A documentary about legendary songwriter and 70's icon Paul Williams.A documentary about legendary songwriter and 70's icon Paul Williams.A documentary about legendary songwriter and 70's icon Paul Williams.
- Awards
- 4 nominations total
Warren Beatty
- Self
- (archive footage)
Robert Blake
- Self
- (archive footage)
Karen Carpenter
- Self
- (archive footage)
Richard Carpenter
- Self
- (archive footage)
Johnny Carson
- Self
- (archive footage)
Dick Clark
- Self
- (archive footage)
Angie Dickinson
- Self
- (archive footage)
Daryl Dragon
- Self
- (archive footage)
Kermit the Frog
- Self
- (archive footage)
Debbie Harry
- Self
- (archive footage)
Dustin Hoffman
- Self
- (archive footage)
Gabe Kaplan
- Self
- (archive footage)
Jack Klugman
- Self
- (archive footage)
Peter Lawford
- Self
- (archive footage)
Pat McCormick
- Self
- (archive footage)
Ed McMahon
- Self
- (archive footage)
Jason Mraz
- Self
- (archive footage)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- ConnectionsFeatures The Mike Douglas Show (1961)
- SoundtracksStill Alive
Written & Performed by Paul Williams
Featured review
The gist of "Paul Williams Still Alive" (which I caught at its final SXSW screening in Austin this March) is simply this: would-be feature film documentary maker Stephen Kessler was so obsessed with the way the AM-radio hits penned by diminutive 1970s entertainer Paul Williams had made his teen-aged heart go all a-flutter that he decided to make a documentary about Williams -- without even realizing that his "late, great" musical hero was still very much alive!
This is a cinematic concept that should'nt have worked -- but, thank the Pop Culture gods, it did!
Mind you, it never would have come close to passing muster if Williams hadn't kept a veritably complete reference library of his clips on every bad music, comedy, variety, game and chat show that existed during the 70s and 80s. Nor would it have worked if Williams hadn't allowed Kessler full use of that library to reveal the inevitable downhill slide that nearly all of Hollywood's denizens of that time period were prone to follow!
For his part, Kessler reveals himself to be (potentially) the world's worst director of a film like this as well! It's only when he and his childhood hero miraculously find them-selves on "the same page" (courtesy of an encounter with third-world terrorism, of all things!) that the alchemy begins to take place and the hill of Tinseltown dross turns miraculously into a mountain of pure gold!!!
Fans of schlock will be delighted either way, as they roll about ecstatically in the slushy mounds of 70s celebrity offal expelled by the coked-up likes of Robert Blake, Karen Carpenter, Dick Clark, Kermit the Frog, Jack Klugman, Peter Lawford, Tony Randall, Burt Reynolds, Telly Savalas, Barbra Streisand, John Travolta and more!
But more sensitive viewers will find themselves fighting to hold back the tears as the characters refuse to merely remain the two-dimensional "stars" that we enjoyed chuckling derisively at on our little cathode-ray tubes.
Watch in stunned semi-silence as a slack-jawed star-gazer, obsessed with the tear-jerking tune-age that kept his appreciation of Paul Williams from advancing beyond the analytical level of a 12-year-old, metamorphoses into an insightful, savvy observer of character before your very eyes! Shudder in awe as the short-statured subject reveals himself to be more than worth the effort of analyzing!
Whether your personal reference point to Williams is The Muppets ("The Rainbow Connection"), The Carpenters (Rainy Days & Mondays"), or Brian DePalma's midnight movie cult classic "The Phantom of the Paradise", you can trust me at least on one thing about this film: it WILL make you glad that Paul Williams is still alive!
-- Kenneth W. Lieck
This is a cinematic concept that should'nt have worked -- but, thank the Pop Culture gods, it did!
Mind you, it never would have come close to passing muster if Williams hadn't kept a veritably complete reference library of his clips on every bad music, comedy, variety, game and chat show that existed during the 70s and 80s. Nor would it have worked if Williams hadn't allowed Kessler full use of that library to reveal the inevitable downhill slide that nearly all of Hollywood's denizens of that time period were prone to follow!
For his part, Kessler reveals himself to be (potentially) the world's worst director of a film like this as well! It's only when he and his childhood hero miraculously find them-selves on "the same page" (courtesy of an encounter with third-world terrorism, of all things!) that the alchemy begins to take place and the hill of Tinseltown dross turns miraculously into a mountain of pure gold!!!
Fans of schlock will be delighted either way, as they roll about ecstatically in the slushy mounds of 70s celebrity offal expelled by the coked-up likes of Robert Blake, Karen Carpenter, Dick Clark, Kermit the Frog, Jack Klugman, Peter Lawford, Tony Randall, Burt Reynolds, Telly Savalas, Barbra Streisand, John Travolta and more!
But more sensitive viewers will find themselves fighting to hold back the tears as the characters refuse to merely remain the two-dimensional "stars" that we enjoyed chuckling derisively at on our little cathode-ray tubes.
Watch in stunned semi-silence as a slack-jawed star-gazer, obsessed with the tear-jerking tune-age that kept his appreciation of Paul Williams from advancing beyond the analytical level of a 12-year-old, metamorphoses into an insightful, savvy observer of character before your very eyes! Shudder in awe as the short-statured subject reveals himself to be more than worth the effort of analyzing!
Whether your personal reference point to Williams is The Muppets ("The Rainbow Connection"), The Carpenters (Rainy Days & Mondays"), or Brian DePalma's midnight movie cult classic "The Phantom of the Paradise", you can trust me at least on one thing about this film: it WILL make you glad that Paul Williams is still alive!
-- Kenneth W. Lieck
- middlenamewayne
- Apr 7, 2012
- Permalink
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- 保羅威廉斯旋風再起
- Filming locations
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $38,691
- Opening weekend US & Canada
- $6,116
- Jun 10, 2012
- Gross worldwide
- $38,691
- Runtime1 hour 27 minutes
- Color
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Top Gap
By what name was Paul Williams: Still Alive (2011) officially released in Canada in English?
Answer