16 nominees in each category will compete in the first round of voting.
France’s Cesar Academy has revealed the breakout stars selected for its annual Revelations list of local up-and-coming talent who will vie in the most promising actor and actress categories at the 2024 awards set for February 23 in Paris.
16 nominees in each category will compete in the first round of voting among Academy members, that will then be whittled down to five in each category.
The Revelations committee is comprised of 18 casting directors active in French film production and is then validated by the board of the Academy.
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France’s Cesar Academy has revealed the breakout stars selected for its annual Revelations list of local up-and-coming talent who will vie in the most promising actor and actress categories at the 2024 awards set for February 23 in Paris.
16 nominees in each category will compete in the first round of voting among Academy members, that will then be whittled down to five in each category.
The Revelations committee is comprised of 18 casting directors active in French film production and is then validated by the board of the Academy.
Scroll...
- 11/16/2023
- by Rebecca Leffler
- ScreenDaily
France’s César Academy has unveiled its annual Revelations list showcasing 32 emerging acting talents making their mark in the French-speaking cinema world.
The 16 selected actresses include Suzy Bemba for her performance year in Catherine Corsini’s Homecoming. Bemba was also seen in Venice Golden Lion winner Poor Things this year.
The selection also features Rebecca Marder for Corsica-set thriller Grand Expectations; Garance Marillier, for bio-pic Marinette about French female soccer pioneer Marinette Pichon, and Park Ji-min for her award-winning performance in Return To Seoul.
The actor list includes Milo Machado Graner, who plays the visually impaired son in Justine Triet’s Anatomy of a Fall, Marc Zinga’s for his performance in Belgium’s Oscar entry Omen and Samuel Kircher for Catherine Breillat’s taboo-breaking drama Last Summer. His brother Paul Kircher is also in the selection for The Animal Kingdom.
The talents were selected by a committee of...
The 16 selected actresses include Suzy Bemba for her performance year in Catherine Corsini’s Homecoming. Bemba was also seen in Venice Golden Lion winner Poor Things this year.
The selection also features Rebecca Marder for Corsica-set thriller Grand Expectations; Garance Marillier, for bio-pic Marinette about French female soccer pioneer Marinette Pichon, and Park Ji-min for her award-winning performance in Return To Seoul.
The actor list includes Milo Machado Graner, who plays the visually impaired son in Justine Triet’s Anatomy of a Fall, Marc Zinga’s for his performance in Belgium’s Oscar entry Omen and Samuel Kircher for Catherine Breillat’s taboo-breaking drama Last Summer. His brother Paul Kircher is also in the selection for The Animal Kingdom.
The talents were selected by a committee of...
- 11/16/2023
- by Melanie Goodfellow
- Deadline Film + TV
- 11/7/2023
- by Alex Billington
- firstshowing.net
Sundance documentary “Stephen Curry: Underrated” and SXSW television premiere “I’m a Virgo” will open and close Sffilm, the 66th annual San Francisco International Film Festival.
Sffilm unveiled the full lineup for the fest along with the openers and closers. The Bay Area film festival, which screens in theaters across San Francisco as well as Oakland and Berkeley, will host 50 feature film programs (includes Workshop and “mid-lengths”), 46 shorts, and one TV screening (“I’m a Virgo”). Both directors behind “I’m a Virgo” and “Underrated” — Boots Riley and Peter Nicks — grew up in the Bay Area, more specifically in Oakland. Other films from Bay Area filmmakers whose projects will screen include W. Kamau Bell’s “1000% Me: Growing Up Mixed,” Savanah Leaf’s “Earth Mama,” and Babak Jalali’s “Fremont.”
“It is Sffilm Festival season once again and I cannot wait to share this year’s program with local audiences,” Jessie Fairbanks, Sffilm’s director of programming,...
Sffilm unveiled the full lineup for the fest along with the openers and closers. The Bay Area film festival, which screens in theaters across San Francisco as well as Oakland and Berkeley, will host 50 feature film programs (includes Workshop and “mid-lengths”), 46 shorts, and one TV screening (“I’m a Virgo”). Both directors behind “I’m a Virgo” and “Underrated” — Boots Riley and Peter Nicks — grew up in the Bay Area, more specifically in Oakland. Other films from Bay Area filmmakers whose projects will screen include W. Kamau Bell’s “1000% Me: Growing Up Mixed,” Savanah Leaf’s “Earth Mama,” and Babak Jalali’s “Fremont.”
“It is Sffilm Festival season once again and I cannot wait to share this year’s program with local audiences,” Jessie Fairbanks, Sffilm’s director of programming,...
