisis of faith for his irreverent comedy “Between the Temples,” debuting at the 2024 Sundance Film Festival.
Silver, who has written and directed nine feature films and has had projects premiere at NYFF, Venice, Tribeca, AFI, Locarno, and Rotterdam, is making his Sundance debut with the feature. Silver was previously rejected by Sundance many times before “Between the Temples” landed in the U.S. Dramatic Competition programming lineup, his first time competing at the festival. “Between the Temples” is also among IndieWire’s must-see films at this year’s festival.
In “Between the Temples,” a cantor (Jason Schwartzman) in a crisis of faith finds his world turned upside down when his grade school music teacher reenters his life as his new adult bat mitzvah student (Carol Kane).
Robert Smigel, Annie Hamilton, Madeline Weinstein, and “Triangle of Sadness” alum Dolly de Leon also star.
“Between the Temples...
Silver, who has written and directed nine feature films and has had projects premiere at NYFF, Venice, Tribeca, AFI, Locarno, and Rotterdam, is making his Sundance debut with the feature. Silver was previously rejected by Sundance many times before “Between the Temples” landed in the U.S. Dramatic Competition programming lineup, his first time competing at the festival. “Between the Temples” is also among IndieWire’s must-see films at this year’s festival.
In “Between the Temples,” a cantor (Jason Schwartzman) in a crisis of faith finds his world turned upside down when his grade school music teacher reenters his life as his new adult bat mitzvah student (Carol Kane).
Robert Smigel, Annie Hamilton, Madeline Weinstein, and “Triangle of Sadness” alum Dolly de Leon also star.
“Between the Temples...
- 1/16/2024
- by Samantha Bergeson
- Indiewire
What was the biggest story at Sundance last year? That’s easy: when “Coda” sold big in 2021 and went on to win Best Picture in 2022. Would that happen in 2023? It didn’t, and what did happen at last year’s festival and what it means for the market in Park City in 2024 is now harder to pin down.
It might be the story of “Fair Play,” which sold to Netflix for $20 million and was the biggest sale in a market that also included aggressive bidding wars for “Flora and Son” (Apple) and “Theater Camp” (Searchlight). It could be the tale of “Talk to Me,” which A24 knew how to market into a $92 million worldwide box office hit when nothing else that premiered at the festival gained nearly the same box office traction. Or it could be that Lily Gladstone is taking time out of the Oscar circuit to hype “Fancy Dance,...
It might be the story of “Fair Play,” which sold to Netflix for $20 million and was the biggest sale in a market that also included aggressive bidding wars for “Flora and Son” (Apple) and “Theater Camp” (Searchlight). It could be the tale of “Talk to Me,” which A24 knew how to market into a $92 million worldwide box office hit when nothing else that premiered at the festival gained nearly the same box office traction. Or it could be that Lily Gladstone is taking time out of the Oscar circuit to hype “Fancy Dance,...
- 1/15/2024
- by Brian Welk
- Indiewire
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