- 3/22/2023
- by Wilson Chapman
- Indiewire
The planets aligned for self-declared fanboy French Burkinabé director Cédric Ido, to will his long-gestating sci-fi caper – the futuristic and gritty Parisian-set thriller “The Gravity” into being, despite reluctance from the French film biz to dig into funding for genre movies.
The actor-director deftly mixes up Japanese mythology and a mysterious solar system alignment for a surrealistic take in his second feature that upends the status quo of a Parisian suburb slowly getting engulfed in cosmic chaos.
“The Gravity” played last week as part of the lineup of the 5th Joburg Film Festival in South Africa, with Ido telling Variety the biggest challenge was getting buy-in for the colorful project.
” ‘Gravity’s’ a script that I had in mind for such a long time. At the same time, it’s very personal, like many aspects of the relationship between the characters and also the background – being from the suburbs, the banlieue.
The actor-director deftly mixes up Japanese mythology and a mysterious solar system alignment for a surrealistic take in his second feature that upends the status quo of a Parisian suburb slowly getting engulfed in cosmic chaos.
“The Gravity” played last week as part of the lineup of the 5th Joburg Film Festival in South Africa, with Ido telling Variety the biggest challenge was getting buy-in for the colorful project.
” ‘Gravity’s’ a script that I had in mind for such a long time. At the same time, it’s very personal, like many aspects of the relationship between the characters and also the background – being from the suburbs, the banlieue.
- 2/6/2023
- by Thinus Ferreira
- Variety Film + TV
Returning to Johannesburg cinemas for the first time since the outbreak of the coronavirus pandemic in 2020, the Joburg Film Festival kicked off its 5th edition with a joyful relaunch on Tuesday night, as local luminaries walked a gold carpet in Nelson Mandela Square in honor of the festival’s slogan, “Our Stories. Our Gold,” and the crowd was serenaded with a soaring performance from South African soprano Zandile Mzazi and singer Thandiswa Mazwai.
The event, which runs Jan. 31 – Feb. 5, bowed with the African premiere of “Xalé” (pictured), from veteran Senegalese director Moussa Sène Absa, a story of female subjugation and self-liberation that opened last year’s BFI Film Festival and was the West African nation’s entry in the 2023 international feature film Oscar race.
The festival wraps with “The Umbrella Men,” by local helmer John Barker (“Wonder Boy for President”), a caper comedy about first-time bank robbers pulling a heist...
The event, which runs Jan. 31 – Feb. 5, bowed with the African premiere of “Xalé” (pictured), from veteran Senegalese director Moussa Sène Absa, a story of female subjugation and self-liberation that opened last year’s BFI Film Festival and was the West African nation’s entry in the 2023 international feature film Oscar race.
The festival wraps with “The Umbrella Men,” by local helmer John Barker (“Wonder Boy for President”), a caper comedy about first-time bank robbers pulling a heist...
- 2/1/2023
- by Christopher Vourlias
- Variety Film + TV
The Miami Film Festival will celebrate its 40th anniversary this year. The festival, which runs from March 3 to March 12, includes 12 world premieres. The event will open with Ray Romano’s “Somewhere in Queens” and close with Stephen Frears’ “The Lost King.” The festival will screen a total of 140 films from more than 30 countries.
Director of programming Lauren Cohen said, “In our fourth decade of programming, we’re proud to continue bringing a diversity of top-quality films to increasingly sophisticated audiences.”
Four centerpiece presentations will take place during the festival, spotlighting key films with directors in attendance for post-screening Q&As. Included in that slate are Stephen Williams’ “Chevalier,” starring Kelvin Harrison, Samara Weaving, Lucy Boynton and Minnie Driver; Benjamin Millepied’s “Carmen,” starring Melissa Barrera, Paul Mescal and Rossy De Palma; Dani de la Orden and Àlex Murull’s “The Final Game (42 Segundo)”; and Davina Pardo and Leah Wolchok’s “Judy Blume Forever.
Director of programming Lauren Cohen said, “In our fourth decade of programming, we’re proud to continue bringing a diversity of top-quality films to increasingly sophisticated audiences.”
Four centerpiece presentations will take place during the festival, spotlighting key films with directors in attendance for post-screening Q&As. Included in that slate are Stephen Williams’ “Chevalier,” starring Kelvin Harrison, Samara Weaving, Lucy Boynton and Minnie Driver; Benjamin Millepied’s “Carmen,” starring Melissa Barrera, Paul Mescal and Rossy De Palma; Dani de la Orden and Àlex Murull’s “The Final Game (42 Segundo)”; and Davina Pardo and Leah Wolchok’s “Judy Blume Forever.
- 1/31/2023
- by Charna Flam
- Variety Film + TV
Planet Alignment: Ito Brings Sci-fi to banlieue Drama
A standard issue banlieue crime pic is mashed up with thinly developed sci-fi elements in The Gravity (La Gravité), a film that, despite its efforts to reinvent genre tropes, nevertheless feels utterly routine. A somewhat ambitious step forward for French-Burkinabé filmmaker Cédric Ido, the film dangles a handful of themes about loyalty and brotherhood among the underclass but never engages with them enough to have something meaningful to say.
Times may change, but the street code of the banlieue of Stains, France remains the same: stay true to your turf and never turn your back on the neighborhood.…...
A standard issue banlieue crime pic is mashed up with thinly developed sci-fi elements in The Gravity (La Gravité), a film that, despite its efforts to reinvent genre tropes, nevertheless feels utterly routine. A somewhat ambitious step forward for French-Burkinabé filmmaker Cédric Ido, the film dangles a handful of themes about loyalty and brotherhood among the underclass but never engages with them enough to have something meaningful to say.
Times may change, but the street code of the banlieue of Stains, France remains the same: stay true to your turf and never turn your back on the neighborhood.…...
- 9/15/2022
- by Kevin Jagernauth
- IONCINEMA.com
Click here to read the full article.
The Oldenburg Film Festival, Germany’s leading fest for independent cinema, has announced its 2022 lineup.
The 29th Oldenburg Festival will kick off Sept. 14 with The Ordinaries, the first feature from German director Sophie Linnenbaum. The meta tragicomedy stars Fine Sendel as Paula, a simple Supporting Character in a repressive three class-society where there are Main Characters, Supporting Characters and the untouchable Outtakes. The Ordinaries premiered at the Munich festival this year, winning Linnebaum and her production team the German Cinema New Talent Award.
Also screening at Oldenburg this year will be Lola Quivoron’s Rodeo, which premiered in Cannes, Colin West’s SXSW sci-fi comedy Linoleum starring Jim Gaffigan and Better Caul Saul‘s Rhea Seehorn; TIFF 2022 title The Gravity from French director Cédric Ido; Andrea Bagney’s Spanish drama Ramona, which prmiered in Karlovy Vary this year; and Jean-Paul Civeyrac’s A Woman...
The Oldenburg Film Festival, Germany’s leading fest for independent cinema, has announced its 2022 lineup.
The 29th Oldenburg Festival will kick off Sept. 14 with The Ordinaries, the first feature from German director Sophie Linnenbaum. The meta tragicomedy stars Fine Sendel as Paula, a simple Supporting Character in a repressive three class-society where there are Main Characters, Supporting Characters and the untouchable Outtakes. The Ordinaries premiered at the Munich festival this year, winning Linnebaum and her production team the German Cinema New Talent Award.
Also screening at Oldenburg this year will be Lola Quivoron’s Rodeo, which premiered in Cannes, Colin West’s SXSW sci-fi comedy Linoleum starring Jim Gaffigan and Better Caul Saul‘s Rhea Seehorn; TIFF 2022 title The Gravity from French director Cédric Ido; Andrea Bagney’s Spanish drama Ramona, which prmiered in Karlovy Vary this year; and Jean-Paul Civeyrac’s A Woman...
- 9/2/2022
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Exploring Paris’ working-class suburbs with a fresh set of eyes while reframing the immigrant experience under a more incisive lens, a dynamic generation is blazing new trails in French cinema.
And if artists like “Saint Omer” filmmaker Alice Diop, “Athena” co-writer Ladj Ly, and “The Gravity” writer/director Cedric Ido share little in common but age – interestingly enough, all were born within one or two years of one another – the group’s shared spotlight in Venice and Toronto certainly reflects a rise in opportunity for diverse perspectives.
“Today, we do see renewal,” says Unifrance managing director Daniela Elstner. “There’s an altogether new breath, a young generation looking to change, to dare, and to propose new kinds of films, [and with that] a willingness on the part of festival programmers to welcome these filmmakers into main competitions a little bit faster than before.”
Of course, opportunities tend to compound and build, so before...
And if artists like “Saint Omer” filmmaker Alice Diop, “Athena” co-writer Ladj Ly, and “The Gravity” writer/director Cedric Ido share little in common but age – interestingly enough, all were born within one or two years of one another – the group’s shared spotlight in Venice and Toronto certainly reflects a rise in opportunity for diverse perspectives.
“Today, we do see renewal,” says Unifrance managing director Daniela Elstner. “There’s an altogether new breath, a young generation looking to change, to dare, and to propose new kinds of films, [and with that] a willingness on the part of festival programmers to welcome these filmmakers into main competitions a little bit faster than before.”
Of course, opportunities tend to compound and build, so before...
- 8/31/2022
- by Ben Croll
- Variety Film + TV
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